År 1966 debuterade Bamse på tv och som veckoserie i Allers. Det firar vi med denna tjocka bok på 464 sidor som innehåller den allra första årgången av tidningen BAMSE från 1973. Komplett med tidningarna återgivna i faksimil så att de ser ut exakt som de gjorde då det begav sig. Förutom BAMSE 1-12/1973 innehåller boken även ett förord av Bamse-kännaren Joakim Gunnarsson som sätter in serierna i ett sammanhang och berättar om Rune Andréassons arbete bakom kulisserna. Allra sist i boken finns dessutom bonusmaterial. Det här är en bok för både de som upptäcker Bamses värld för allra första gången och för de som vill ha ett praktverk på soffbordet.
Rune Herbert Emanuel Andréasson (11 August 1925 – 15 December 1999) was a Swedish cartoonist and illustrator.
Andréasson has created children's comics since 1944, mainly for the Swedish market, but his works have been published in several languages. He created mostly his own, original characters and features, which included the comic features "Brum", "Lille Rikard och Hans Katt" (Little Rikard and his cat), "Rulle och Maja" (Rulle and Maja), "Nicke Bock" (Nicke goat), "Åsnan Kal" (Kal the donkey), "Nalle Ritar och Berättar" (Nalle draws and tells), "Teddy", "Habibu" and "Pellefant".
In the late 40's, he had a few bit parts in movies, most notably in Ingmar Bergman's Music in Darkness. A later Bergman collaboration was animating a short sequence in Summer Interlude.
His most famous creation, however, is "Bamse", created in the 1960s, an often educational comic featuring "the world's strongest bear". This feature was highly successful, and was followed by several animated cartoons, as well as a comic book. The comic book started in 1973, featured exclusively Swedish material, and is still one of Sweden's most popular comic books today.
In the 1970s, Andréasson began contracting other artists to do the artwork, while he still wrote the stories and kept a strict editorial control of the contents. For example, he refused to publish commercial ads in a magazine aimed at children. He was also rather restrictive with using his creations for commercial merchandising (sans for a few exceptional cases).
He retired in 1990, and left his comic to the publishing house Egmont.