This book will probably appeal mainly to those people who were in their teens in the 1960s and 70s in Madras and were also avid cricket lovers at that time. Even the author seems to have resigned himself to this fact because the book has a few Tamil expressions without even any attempts at a translation as if to imply that the people who will read it mostly would belong to this group. Since I fall into this demographic, I did certainly enjoy reading it because the book talks about the cricketing exploits of so many ordinary middle-class cricketers who delighted the spectators in Madras and Hyderabad with their great skills in batting and bowling but never got to playing for India at the Test level. The author himself was one of those unfortunate ones. The book is as much about the cricketing life of the off-spinner Ramnarayan (aka the author) who played first-class level cricket for Hyderabad in the 1970s, as it is about all the other famous and not so famous cricketers he rubbed shoulders with. It is refreshingly outward-looking and hardly self-absorbed. In fact, the author is generous in his praise for so many cricketers with whom he played and also against. One of the endearing aspects of this memoir is that it is totally without any rancor, even against people who may have harmed his career.
To start with, I consider myself an avid cricket-follower from the 1960s onwards, both domestic and international. What puzzled me about this book was that I was totally unaware of Ramnarayan till I read the book last week! I consoled myself saying that his career took off only in the 1970s and that too in Hyderabad. By that time, I had moved to Bombay and so had lost touch with the local cricketing scene in Madras. Ram played for Hyderabad in the Ranji Trophy under the captaincy of the mercurial Jaisimha as an ace off-spinner and gradually rose to catch the attention of great cricketers of those days like Hanumant Singh, Pataudi and V.V. Kumar. He was tipped to play for India but that honor eluded him till the end, the main reason being that he had to fight for a place when stalwarts like Prasanna and Venkatraghavan were already entrenched in the team. Ram writes about a lot of other fellow-cricketers who also were in the same boat - orthodox spinner Mumtaz Hussain, opening bat V. Sivaramakrishnan of Tamil Nadu, spinner Rajinder Goel and so on. The book contains sections on cricketers he played with and admired - like Pataudi, Bishen Bedi and Jaisimha - and others whom he had only known through the radio - like Jim Laker of England.
The section I liked best in the book was the one on the art of spin bowling. As an exponent of the art, Ramnarayan demolishes the oft-repeated cliché of commentators praising a slow bowler for varying his line and length intelligently. He says that a spin bowler never varies his length except to adjust for the reach of a tall batsman or to combat the footwork of a nimble-footed player. To him, a 'good length' is sacrosanct. He says that he even had confirmation of this instinctive understanding from the great batsman, Hanumant Singh, who told him, "...whatever you are doing, bowling at your normal pace and trajectory, flighting the ball a little extra, pushing the ball through quicker or bowling the wrong 'un, make sure that the ball invariably lands on the same spot - same length, same line. This way the batsman is always in doubt, while you are giving nothing away by way of width or poor length..".
The book brings out an era of cricket in India when most players were rather well-educated and held responsible jobs successfully even as they played cricket at a high level. The author himself was one such. He writes that the Tamil Nadu off-spinner Vasudevan went back to computer programming after the end of his cricket career and became a successful software professional. A lot of the book is drowned in statistics and in a multitude of names of players. This was a little tiresome and made me flip through these passages without paying much attention. The language itself is good and shows the author's skills as a journalist in his post-cricketing life. Out of modesty perhaps, the author has not said much about his contributions after retirement from cricket, to the classical arts through his magazine 'Sruti' which promotes Carnatic music.
For those who can identify with the 1960s and 70s scene in Madras and Hyderabad, the book is a breezy and enjoyable read. For others, it may be a bit like Mumtaz Hussain's wrong 'uns!