This book is crap. Utter crap. Not bad enough to be considered a piece of shit, but it's still a pretty bad read. Granted, Goodreads doesn't let you give zero stars in a review, which is why some people give one star to what would otherwise be considered zero, so that means I'm technically giving this book one star.
I couldn't even make it in half way before I caught myself scanning over the pages.
Ugh, what a waste of money.
Don't listen to the positive reviews!
The last few of Lynsay Sand's vampire stories were pretty bad, and this isn't much better. I thought it would be; it's only been out for a few months now, and the reviews on here made it seem like she'd picked herself back up. I was mistaken. Sorely mistaken.
The premises of this novel sounded promising, and that's what interested me. I saw the few reviews on Goodreads and many of them even stated how the author seemed to have gotten better from her last few. So with all this in mind, I figured, "Why not?" I picked it up to give it a go.
I never recalled her writing to be so wordy when I read the first few of her series, but Lynsay Sands enjoys using TONS of adverbs to express her dialogue AFTER the characters have already said it. Like all her recent novels, she enjoys using the phrase, "s/he said grimly" so much that if I see it written anywhere else, I'm instantly aggrieved. She doesn't take the time to paint the characters very well, using more quick fixes to throw paint up than to actually use adequate detail to paint a masterpiece. Yes, a writer doesn't have to tell the reader EVERY detail, but keep in mind "thick black lashes" is a lot blander than saying, "black crescents fanned across her cheekbones when she blinked,"--or something like that. There are ways to throw globs of paint onto a canvas, and ways to fine-tune specific details to make the rest of the picture stand out. Karen Marie Moning does this VERY well, as does Kresley Cole in her Immortals After Dark series.
Another thing that's bothering me about this book is the main characters. Can Lynsay Sands NOT write a novel where the main two characters resolve their problems alone? Once again, she has to include outside characters to help the main two fall in love. There is no longer any "you and me fight it out", for she now has everything along the lines of, "I'm here to tell you why my friend is not actually a bad guy". Call me old school, but I don't like people getting in the middle of my personal affairs. If I'm working on some form of relationship with somebody, the last thing I need is for an outsider to tell me how I'm being ill-mannered and need assistance.
Let the characters develop a relationship by themselves!
And what bugs the hell out of me is how these outsiders are influencing things. The girl is married for Christ's sake! You're ripping her away from her husband and taking her away from her home to teach her how to be a vampire, which winds up giving some random guy the chance to put the moves on her, hoping to steal her away from her husband. I don't care if said husband will probably end up being a scum-sucker, as he's probably already cheating on her (I haven't even made it halfway through the book, but I wouldn't doubt this is the generic path the author took), but you're basically THROWING these two characters together, telling them to fall in love. This isn't helping the reader see the characters develop a relationship; this is just telling the reader that "these two are pitted together and little at a time they start developing feelings for one another". There's no heat, no fire, no passion. The earlier books in this series all had heat and fire, specifically Bite Me If You Can with Lucian and Leigh (the culprits of this recent disaster), had TONS of fire burning out of control between the two characters. Was anyone there to put it out? NOPE! Margaret rushed off to go formulate her own novel, leaving Lucian practically alone to deal with the developing relationship between him and Leigh. AND IT WAS HOT!!!!! After nearly every hot flash that book had given me, I'd shoot Lynsay a message on MySpace (back in the day) and tell her, and she'd respond in kind with ways to make those scenes even better.
Lynsay Sands also has an enjoyable tendency to do some SEVERE infodumps. Talk about boring! If I ever need to find a book that puts me to sleep in seconds, I just have to pick up one of hers because all the overwriting of infodumps knocks me out flat. Backstory isn't a desirable story trait. Give us what we NEED to know for the plot, to help it move forward, and leave the rest out!!!!!!
It's pretty clear how Lynsay Sands washed up. She should have quit while she was ahead, before she started the Rogue Hunter series and on. This is a clear example of what happens when a writer rushes out book after book to meet a deadline. There is no love, no time, no substance of any value. It's just words on a paper to push the series on. It's time the series ends. Or at the very least, take a break and slow down. For as much help as Lynsay had given me over my own writing back then, I fear for her as an author today. Like Kerrelyn Sparks, the writing has become lackluster.
This is not a keeper, and it's going in my toss pile.