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80 pages, Paperback
Published January 1, 1994
Goldsmith understands language as threefold: sound, sight and sense (Pound's melopoeia, phanopoeia, logopoeia). But because we cannot experience language's triple aspects simultaneously, we move from its sound, to its visual encoding, to its meaning in any number of unpredictable ways. Connected thus to aspects of Fluxus, to Concrete poetry, and to experimental writing in the computer age, Goldsmith's text art intersects with today's culture on all fronts.