This second offering in the New Adventures series, this has no particular connection to the first and is instead, as the subtitle makes clear, a sequel to the popular TV story Pyramids of Mars. It’s also more of a single story than its predecessor, even though the four hour-long episodes are each written by a different author and follow the usual format of each being set in a different time and place. A key similarity, of course, is that this remains a Bernice Summerfield story in which the Doctor happens to appear from time to time, even though it’s McCoy, rather than Bowerman, who gets key billing in the credits.
The story kicks into high drama almost immediately, in an episode set entirely inside a Martian pyramid, with Bernice struggling to contain a situation that’s spiralling rapidly out of control. It’s a good use of a limited cast, alternating between Bernice and shorter scenes featuring the Doctor, with Gabriel Woolf providing a great sense of menace as Sutekh. While this episode has, in part, an Indiana Jones feel, the second is more of a heist story, as Bernice and Ace try to liberate a key Osiran artefact from the thieves who have taken it. There are plenty of twists and a fair amount of action along the way to the mid-story cliffhanger.
From here, we head to Ancient Egypt and the reign of female Pharaoh Hatshepsut. This segment is detailed and well-written, taking full advantage of the fact that there is much we don’t know about historical events in the fifteenth century BC. (For what it’s worth, one of the characters is apparently the grandfather of 5th Doctor audio companion Erimem, but, since he’s a real historical figure, it’s not clear that anyone on the writing team joined the dots… either way, it’s not relevant to the plot).
A nice twist is that the final section of the story is set in the post-apocalyptic world that we glimpse so briefly in Pyramids of Mars. This, of course, also justifies the title of the overall story – this is what would happen if Sutekh did, indeed, triumph. Perhaps even more so than the opening episode, this has the feel of a battle against overwhelming odds and the resolution, when it comes, has nods to another TV story as well.
This is, perhaps, darker fare than the sort we usually get with Benny, although not uniquely so. At times, her customary dry wit is curtailed by her (and the world’s) obvious peril, but this only adds to the tension. Plus, she actually gets to do archaeology! It helps, of course, that Woolf has the absolutely perfect voice for audio, still undimmed 40 years on from his TV appearance. Despite the four radically different settings, it fits together as a single story rather better than its predecessor and just about nudges into five-star territory.