Cat Pleska is a reviewer for the Charleston Gazette, publisher, editor and works for Public Radio.
The memoir starts in the early 1950s, when Pleska is a child. One evening three grown women in the family discuss a near-death experience of the narrator. The grandmother says, "Cathy was sick." When Cat was about one-year old, she got the croup and turned blue. The local doctor could not come to the house because of deep snow. The grandmother concocts fried onions, cheesecloth and a sip of whiskey and it revives Cat, bringing down her fever. The adults refer to the incident only once or twice more during the memoir. The reader senses the myth of healing and rejuvenation operating on a subconscious level, since the writer had been on her death bed.
A working-class family, they move frequently in central West Virginia. The father, Vernon, a binge drinker, works for a Kaiser factory, and is "Robert Mitchum handsome," clever and assured. Jean, the mom is more or less an archetype, nurturing, wise, always reading to her only child. Cat becomes an omnivorous reader, herself, which helps her excel in school.
As in many blue-collar environments, violence erupts occasionally, like when Cat sees her inebriated grandfather fight her uncle. The grandmother separates the "two giants". We see Vernon coming home from beer joints and then loading his rifle, ready to shoot someone for a sleight, but he cools down before actually carrying out threatening actions.
All things considered, Cat leads a healthy, humorous and frolicking life. She spends much time alone playing in the woods. The writing in these sections tends to be cinematic. The work has a "visual" feel throughout.
In junior high she becomes a cheerleader, keeping up high marks, and a "good girl" image. When the Vietnam War scoops up young men, Cat listens to her boyfriends. She does not marry however, and works as a waitress. Cat attends college in her thirties.
The elders (almost of them smokers or heavy drinkers) begin to pass away. This, of course, is poignant, but the writer remains strong and imaginative, not sentimental.