In the last book, we found out Maura doesn't like music (amongst a slew of other things, though she seems to be changing her tune, pun intended, after cashing in big on a musical event). In "A Turn for the Bad", the reader learns she doesn't like walks along the shore or swimming, all before Chapter One ends. Is there anything she does like to do, aside from worrying and complaining? Little wonder she has no friends. And she treats Gillian, the one person trying to forge a friendship with her, to her snide and grouchy personality in response, unexpected after Maura offered Gillian a place to stay. I can't figure out why TWO men are interested in winning Maura's affections.
Unfortunately in this book, Sheila Connolly becomes one of those authors that belittles all churchgoing people as judgmental. Doesn't that make her, well, a little judgmental? Irony anyone? Look, I have no problem with Gillian's parents (churchgoers) being portrayed as judgmental, but why couch the conversation in language which implies all churchgoers are judgmental?
Sloppy writing on page 70 where Conor is taking a drink from his pint before Maura slides it across the bar to him. I also remember another spot where Gillian is referred to as Bridget. Ms. Connolly needs to find a better editor because these kind of mistakes seem to happen in every book.
Maura is always having to remind herself how small Ireland is, amongst other mental laments torturing her mind over three, now four, books. Yawn. The repetition is getting really annoying. And there's a lot of sitting around with nothing going on in this book. Too much telling and not enough showing, especially regarding the big showdown at the end.
According to Maura and her friends, the gardai don't know John Tully may be on the smugglers' boat. Really? Then they must be pretty dumb if it's not even considered a possibility. And the whole rescue scenario was completely implausible. Not to mention, I'm still trying to figure out how Maura is deemed the hero when she wasn't even around to help rescue John Tully. Simply because she figures out the obvious (as the gardai should have done)? If so, there must be a lot of dense people in the area. And are they so lacking in initiative only Maura's presence will exhort them to put their minds to the problem of John's disappearance?
A cast of likeable secondary characters (Gillian, Rose, Bridget, Old Billy) keeps the book's rating from dropping to one star. Having such an unlikeable main character, however, tends to bring the rating down. I'm thinking I need to space my reading of this series further apart. Maura is just too annoying otherwise.