Wench

by Erynne Rivers

Maid Marian’s life is over.

Her cowardly father has betrothed her to the most reviled man in the land: the Sheriff of Nottingham. Devastated, she’s sent on the quickest path to meet her husband, through the fae-infested Sherwood Forest.

But everything changes when her carriage is attacked by the most feared fae of all: the Merry Men, followers of the infamous Robin Hood. Kidnapped and waiting on the Sheriff’s rescue, Marian finds herself surrounded by the magical creatures she’s been raised to fear. But the more time she spends in their presence, Marian realises that not everything she’s been taught by her family is true.

And Marian can’t help but find herself drawn to her captor – the sinfully handsome Robin, who stands between her and returning to life amongst the humans.

As the Sheriff's men close in on Marian's location, she will soon be faced with the ultimate choice: the family she’s always known, or the love she can choose for herself…

A breathtaking debut romantasy novel for lovers of Robin Hood, The Knight and the Moth and Heavenly Bodies.

Genres: Fantasy, Romantasy, Retellings, Romance, Fantasy Romance, Adult, Fae

400 pages, Hardcover

Published July 16, 2026

About the author

A lover of all things fantastical, Erynne (she/her), who writes under both the names "Erynne Rivers" and "E.N. Haysch", brings her own fresh perspective to timeless themes, crafting characters and worlds that feel both magical and authentic.
As a biracial Black author passionate about mental health advocacy, most of her stories feature characters tackling hardships both inside and out. Above all else, she strives to create stories that make people feel seen by combining intricate world-building alongside compelling characters and rich, emotional depth. Her writing delves into themes of courage, self-discovery, and the ties that bind us, offering readers an escape into richly layered narratives with heart and depth.
Erynne works in tech by day and writes stories about big magic, big worlds, & even bigger feelings by night. She currently calls the Pacific Northwest home along with her partner and pup!

Reviews

[MagretFume · Rating 2 out of 5]

This was a disappointment. I was excited for a romantasy retelling of Robin Hood, but it felt flatter than a crêpe. 

The story is just going through the motions, even the over used tropes are brushed over, the characters are one dimensional, and as a result have less chemistry than tap water. 

I actually liked the writing style, which as a very specific and almost poetic quality, and the Fae society, but unfortunately not much else. 

Thank you Avon Books UK for this ARC.

[zoe ♡ · Rating 3 out of 5]

Wench is one of the most disappointing books I have read this year because I can see flashes of real potential. I’m giving it a generous 3 stars, although it could be 2.5.

.・。.・゜✭・.・✫・゜・。READ IF…...・。.・゜✭・.・✫・゜・。.

→ You prefer aesthetic over substance. I will be the first to say that both the cover and the writing were beautiful in ways that I haven’t seen in a long time. Props to the artist and props to Rivers for writing with such eloquence. Some of the lines in the book were genuinely stunning. If you want to learn how to craft sentences, I would recommend that you read this.

→ You’re itching for a Robin Hood retelling. I haven’t encountered many of these while I’ve been looking for books to read, so if you really want to read one (and the negatives don’t turn you away too much), then do it.

.・。.・゜✭・.・✫・゜・。AVOID IF…...・。.・゜✭・.・✫・゜・。.

→ You’re looking for a feminist retelling. For a book that constantly tells us that the main character is trying to save herself from the tyrannical men in her life, it doesn’t have many (or any) female characters. The villans are men. The heroes are men. The only other women in the story are the nanny in one chapter and a washerwoman to which a paragraph is dedicated to.

→ You like consistent and cohesive narrative’s about a character’s motivations. We get told several times that the FMC wants to return to her original life (and betray several people while doing so), but we don’t understand why. She doesn’t have any friends and the only kind member of her family is dead. She is abused by her father, will be abused by her husband to be and creates weapons that she hates. The only thing that she seems to enjoy is drawing, and she’s not even allowed to do that. Why does she want to return? What will she get out of it? None of it is clear.

→ You’re looking for an original story. Yes, I know that this is a retelling, but it should only be a retelling of Robin Hood. Instead, the story seems to rip ideas and chapters from other sources of media. The first few chapters seem to read very similarly to ACOTAR. At one point the FMC quotes Hermione Granger (almost exactly). It’s not an obscure line either, it’s one of the popular TikTok sounds and the author makes a point to highlight it, putting it at the immediate start of a chapter.

→ You want a deep world where things make sense. The world is very surface level. You don’t really understand how magic works or why it is important. Do humans have magic too? Are people born with it? Why do some things make it stronger? What happens if you aren’t the chosen one and you go through a certain process? The implication is that anyone can do it. Is there no history between the two groups? Did they used to trade? What are the implications of that? It is all left up to you, so good luck.

→ Chemistry is important to you. This is obviously subjective because I think if you have a similar romance in your life, you might be more inclined to it, but I don’t think they had any chemistry. My reading is that Rivers was trying to create a forbidden romance (duty over love) but that doesn’t read true at all. You knew they were going to get together and there were basically no obstacles to stop that from happening. None of the protests or barriers felt genuine. None of the romance felt deep.

[Sara]

As soon as they said in the announcement this is for anyone who fancied Robin Hood as fox 🦊 I was sold lol

[randi rush · Rating 4 out of 5]

first of all, the final cover for this book is stunning!!! 😍

i do feel like it was a little slow to get going, but it was pretty good when it picked up. also, a couple of things were kind of unrealistic, like how marian became a more skilled fighter than actual soldiers with minimal training. or despite receiving almost fatal injuries multiple times, she was still able to fight, and even come out on top. i also did call what was going to happen at the end, but i’m not too mad about it.

otherwise, the best thing about this one for me was the writing! it was so lyrical and the sentences flowed so nicely, just stunning 🙌 plus, i enjoyed the feminist themes and feminine rage explored here. marian was slightly annoying at times, but she wasn’t the worst fmc i’ve read. and she did have pretty valid reasons for acting out, even if that was a little irritating to me.

thank you to netgalley and avon books uk for the arc!

[V · Rating 1 out of 5]

I just absolutely can't with this book. Shelved as 'did-not-finish' because it's irredeemable.

At first, I had expectations and hope for this book, though I still thought it was boring by the 13% mark. And then it got worse after that, especially when I realized that this book fell flat, and didn't make any sense, and (I don't want to say it, but here we go) I suspect a good chunk of this book was written using AI. Now, I'm not going to say that without reason because it was so clear to me.

1) This book has repetitive, AI-like patterns: 'not ... but ...', '... simply', and '... just'.

2) So many similes didn't make any sense:

'... the whole wood caught between waking and dream as sunlight spills across the sky like yolk pours from an egg.'

'Marian pauses at the crest of a shallow rise where the fog slinks like syrup around her boots.'

'The Sheriff’s carriage waits in the yard like a beast crouched in ambush,'

'The air tastes wrong. Like meat left too long in the sun.'

OH MY GOD, STOP.

There are so many comparisons using '... like ...' that don't make any sense. I mean, do I really have to explain why they don't make any sense? Like, a human wouldn't choose those words.

3) The characters didn't talk like normal people.

‘Growth does not ask permission. It merely arrives with its own expectations.’

‘... The forest may have whispered, but I think you’re the one who’s stopped listening.’

Do I have to give more example?

4) Repetitive and obsessed with a certain word, 'teeth'.

'... but every hair on her arms lifts as if the air itself has teeth.'

'... shaped by halls and hearths, not the merciless teeth of the wild ...'

In the end, even the sharpest teeth cannot save a creature caught in a snare,'

'There is fight in her. I’d rather a mortal with teeth than one who bows and breaks at the first shout.'

'I will make you clothes to fit your teeth when the time comes.'

'Only the trees standing sentinel, in a hush so deep that she can hear her pulse in her teeth.

‘Then you’ll have its teeth instead.’

'The note threads itself through her teeth,

‘Either way, lots of teeth.’

Oh, shut the fuck up. You should've changed this book's title to 'Teeth' instead! ISTG, this book is so obsessed with teeth. They're everywhere, both in how the characters act and in the similes. Every chapter mentions 'teeth'. The only chapters that don't are Chapters 3 and 8. And I'm not joking.

I hated this book. I wanted to burn it to ash. Even if it wasn't written with AI, I still hated everything I pointed out in this review. In conclusion, this book fell flat and emotionless, the characters aren't characters, and it tried to be poetic or beautiful but failed miserably. And don't even get me started on the Robin Hood thingy. Would never recommend it. Save your money.

[Alyssa Kent · Rating 5 out of 5]

This book was everything I love, enemies to lovers, a slow burn, a journey of self discovery. A retelling of Robin Hood but from Marian’s POV and make it magical!! I loved it even when I thought my heart was breaking!!! Did I mention side characters that I’d kill for?!?

[Lilah · Rating 2 out of 5]

Thank you very much to the author and publisher, and to NetGalley for providing this ARC in exchange for an honest review.

Wench is a Robin Hood retelling centred on Maid Marian (here known only as Marian). Set in Nottingham and Sherwood Forest, it adds a layer of fae magic, presenting Robin Hood (here known as Lox) and his Merry Men as Fae.

I was very excited to read this novel. Robin Hood is rife with material for retellings, even more so for Marian. Marian is the subject of much controversy in early variations of the story, often ridiculed and reduced to a sexual object. In later variations, Marian is presented as a heroine, but often a tragic one. Much like countless other women in folklore and history, she deserves her own spotlight.

The author, Erynne Rivers, is excellent at painting vivid imagery. The language used to describe the forest in particular is stunning and highlights the cast’s connection to nature wonderfully. I also quite liked the characterisations of the Merry Men; they were well-developed and each given their own voice and distinct character. I also admire this novel’s boldness in tackling sexual assault and juxtaposing the abuse of a woman’s body against the abuse of nature—a common but ever-powerful comparison. Overall, the writing in this book is good. Perhaps a little over dependent on the structure of “it’s not x, it’s y,” but it otherwise flows well.

Unfortunately, I felt that this book seemed to lack some much-needed nuance in approaching its subject material. The presentation of the Fae as paragons of every virtue and humans as harbingers of all harm limits the book’s nuance. In much Faerie literature, the Fae are accepted to be as varied in virtues and flaws as humans are. To claim that one is wholly superior to the other denotes an unwillingness to fully understand or appreciate them both. While the book does teeter on the edge of presenting the importance of mortal influence, I didn’t actually see any of it in any tangible manner.

Retellings come with the expectation that they will both honour their source material and shed light on specific details from it (either in praise or criticism). Unfortunately, there was minimal acknowledgement of the original legend/history behind Robin Hood beyond the use of names. Historically, Maid Marian has been a highlight of the story since her permanent insertion into it in the 16th–17th centuries. While her role has often been underdeveloped, she is very much the Penelope to Robin Hood’s Odysseus, matching him in wit, determination, and strength. In Francis James Child’s 17th century ballad, Marian and Robin recognise each other in a bitter sword fight only when she forces him to yield, evoking Penelope’s tests to Odysseus when he returned in disguise. She is by no means a damsel in these iterations, nor has she been for a long time.

That said, in this novel, Marian comes across more as a spoilt, resentful brat who is more committed to her prejudice against the Fae than to her own survival. For a character so at odds with the classism of her father—enough to have been in a relationship with a blacksmith—Marian seems disconcertingly committed to her prejudice. She leans towards being comically shrewish, unbelievably argumentative in a manner that directly contradicts her survival instincts at the start.

What I most take issue with in this book is its implication that a woman’s freedom is bestowed by a man. Marian, for all her contrarianism, is a dreadfully passive character for much of the book. Even in choosing her fate, she weighs her loyalties to the men around her. While love can be liberating, Marian deserves a better arc than jumping from one man’s cage into another man’s garden. We don’t see Marian actually demand anything for herself beyond sexual pleasure, with bouts of curiosity that don’t come across as particularly distinguishable from her curiosity about the men around her. Marian shows little interaction with nature beyond Lox and the Merry Men; she doesn’t engage with the forest’s people (particularly its women) individually, nor does she nurture nature by her own hand to learn to love it. Instead, she is primarily propelled by her love for Lox, which she seems to equate directly with her own freedom.

Regarding the spice in this book, I will first say that I have no particular opinion on the inclusion or omission of spice in fiction; I believe sex and sexuality are plot devices that can be used very well. Part of that employment includes the deliberate selection of kinks to portray. Ascribing a praise (‘good girl’) kink to a character who has spent her whole life appeasing the men around her is a choice, but not one I personally agree with, especially when sex is used as a method and symptom of liberation.

I suppose I likely would have been more comfortable with this book were it a standalone romantasy novel, but when an author chooses to adopt source material as rich as Robin Hood and Maid Marian, they must also acknowledge that they elevate the reader’s expectations to include those that come with retelling. Writing a retelling is significantly more taxing endeavour that requires copious research, critical evaluation, and engagement with the source text. When there are as many source texts as there are for Robin Hood, this task becomes even more challenging.

This book wasn’t for me, but it may be enjoyable for younger readers than myself, particularly those who aren’t quite as eager to engage with the source material as they are to read a Fae-romantasy story.

[Amelia · Rating 2 out of 5]

When I first read the blurb of this book I was super excited because I love retellings and I haven’t seen nor read a Robin Hood one just yet. And I feel like it delivered in terms of satisfying that retelling itch, while also having enough originality within its world and world building to be able to stand on its own.

That and the exquisite quality of the writing were the absolute highlights for me. Sadly, I feel the rest felt flat. While well written, poetic and lyrical, there were too many formulaic tropes, almost trying to check a “what’s popular” list that needed to coexist. The enemies went from “enemies” to head over heels over each other so fast it made the entire relationship unbelievable and immersion breaking. In general, all the characters felt really one dimensional and surface level, so I couldn’t really enjoy them or the story enough.

However, I feel the author has great potential for future works and I am interested in reading more from her.

[Rebecca · Rating 1 out of 5]

When I first read the summary of this book I was intrigued, a Robin Hood story with Marian as the focus and Robin Hood as fae? That's a great idea! But the book I ended up reading never met those expectations and had a lot of flaws in the new things it did try to do.


My most major complaint about this book is that I felt like it had hardly anything to do with actual Robin Hood lore. I will admit that I don't read or consume much Robin Hood media, which is why I was so interested in the book, but I still felt like there was no real connection to the source material. I think if you went in and changed only names then nobody would notice that this was Robin Hood and that's a sign of a failed adaptation in my eyes.
The biggest sign of this I think is Robin Hood himself, called Loxleigh in this. When someone brings up the idea of a fae Robin Hood I think of a story that would lean into his trickster nature acting as an underdog outlaw, but no. Lox is functionally in control of this fae city and while the Merry Men are the only ones who get actual names and characterization (aside from the council), they don't really feel like his crew because there are so many fairies in this village. As written Lox comes across as a very typical romantasy mmc, which really does not work for someone who is supposed to be based on Robin Hood.
On the rare instances something from folklore is actually brought up it feels like a joke, like early on Allen says Lox doesn't actually like being called Robin Hood and about a paragraph earlier he laughs at Marion for calling them "his Merry Men". If I'm going out of my way to read a retelling I would really like it to feel like the author actually cares about the thing they're retelling and I never got that vibe from this.


The actual writing itself was serviceable for the most part. Though there were a lot of similes that made me raise an eyebrow because they were not very good, and it was really tropey at points (there's a "who did this to you" on page 173 of my ebook copy, during the leads second or third real conversation), but I understood what was happening and what Marian thought about it most of the time.
There were some pretty rough anachronisms in the text as well that annoyed me, the biggest of which being multiple corset mentions which would be about 400 years away from being invented. And it's not like the time period has been adjusted, they refer to the Crusades multiple times (another anachronism but a more minor one I suppose.) I was also kind of got by the use of "live wire" towards the end. I will give the author that I didn't notice any out of place new world animals or crops, so some care was put in there. I wish it just extended to everything else.


I liked Marian’s character arc conceptually and in some parts execution, but there was a lot of telling me how oppressed she felt by her dad and how bad it was for them to try and sell her into marriage. Even after finishing the book I have no idea why they were letting her design weapons or why she had the skill to do that, kind of baffling. I also didn't like how she kept having to have her rescue attempts started by men, she definitely wasn't a passive protagonist I just wish she had been a little more successful on her own a time or two. (I think the most emotion I felt was when she hit Lox over the head with a shovel, even if the book did take it back within the chapter.)
I guessed that Marian was half fae on page one of chapter two, and I don't think it was a good twist. I have a lot of questions about how her mother managed to marry a lord being just a random lady from the woods and how she managed to hide that she was fae (I guess it didn't say they all had pointed ears, but it definitely said some of them did). I wish I had any idea what this actually meant for Marion besides her having some magic and being chosen by the forest, which I also assumed would happen the second it was brought up. (And minor gripe I didn't like how they just fell into the stereotypical gender roles of man as protector and woman as emotional core. Fell really flat for me personally.)


The last point I want to make is how bad of an antagonist the Sheriff of Nottingham was. Thematically he is supposed to be the opposite to Robin Hood, a bad man who abuses his position of authority to enrich himself while Robin Hood is a good hearted outlaw. Except in this Lox is basically in charge of a city and there are hardly any interactions between them. Now, this is Marian’s book, it makes sense to make him her antagonist instead and he absolutely is. He just, talks like a cartoon villain. Every time he's on page he's talking about how he will humble Marion and break her so she's compliant. It's just so much, and as a reader I do not care for that kind of "they are evil because they are" characterization from the main antagonist. There is just nothing going on other than the "misogyny is bad, women should be allowed to make choices", and yeah. I know.
And despite everything he does at the end Marian goes "no don't kill him, that would make us just as bad!" Girl he killed people!! He is introduced as basically kidnaping (and killing?) women from the town because their families disagreed with him. And then the final page they're joking like this is going to go into normal Robin Hood shenanigans?? No? That is not the characterization that was established in any way.


In conclusion, I had more fun googling my anachronism checks and soil composition then actually reading the book. 1.5/5

[Eternity's Raven · Rating 4 out of 5]

Oh boy I had high hopes for this one and honestly it met them exactly.

This book delivered beautiful prose, a lush and vibrant environment and a FMC I was rooting for the entire book.

I loved this take on Maid Marian. How she was someone who fought for her desires, who was willing to grow and to learn, even if it took her fighting through her own stubborn nature to do it. The inner strength she possessed was a treat to read and I found myself cheering her on in her battle to be more than what mold the men in her life tried to force her into.

I really liked the cast of characters, especially Allen, finding he stole the show a bit when he was on page. I do wish we had got a bit more on page time with Will and Little John however, as it felt like they were a tad under utilised.

The romance was quite typical of a romantasy but I did not hate it, I thought it was decently paced for a standalone book but maybe could have been a little bit stronger if there had been slightly less mystery around Lox as a character.

The plot was enjoyable and I thought this version of The Sheriff of Nottingham had good, clear motives for his evil nature. I will add, a bigger 'villain' throughout this story are definitely just men in general and their views of women which is very fitting for the time period this is based in. And I thought it was written well throughout.

Definitely one I would recommend picking up for those who like more poetic prose and vibrant environments.

[louise ʚଓ · Rating 3.5 out of 5]

| rating: 3.5 ★

. ݁₊ ⊹ . ݁ ⟡ ݁ . ⊹ ₊ ݁.

✎ᝰ.ᐟ review

Thank you to NetGalley and Avon for the e-ARC!

Wench is a Robin Hood retelling that reimagines the classic characters as fae. This book adds another layer to the usual outlaw storyline. Rather than having Robin Hood stealing from the rich to give to the poor, Wench is half about female agency and the other half about fighting against colonialism and persevering nature.

While this book is a retelling, Robin of Loxleigh is nothing like the Robin Hood that we’re familiar with. He’s a little serious and brooding, but he was the perfect counterpart to Marian. I do wish that they took some more time to develop. It felt very insta-love, though I do recognize that there were efforts to get them to bond and get to know each other.

The writing was descriptive, but I found the dialogue to be a little too flowery. It felt a little awkward and stiff at times.

Still, there are a lot of great takeaways from this book. It’s very condensed (it is barely 400 pages), but Erynne Rivers does a great job with wrapping up the storyline and tying loose ends.

. ݁₊ ⊹ . ݁ ⟡ ݁ . ⊹ ₊ ݁.

Started: October 1, 2026
Finished: October 3, 2026

[Kathryn Donoghue · Rating 2 out of 5]

Maybe 2.5 stars… maybe…

I almost DNF’d this book multiple times. I really had to push through and towards the end of the book it did get better. The first chapter reminded me too much of ACOTAR and from then I was already hesitant but it was for a book club and I wanted to have the whole picture.

The chemistry and relationship between Lox and Marian was missing, there was no build up to that connection for me. They kissed and I was confused… I felt her connection was stronger with Allen or even Willow…?

I loved the forest bits, the magic system etc. Great villain(s) and an imperfect female lead. I was disappointed since it didn’t feel enough like a Robin Hood retelling to me. I am a huge Robin Hood fan and the story felt more like an inspiration/ influence rather than a retelling. But this is more a marketing issue than a story issue.


My biggest gripe was with the writing style itself. There were moments where it was beautifully lyrical, and other moments where it made 0 sense and far too many moments where it sounded like ChatGPT had a heavily influence. There were moments where I had to put the book down and breathe because I got so angry that either the book was written with AI or my brain has been so inundated with LLM content that I can’t separate ai writing from lyrical prose. But there were clear moments where I knew I wasn’t being too harsh and far too many where I doubted that a human wrote the words. The presence “it’s not x, it’s y” framing, “no x, no y, only z” “he does not x, he y”, “you will do x and call it y” “x dressed in y”… “x wrapped in y”. Too many moments of, I’ve read this before.

And the one that made me willing to put money on ai influence:

“Growth does not ask permission. It merely arrives with its own expectations”.

I hate that I was left doubting my own sanity regarding the writing. I really hope this is not telling of the future of books.

[Jaclyn · Rating 2.25 out of 5]

⭐ 2.25 | ❤️ 4/5

While the premise is strong, the execution was a significant struggle for me.

The diversity and representation are standout highlights. Seeing non-binary, queer, and brown characters—including the leads—is refreshing and something we need more of in fantasy. The fae world is also described with lush, vivid detail that makes the setting feel distinct. For readers who prioritize heat, the chemistry in the intimate scenes is palpable. These high-heat moments are very well written and stand out as the strongest parts of the book.

The story hits several familiar tropes (prejudice between humans and fae, a training arc, and hidden magical identities). The setting gave off similar vibes to A Feather So Black; however, I found it difficult to immerse myself fully due to the prose. The writing reaches for an ambitious, poetic style that feels overwrought with metaphors that occasionally lack clarity. This friction is compounded by the execution of the third person present tense, which made me focus more on the mechanics of the writing than the story itself. To be clear, I have enjoyed books with this tense; when a book is written well, you just don't really pay attention to the tense. This wasn't the case for me with this one. When the dialogue wasn't trying to be poetic, it often felt overly simplistic.

I also struggled deeply with the FMC Marian. While the sassy, defiant protagonist is a common trope, Marian feels like an unlikable iteration of that archetype. On top of being TSTL and making illogical decisions just to drive the plot, she is openly bigoted against the fae. While it is not uncommon for leads in this genre start with prejudices, the vitriol in Marian’s dialogue is so corrosive that she felt almost irredeemable. It was hard to excuse her hatred as just a product of her environment, especially since the fae characters were exposed to similar rhetoric but are still able to think critically. In addition to this, the characters felt a bit hollow and shallowly developed; I would have liked to see them fleshed out more.

Ultimately, the central romance fell flat for me. Beyond the FMC’s body betrayal, I didn't feel the connection. It required a lot of suspension of disbelief to buy into the MMC Lox's feelings for her, especially given his saint-like tolerance of her hateful behavior. While the spice is high quality, the emotional connection didn't feel earned.

This review is based on an ARC provided by the Avon via NetGalley. All opinions are my own.

[Nancy ☾.⋆]

DNF @ 56% / Chapter 17.

Thank you to Netgalley and the publisher for providing me an ARC in exchange for an honest review. Even though Wench isn't my cup of tea, I hope it finds its audience.

The main protagonist Marian doesn't resonate with me. She is flung into one ordeal after another, and it isn't hard-hitting as it should be. For many reasons, I would have liked to witness more of her contentious relationship with her father, the only living parent she has. After she is kidnapped by the fae, I find it strange that she rarely revisits her father's betrayal. I suspect a found-family trope will happen, but it can’t come soon enough when Robin Hood and his Merry Man are remarkably dull.

I understand romantasy books are safe spaces to explore misogyny, abuse and violence against women, trauma, and oppression. For the most part, I don't think this content is problematic, and I welcome the uncomfortable. Still, I think it's worth saying that this is my fourth romantasy new release of 2026 that has depicted an attempted SA on the main protagonist. And it is only January. For what it's worth, I can appreciate how this author took a different approach with the aftermath.

[BookishKB]

🏹🍃 Wench 🍃🏹

📖 Bookish Thoughts

My full review will be shared closer to the publication date.

✨ What to Expect
• Robin Hood Retelling
• Fae Romance
• Captor Romance
• Forbidden Love
• Sherwood Forest
• Morally Gray MC
_ _ _ _

📅 Pub Date: October 13, 2026
Thank you to Harper 360, Avon, and NetGalley for the advanced copy.

[Samia | Bookaroundandfindout · Rating 4 out of 5]

This was quite a fun re-telling of the Robin Hood tale, in a great way. I loved the use of nature as a way to grow and flourish, as well as using the harshness of elements like iron and stone to describe oppression. I think that the exploration of how a woman breaks free from her chains was done quite nicely because I could see how much Marian struggled with letting go of everything she grew up learning about fae and their habits etc. She really had to unlearn so much religious trauma which I thought was relatable and the way she wasn't just suddenly on board I think was done well too. Robin and the found family was also nicely done, although I would have liked to know more about Robin and hd more character growth and tension between the two before they "fall in love". Overall a very cute and enjoyable fall read!

[Sharky · Rating 5 out of 5]

E-ARC provided by Net Galley. I absolutely loved this, the story and the characters. The romance was amazing and i loved the descriptions of Sherwood. The side characters were great especially Allen. I was scared at the end thinking Marian might actually die but im glad she survived

[MillennialMomReading · Rating 2 out of 5]

Sadly a DNF for me :( I love the premise of this, but the main character just did not work for me despite really trying to stick it out to see if it got better. I’m grateful to the publisher for the ARC!

[Emma (ejm_reads) · Rating 2.5 out of 5]

Sadly Wench was a bit of a disappointment for me. Fae stories can be a bit hit or miss for me and this one sadly didn’t hit the mark.

Marian was an ok FMC but I never really understood her motivations. She also wasn’t particularly heroic and I wanted more from her in terms of fight and fire. Some reveals at the end just felt a bit flat and I was in a rush to finish. I did enjoy the Merry Man characters and the found family she finds herself in there but the chemistry with Lox was lacking IMO. She had more chemistry with the Merry Men!

Thank you to Netgalley and the publisher for access to this ARC.

[Helena · Rating 3.75 out of 5]

a lyrical romantasy retelling of Robin Hood centered on Marian and involving fae. I liked it as a whole though the beginning was clumsy but the second part of the book convinced me. I loved the feminine rage, the love and other themes the book explored.

[Hannah · Rating 2 out of 5]

As a big fan of the Robin Hood tale as a child, I was elated to have been sent a widget to read this one on NetGalley. I liked the writing style of the author, and this story had an excellent premise.

Unfortunately I really struggled through the book. I found the main characters to be quite dull, and I felt like the story fell flat quite quickly. I really didn’t understand how the FMC went from hating the fae, refusing to be around them and not even eating the food she was given, to then basically bedding one within a few chapters. There just wasn’t enough chemistry for me.

I really wish I had enjoyed it more, but unfortunately this one just wasn’t for me.

Thank you to the publishers for the widget, and to NetGalley for the e-arc.

[Brianna Watson · Rating 1 out of 5]

Thank you to NetGalley and Avon Books UK for the advanced readers copy.

I almost DNF’ed at 50% and I wish I had. Dull dull dull. The characters were caricatures and felt flat. The plot was predictable and felt pointless. Some of the prose was lovely, but without a interesting plot, the writing felt needlessly ‘try-hard’ rather than being a genuine joy to read.

[Jen · Rating 4 out of 5]

“Growth does not seek permission. It merely arrives with its own expectations.”

Wench took the Robin Hood story, tossed in some fae, found family, emotional damage and a forest with more personality than half the people I know and made it all work beautifully. Rude of a book to be this pretty and emotionally competent. 😂

Told through Maid Marian’s perspective, this retelling is a lyrical, magical reimagining of a familiar tale that feels fresh. ✨ Marian’s journey of unlearning everything she’s been taught about the fae, confronting societal expectations and figuring out who the hell she actually wants to be was easily one of my favorite parts. Give me a woman dismantling generations of nonsense and finding herself in the process and I am SAT. 🙌 The found family vibes with the Merry Men were equally delightful: chaotic, loyal and exactly the kind of fictional friendships that make you want to invite yourself into their little woodland shenanigans. 💚

The writing is absolutely gorgeous, immersive and poetic. ✨ This is very much a savor your tea and stare dramatically out a window kind of book, not a race-to-the-finish situation. Sherwood Forest itself is practically a character, full of magic, warmth and secrets and I loved how the fantasy elements breathed new life into the original legend. The romance between Marian and Lok was sweet, tender and full of lovely banter 💕, although my slow-burn-loving heart did think things moved a smidge quickly at first. Nevertheless, their connection grew on me especially as trust and choice took center stage. 🥹

I was surprised at how much this story had to say about indoctrination, shame, masking, parental influence and the rage that comes with realizing you've been handed a whole set of beliefs that deserve to be thrown directly into the nearest enchanted bonfire. 🔥 Beneath all the fae magic and fairy-tale romance, Wench is really about transformation, choosing your own future and finding the courage to grow somewhere new. 🌱

A cozy, enchanting, emotionally layered Robin Hood retelling with gorgeous prose, found family, a heroine finding her backbone and enough romance to keep things interesting. 💚

[Rishali (thecozy.tbr) · Rating 3.25 out of 5]

Audiobook review

Well, this one didn't quite wow me. Wench was a pretty straightforward story, and for the most part, the plot unfolded exactly as I expected. It was a quick, easy listen, but I found myself wishing it had a little more depth and that certain aspects of the story had been given more room to breathe.

I have very mixed feelings about Marienne. At times, she was surprisingly entertaining and had moments that genuinely caught me off guard, but at others, she came across like a teenager throwing a tantrum. I'm still not entirely sure where I land with her. The supporting cast was also a little underwhelming, with Alan being the exception. Will spent most of the book being angry (and that was more or less his entire personality), the Council of Elders barely got any development, and Little John received approximately one paragraph of exposition. I would have loved to see more from these characters.

I also have to admit that insta-lust is one of my biggest romance pet peeves. The moment a love interest starts fantasizing about a man's muscles the second she lays eyes on him; I mentally check out. Girl, bffr. Unfortunately, this book gave me exactly that, so I knew it was only downhill for me from there.

That said, I did find myself becoming considerably more invested as the story progressed. The final few chapters were easily my favorite and probably what saved this from a lower rating. I just wish that same level of intrigue and engagement had carried through more consistently.

Thank you to Harper 360 for the ARC!

[Alyx Gough · Rating 3 out of 5]

Thank you so much to Harper360 for the ARC!

A Robin Hood retelling from Maid Marian’s POV… with fae?! Um, YES PLEASE. This was such a fun concept, and honestly I was hooked from the moment I read the synopsis.

I really loved seeing this classic story reimagined in such a magical way. Watching Marian discover that everything she’d been taught wasn’t necessarily true made for such an enjoyable journey, and I loved the atmosphere of Sherwood Forest. It felt whimsical, dangerous, and full of magic.

That being said, I did find myself wanting just… more. I wanted to know these characters on a deeper level because I never felt fully connected to them. The romance was sweet, but I wish it had a little more time to breathe. For someone as feared and legendary as Robin Hood, Marian hopped aboard that train a little quicker than I expected. I just wanted a bit more tension and slow burn before they fell for each other.

But oh my gosh… that ending. No spoilers, but it completely got me. The last few chapters were so beautifully written, and I absolutely teared up. It left me closing the book with a full heart.

Overall, this was such a fun, fresh take on Robin Hood, and I had a great time with it. If you love fairy tale retellings, fae, and romantasy with a magical twist, I definitely think this one is worth checking out.

[Eine · Rating 2 out of 5]

I really liked the concept of Robin Hood and his Merry Men being fae but unfortunately the execution fell very flat for me.

I really didn't like Marian. For the first half, I was desperately reminding myself that there is a reason that Marian is so insufferable, that, surely, she will get better. She did not. For the rest of the book I was wondering why on earth Lox even liked her in the first place. I know she starts to unlearn her prejudices but if I were Lox, I'd have gotten the ick that lingers in the back of your mind. He just excuses everything she does and folds like a wet napkin.

The only things Wench and the Robin Hood legends have in common are the names of the characters, that's it. It would have been nice to see the author's interpretation of some Robin Hood lore in this retelling and some more in-depth worldbuilding of the fae society. I liked the flowery prose and Allen but everything else was a bit of a disappointment.

Thank you to NetGalley and Avon for the advanced reader’s copy.

[Amela · Rating 2 out of 5]

I was really drawn in by the cover and the summary. The idea of a Robin Hood retelling in a fantasy world sounded really interesting because that’s not a retelling you see commonly. The setting and the world-building were very beautifully described which was great.

Moving to what didn’t work for me, unfortunately the characters felt flat and I wish we had gotten to know them better. Due to the flatness I also didn’t fully get sucked into the romance, it felt like they jumped into things really quickly. Also, I honestly could not stand the writing style, it was just so flowery, and sometimes flowery prose is nice and really fits the story! But in this case it just made it hard for me to follow what was going on and get into the story.

I think this might be a good fit for those who loved ACOTAR but wished it had some of the floral prose you see from Rachel Gillig, but dialed to an 11.

Thank you to NetGalley and Harper360 for the ARC!

[Chyntia Brown · Rating 4 out of 5]

4,5 ☆

A great Robin Hood retelling where Maid Marian is the main character, as it should be! A compelling story about learning who you are and what you stand for. I really enjoyed the worldbuilding. Eventhough it's not a very long story you get a great sense of the forest and the way it works. A great read for Autumn!

[booktokandchill · Rating 3 out of 5]

This has so much potential but unfortunately fell short. It was a quick easy read but I felt it lacked depth and rushed the plot. There was a lot of elements I Really loved but at times felt like we were ticking a trope checklist. They fell fast with very little build up or reasoning to actually like each other. when things looked like they were about to build, by the next chapter it had been and we moved on.

Would of preferred it without the spice scenes at all as they were very icky and didn't fit with the very lyrical writing throughout the rest of the book. There was some absolutely stunning sentences throughout which only added to my disappointment overall.

The concept was there but could of benefitted from further plot development and better flow. I wanted to get to know the characters on a deeper level and didn't care for them as much as I had hoped and was promised at the start.

Still enjoyed my time overall

[Maud van der Ven · Rating 5 out of 5]

this book BLEW ME AWAY!
the language, the cover, the characters, everything I enjoyed every single second of this! I will say I’m very sad we didn’t get an ending scene with the whole crew also I thought I knew what the third act conflict would be and I’m so so so happy it wasn’t that