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Ballistic
A genuine spark of innovation is a precious thing, and Ballistic, by filmmaker Adam Egypt Mortimer and comics star Darick Robertson, transmits that spark with shocking force. It's a future classic, and it comes out in collected form next month." - Publishers Weekly Darick Robertson (Transmetropolitan, The Boys) and Adam Egypt Mortimer's madcap, psychedelic, transreal, utterly-wacko buddy adventure about Butch and his best friend Gun, a drug-addicted, genetically-modified, foul-mouthed firearm, as they attempt to elevate Butch from air conditioner repairman to master criminal in the twisted, eco-apocalyptic Repo City State, a reclaimed trash island built from DNA-based, living technology with bad attitudes. Ballistic marks Darick Robertson's return to the hard sci-fi worldbuilding of his classic Transmetropolitan, but mixed with The Boys' ultra-violence and the lunacy of Happy. Mortimer's mix of speculative science, pulpy noire, and drug-addled adventure cooks up a strange brew of Lethal Weapon by way of Cronenberg meets Dr. Who if written by Odd Future. Forward by Grant Morrison.
130 pages, Paperback
First published May 5, 2015
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Displaying 1 - 11 of 11 reviews
August 16, 2015
Repo City State is a living city where DNA and machines are fused together for some reason. Butch is an air conditioning repair guy with a talking gun which is also a drug addict. Yeah, it’s one of those books. “Look how quirky we are!” etc., “we’re being imaginative and different so we’re automatically great! Doesn’t matter that we can’t string together a coherent scene or create defined characters, this should be enough!”. Together they’re going to… take on a mob boss and… er… ?
I can’t stress this enough: Ballistic is utter rubbish. A major part of that is the godawful writing and incompetent storytelling from filmmaker Adam Egypt Mortimer. It’s so bad, I couldn’t even summarise what the hell is going on in it., not even vaguely.
I picked it up because Grant Morrison called it his favourite comic of 2014 and because Darick Robertson’s a fantastic artist whose name is usually synonymous with good comics (Transmetropolitan, The Punisher, The Boys). But wow… Ballistic really underlines the importance of quality comics writers and the difference between them and amateurs like Adam Egypt Mortimer.
Mortimer simply doesn’t know how to tell a story. We’re introduced to Butch who’s unhappy with his life as an air conditioner repairman so he decides to make the massive leap to criminal by ripping off some gang leader – has this always been his dream? Why does he think he can get away with this? He’s one guy (and a talking gun) versus who knows how many other guys with vastly more experience in killing people!
It gets worse from there as Butch and Gun ping-pong from one arbitrary set-piece to another. He goes on a date with a girl, kisses her, and then her body is vaporized by something for some reason. (I’m sorry but this really happens) He’s holding her decapitated head but she’s still alive? Then her clone appears? But her head’s a robot?
Some kind of ninja assassin materialises (who is she, what does she want?) and attacks a corporate building for some reason. Gun overdoses somehow and then Butch loses his hand but regrows it with some magic glove. All the cars have bat wings because why not. The walls bleed. People eat people. Everyone’s got both sets of genitals and alien DNA. Then Butch declares he has to kill some guy. Why, asks Gun. Because… I have… to… answers Butch. He doesn’t know, the writer doesn’t know, the reader doesn’t know. What drivel.
I like Darick Robertson’s art but the character designs definitely feel recycled. The two main female leads are exact copies of Channon and Yelena from Transmetropolitan but with green and blue skin, while Butch is a pale copy of Butcher from The Boys. Otherwise, first rate stuff from Robertson as always.
I think Mortimer was aiming for something between David Cronenberg’s eXistenZ and Keanu Reeves “classic” Johnny Mnemonic and instead ends up with complete horseshit on his hands (so, kinda close to Keanu’s movie). Instead of writing characters he just presents character profiles telling us their age, height, weight, etc. as well as what clothes they’re wearing. It’s a lazy and ineffective way of writing characters, a guaranteed way to make them unmemorable.
Pages don’t segue well at all. One page has no correlation with the last. In the last third of the book, panels seemingly have no connection to one another! There’s an extensive section at the back where Mortimer painstakingly explains the detail within each panel. Fine, I appreciate the effort. It’s just that when you put the panels together, they don’t mesh. It’s sequential art – you have to be able to read the panels in sequence and make sense of them. Here, it’s just page after page of unconnected panels which makes it such a headache to read, let alone understand!
If I were to do a detailed breakdown of exactly why this comic sucks, it’d have to look at every single page because each one is a mess and the review would run to almost as long as the book itself! But I don’t care enough to put that kind of effort into it, I feel like I’ve wasted enough time already having read and reviewed it thus far.
Even without the brief bio, it’s clear that Mortimer is a filmmaker and not a comics writer. This is what Transmetropolitan would look like if it were written by someone totally incompetent. I expect it’s also why, even though Darick Robertson drew the whole thing, no major comics publisher would touch this drek and they had to go to Black Mask, whoever they are!
I can see why Grant Morrison would like this but even at his most obtuse and self-indulgent (a toss-up between The Filth and The Invisibles), he wasn’t this bad and that’s because he understands the language of comics. I can’t say this is the worst comic of the year because I (tried to) read Miracleman Book 3 and didn’t finish; I did at least finish Ballistic. But this is a close second to the worst. Except for the art, absolutely atrocious comics from start to finish.
Never heard of Ballistic? There’s a reason for that!
I can’t stress this enough: Ballistic is utter rubbish. A major part of that is the godawful writing and incompetent storytelling from filmmaker Adam Egypt Mortimer. It’s so bad, I couldn’t even summarise what the hell is going on in it., not even vaguely.
I picked it up because Grant Morrison called it his favourite comic of 2014 and because Darick Robertson’s a fantastic artist whose name is usually synonymous with good comics (Transmetropolitan, The Punisher, The Boys). But wow… Ballistic really underlines the importance of quality comics writers and the difference between them and amateurs like Adam Egypt Mortimer.
Mortimer simply doesn’t know how to tell a story. We’re introduced to Butch who’s unhappy with his life as an air conditioner repairman so he decides to make the massive leap to criminal by ripping off some gang leader – has this always been his dream? Why does he think he can get away with this? He’s one guy (and a talking gun) versus who knows how many other guys with vastly more experience in killing people!
It gets worse from there as Butch and Gun ping-pong from one arbitrary set-piece to another. He goes on a date with a girl, kisses her, and then her body is vaporized by something for some reason. (I’m sorry but this really happens) He’s holding her decapitated head but she’s still alive? Then her clone appears? But her head’s a robot?
Some kind of ninja assassin materialises (who is she, what does she want?) and attacks a corporate building for some reason. Gun overdoses somehow and then Butch loses his hand but regrows it with some magic glove. All the cars have bat wings because why not. The walls bleed. People eat people. Everyone’s got both sets of genitals and alien DNA. Then Butch declares he has to kill some guy. Why, asks Gun. Because… I have… to… answers Butch. He doesn’t know, the writer doesn’t know, the reader doesn’t know. What drivel.
I like Darick Robertson’s art but the character designs definitely feel recycled. The two main female leads are exact copies of Channon and Yelena from Transmetropolitan but with green and blue skin, while Butch is a pale copy of Butcher from The Boys. Otherwise, first rate stuff from Robertson as always.
I think Mortimer was aiming for something between David Cronenberg’s eXistenZ and Keanu Reeves “classic” Johnny Mnemonic and instead ends up with complete horseshit on his hands (so, kinda close to Keanu’s movie). Instead of writing characters he just presents character profiles telling us their age, height, weight, etc. as well as what clothes they’re wearing. It’s a lazy and ineffective way of writing characters, a guaranteed way to make them unmemorable.
Pages don’t segue well at all. One page has no correlation with the last. In the last third of the book, panels seemingly have no connection to one another! There’s an extensive section at the back where Mortimer painstakingly explains the detail within each panel. Fine, I appreciate the effort. It’s just that when you put the panels together, they don’t mesh. It’s sequential art – you have to be able to read the panels in sequence and make sense of them. Here, it’s just page after page of unconnected panels which makes it such a headache to read, let alone understand!
If I were to do a detailed breakdown of exactly why this comic sucks, it’d have to look at every single page because each one is a mess and the review would run to almost as long as the book itself! But I don’t care enough to put that kind of effort into it, I feel like I’ve wasted enough time already having read and reviewed it thus far.
Even without the brief bio, it’s clear that Mortimer is a filmmaker and not a comics writer. This is what Transmetropolitan would look like if it were written by someone totally incompetent. I expect it’s also why, even though Darick Robertson drew the whole thing, no major comics publisher would touch this drek and they had to go to Black Mask, whoever they are!
I can see why Grant Morrison would like this but even at his most obtuse and self-indulgent (a toss-up between The Filth and The Invisibles), he wasn’t this bad and that’s because he understands the language of comics. I can’t say this is the worst comic of the year because I (tried to) read Miracleman Book 3 and didn’t finish; I did at least finish Ballistic. But this is a close second to the worst. Except for the art, absolutely atrocious comics from start to finish.
Never heard of Ballistic? There’s a reason for that!
June 26, 2015
One of the wildest comics you'll read. It's been hard to track down in a collected edition for a while, although it came out in 2013. The small press of Black Mask Studios is frustrating like that. The book takes place in some kind of future, on "a reclaimed trash island built entirely from DNA-based, living technology with bad attitudes." That's all you need to know, really. There's an A/C maintenance guy with his depraved, drug-addicted gun that jacks into his bloodstream, mutated gangster hybrids, synthetic human meat restaurants, and people smoking brains out of bongs. It's very out there, but the execution makes it all work. Darick Robertson of 'Transmetropolitan' and 'The Boys' fame illustrates. The imagination on this is impressive, very hard sci-fi. Cronenberg meets Transmetropolitan (as far as a warped, futuristic city-state and Robertson's art goes) in a bad trip kind of way. This was really fun.
September 2, 2021
A bonkers tale set in a dystopian nightmare. A bit ExistenZ with a Naked Lunch/Brazil feel thrown in a blender with everything you want.
A city built up from the multiple ruins of the past. Full of crime bosses and criminal activity. Butch an A/C repairman wants a piece of the criminal pie and with his bio-type living gun decides to rob a bank. Only problem gun is on a come down and things go from bad to worse.
Visually so much going on but it's really good for the five issues.
A city built up from the multiple ruins of the past. Full of crime bosses and criminal activity. Butch an A/C repairman wants a piece of the criminal pie and with his bio-type living gun decides to rob a bank. Only problem gun is on a come down and things go from bad to worse.
Visually so much going on but it's really good for the five issues.
December 8, 2019
2.5/5: An failure that's interesting enough it almost becomes good.
The biotech angle is great - it's an underused aspect of genre fiction for anything other than antagonists in space sci-fi (see: Xenomorphs, the Zerg, the Tyranids) and Robertson's work is excellent - but Mortimer's a straight up terrible writer.
It's obvious from how he uses scientific jargon that he's read a lot of Grant Morrison and Warren Ellis, but unlike them, he has no ear for dialogue and he makes the classic writing mistake of making every element of the story weird.
In Ballistic the characters are manic, the slang is strange, the pacing is Looney Tunes level accelerated, the structure is dream logic, the setting is alien; it ironically becomes dull.
I'm not sure that I recommend this to anyone, but I am glad I read it and I'm glad that comics can still support out-there misfires.
The biotech angle is great - it's an underused aspect of genre fiction for anything other than antagonists in space sci-fi (see: Xenomorphs, the Zerg, the Tyranids) and Robertson's work is excellent - but Mortimer's a straight up terrible writer.
It's obvious from how he uses scientific jargon that he's read a lot of Grant Morrison and Warren Ellis, but unlike them, he has no ear for dialogue and he makes the classic writing mistake of making every element of the story weird.
In Ballistic the characters are manic, the slang is strange, the pacing is Looney Tunes level accelerated, the structure is dream logic, the setting is alien; it ironically becomes dull.
I'm not sure that I recommend this to anyone, but I am glad I read it and I'm glad that comics can still support out-there misfires.
July 8, 2018
An incomprehensible, overwritten slog without much of a point. The artwork has moments of disturbing creativity, but it often obscured by too much writing (there also was some poor transitions between panels - I'll blame that on the writing as well).
July 14, 2025
Troppe informazioni a pagina e troppi eventi che accadono sempre a ogni pagina. Ad un certo punto non si capisce neanche più cosa stia accadendo, tutto random
October 18, 2016
I'm usually a sucker for biopunk, but this one just didn't do the trick
December 9, 2016
"Баллистик" - короткий, всего в пять выпусков, комикс в духе "Трансметрополитена" (развесёлое, совершенно безумное будущее), только на этот раз действие представляет собой боевик, а главная фишка "что, если у инструментов, машин, домов тоже появится своя ДНК, тело, глаза, сознание". Главный герой - мастер по ремонту кондиционеров, у которого есть "очаровательный" разумный пистолет, и который мечтает бросить свою опостылевшую работу и стать гангстером, как все крутые пацаны на районе.
Произведение входит в список рекомендаций "лучших не-супергеройских комиксов, помимо тех, что у всех на слуху". Не уверен, что я понял все перипетии динамичного сюжета (развивается он иной раз довольно странно, вплоть до того что местами будто бы не хватает как минимум нескольких промежуточных панелей), но работа Дарика Робертсона, как обычно, выше всяких похвал. Биопанк в его исполнении получился на загляденье.
Произведение входит в список рекомендаций "лучших не-супергеройских комиксов, помимо тех, что у всех на слуху". Не уверен, что я понял все перипетии динамичного сюжета (развивается он иной раз довольно странно, вплоть до того что местами будто бы не хватает как минимум нескольких промежуточных панелей), но работа Дарика Робертсона, как обычно, выше всяких похвал. Биопанк в его исполнении получился на загляденье.
December 2, 2015
I enjoyed the art, but the story was all over the place.
June 16, 2016
The story was a mess but the art and the universe were quite good
July 28, 2016
Unique story/world.
Displaying 1 - 11 of 11 reviews