One of the oddest books I have ever read. So much so that I didn't have the foggiest idea how to rate this.
Iain Sinclair's cover comment "language bandits" - hardly my friend. More 'shock rock meets travelogue'. But even that, in many ways, excites....
However, accolades aside, Manning and Drummond, of KLF fame, did, through constructing a confoundingly intriguing composition - multiple storylines and spectres, coming and going, shocking and canjoling - draw me in and keep me in the end. I cannot say the same for their overly ten-year-old 'I'll gross you out more' attitude, which nearly drained me. That, and their infantile or maybe disturbingly constant fixation on buggery, faecal matter and other bodily functions. Hmmm...nah. But, I guess I should have guessed that from these two...or should I?
I bought this book, unfortunately, to learn about the Congo - a persistent dream-goal of mine nearing obsession - from a couple of creative modernists who challenge boundaries for breakfast. Sadly, I was left with a semi-imaginary, drug/booze infused dream state of the day-to-day grind. I bought it at times - I even revelled in it occasionally - but what I sought was their cold, hard and hitting descritpion of the journey by water, not by imagination. They really did this trip, so why not talk about it? Who knows, maybe to appreciate it I need to read this again baked, ripped and rooting an endless line of local prostitutes as I slosh through rivers of shit in search of gun fights.
Heh, maybe that is what the Congo is all about?
Nah, I don't buy it, even when they were there.
If you've got the stomach, the deviance and the fortitude, pick it up and go. If not, maybe let this one pass...
P.S. They do have a fucking great vocabulary, and any would-be wordsmiths out there would bow down and kiss the shit-stained ground that they boys slosh through. Bravo, on that and little more.