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犬夜叉 [Inuyasha ] #23
Inu Yasha, Band 23
Moryomaru wird von Tag zu Tag mächtiger und will schon bald an Narakus Stelle treten. Naraku, der machtlos seinem Abkömmling gegenübersteht, hilft nun sogar Inu Yasha, damit dieser an Stärke zulegt. Sein Plan: Inu Yasha soll Moryomaru für ihn ausschalten, auch wenn das bedeutet für kurze Zeit an einem Strang zu ziehen. Aber welchen Nutzen zieht Naraku wirklich aus der Unterstützung Inu Yashas?
- GenresManga
354 pages, Paperback
First published November 18, 2014
2 people are currently reading
49 people want to read
About the author
Rumiko Takahashi
1,587 books2,143 followersRumiko Takahashi (高橋留美子) was born in Niigata, Japan. She is not only one of the richest women in Japan but also one of the top paid manga artists. She is also the most successful female comic artist in history. She has been writing manga non-stop for 31 years.
Rumiko Takahashi is one of the wealthiest women in Japan. The manga she creates (and its anime adaptations) are very popular in the United States and Europe where they have been released as both manga and anime in English translation. Her works are relatively famous worldwide, and many of her series were some of the forerunners of early English language manga to be released in the nineties. Takahashi is also the best selling female comics artist in history; well over 100 million copies of her various works have been sold.
Though she was said to occasionally doodle in the margins of her papers while attending Niigata Chūō High School, Takahashi's interest in manga did not come until later. During her college years, she enrolled in Gekiga Sonjuku, a manga school founded by Kazuo Koike, mangaka of Crying Freeman and Lone Wolf and Cub. Under his guidance Rumiko Takahashi began to publish her first doujinshi creations in 1975, such as Bye-Bye Road and Star of Futile Dust. Kozue Koike often urged his students to create well-thought out, interesting characters, and this influence would greatly impact Rumiko Takahashi's works throughout her career.
Career and major works:
Takahashi's professional career began in 1978. Her first published story was Those Selfish Aliens, a comedic science fiction story. During the same year, she published Time Warp Trouble, Shake Your Buddha, and the Golden Gods of Poverty in Shōnen Sunday, which would remain the home to most of her major works for the next twenty years. Later that year, Rumiko attempted her first full-length series, Urusei Yatsura. Though it had a rocky start due to publishing difficulties, Urusei Yatsura would become one of the most beloved anime and manga comedies in Japan.
In 1980, Rumiko Takahashi found her niche and began to publish with regularity. At this time she started her second major series, Maison Ikkoku, in Big Comic Spirits. Written for an older audience, Maison Ikkoku is often considered to be one of the all-time best romance manga. Takahashi managed to work on Maison Ikkoku on and off simultaneously with Urusei Yatsura. She concluded both series in 1987, with Urusei Yatsura ending at 34 volumes, and Maison Ikkoku being 15.
During the 1980s, Takahashi became a prolific writer of short story manga, which is surprising considering the massive lengths of most of her works. Her stories The Laughing Target, Maris the Chojo, and Fire Tripper all were adapted into original video animations (OVAs). In 1984, after the end of Urusei Yatsura and Maison Ikkoku, Takahashi took a different approach to storytelling and began the dark, macabre Mermaid Saga. This series of short segments was published sporadically until 1994, with the final story being Mermaid's Mask. Many fans contend that this work remains unfinished by Takahashi, since the final story does not end on a conclusive note.
Another short work left untouched is One-Pound Gospel, which, like Mermaid Saga, was published erratically. The last story to be drawn was published in 2001, however just recently she wrote one final chapter concluding the series
Later in 1987, Takahashi began her third major series, Ranma ½. Following the late 80s and early 90s trend of shōnen martial arts manga, Ranma ½ features a gender-bending twist. The series continued for nearly a decade until 1996, when it ended at 38 volumes. Ranma ½ is one of Rumiko Takahashi's most popular series with the Western world.
During the later half of the 1990s, Rumiko Takahashi continued with short stories and her installments of Mermaid Saga and One-Pound Gospel until beginning her fourth major work, InuYasha. While Ran
Rumiko Takahashi is one of the wealthiest women in Japan. The manga she creates (and its anime adaptations) are very popular in the United States and Europe where they have been released as both manga and anime in English translation. Her works are relatively famous worldwide, and many of her series were some of the forerunners of early English language manga to be released in the nineties. Takahashi is also the best selling female comics artist in history; well over 100 million copies of her various works have been sold.
Though she was said to occasionally doodle in the margins of her papers while attending Niigata Chūō High School, Takahashi's interest in manga did not come until later. During her college years, she enrolled in Gekiga Sonjuku, a manga school founded by Kazuo Koike, mangaka of Crying Freeman and Lone Wolf and Cub. Under his guidance Rumiko Takahashi began to publish her first doujinshi creations in 1975, such as Bye-Bye Road and Star of Futile Dust. Kozue Koike often urged his students to create well-thought out, interesting characters, and this influence would greatly impact Rumiko Takahashi's works throughout her career.
Career and major works:
Takahashi's professional career began in 1978. Her first published story was Those Selfish Aliens, a comedic science fiction story. During the same year, she published Time Warp Trouble, Shake Your Buddha, and the Golden Gods of Poverty in Shōnen Sunday, which would remain the home to most of her major works for the next twenty years. Later that year, Rumiko attempted her first full-length series, Urusei Yatsura. Though it had a rocky start due to publishing difficulties, Urusei Yatsura would become one of the most beloved anime and manga comedies in Japan.
In 1980, Rumiko Takahashi found her niche and began to publish with regularity. At this time she started her second major series, Maison Ikkoku, in Big Comic Spirits. Written for an older audience, Maison Ikkoku is often considered to be one of the all-time best romance manga. Takahashi managed to work on Maison Ikkoku on and off simultaneously with Urusei Yatsura. She concluded both series in 1987, with Urusei Yatsura ending at 34 volumes, and Maison Ikkoku being 15.
During the 1980s, Takahashi became a prolific writer of short story manga, which is surprising considering the massive lengths of most of her works. Her stories The Laughing Target, Maris the Chojo, and Fire Tripper all were adapted into original video animations (OVAs). In 1984, after the end of Urusei Yatsura and Maison Ikkoku, Takahashi took a different approach to storytelling and began the dark, macabre Mermaid Saga. This series of short segments was published sporadically until 1994, with the final story being Mermaid's Mask. Many fans contend that this work remains unfinished by Takahashi, since the final story does not end on a conclusive note.
Another short work left untouched is One-Pound Gospel, which, like Mermaid Saga, was published erratically. The last story to be drawn was published in 2001, however just recently she wrote one final chapter concluding the series
Later in 1987, Takahashi began her third major series, Ranma ½. Following the late 80s and early 90s trend of shōnen martial arts manga, Ranma ½ features a gender-bending twist. The series continued for nearly a decade until 1996, when it ended at 38 volumes. Ranma ½ is one of Rumiko Takahashi's most popular series with the Western world.
During the later half of the 1990s, Rumiko Takahashi continued with short stories and her installments of Mermaid Saga and One-Pound Gospel until beginning her fourth major work, InuYasha. While Ran
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Displaying 1 - 7 of 7 reviews
October 31, 2025
Kinka e Ginka vere star di questo volume.
August 1, 2021
Inuyasha 23
Pues ahí va avanzando.
3 star
Primero varias peleas que tienen que ver con
Luego una pelea con un pantano y aparte regaña a Inuyasha por perder el camino, o hacer trampa con su espada.
Así que se va a entrenar, y pues ahí de nuevo por hacer trampa el entrenamiento se pone más difícil, y pues como que queda en cliffhanger
Pues ahí va avanzando.
3 star
Primero varias peleas que tienen que ver con
Luego una pelea con un pantano y aparte regaña a Inuyasha por perder el camino, o hacer trampa con su espada.
Así que se va a entrenar, y pues ahí de nuevo por hacer trampa el entrenamiento se pone más difícil, y pues como que queda en cliffhanger
November 11, 2025
Comunque, è sempre una questione di spade. Dopo la riforgiatura, Tenseiga inizia a mostrare il suo vero potenziale - la spade che apre la via per l'aldilà (così da poterci letteralmente i nemici). L'evoluzione di Tessaiga, anche per via dei magheggi di Naraku (che ha cercato di rendere più potenti sia Inuyasha che Moryomaru, forse nella speranza che finissero per eliminarsi a vicenda 🤔), continua e anche Inuyasha è chiamato a fare un po' di addestramento in modo da poterla usare nel modo corretto. E da non beccarsi più cazziatoni da Sesshomaru.
Una menzione particolare ai capitoli dedicati ai due fratelli demoni Ginka e Kinka - un unico corpo e due teste che stanno provando a eliminarsi a vicenda, due vittime collaterali dei piani di Naraku. E se uno dei due finirà assorbito da Moryomaru, l'altro deciderà di fondersi con Tessaiga. Il risultato finale? Per la prima volta, il neonato inquitante/cuore di Naraku rischia di rimanere esposto. Mi hanno fatto molta tristezza - alla fine avevano accettato l'idea di perire per mano dell'altro, meno quella di finire inglobati dentro il corpo di un emerito sconosciuto che, per i propri scopi personali, ha pensato bene di impicciarsi e di interrompere il loro scontro. E alla fine i due fratelli gli presenteranno il conto.
Comunque, mancano sette volumi alla fine e sto aspettando con ansia il momento in cui Naraku verrà mazzulato senza pietà, perché ormai lo trovo insopportabile e mi fa pure un po' schifo. Così, tanto per dire.
Una menzione particolare ai capitoli dedicati ai due fratelli demoni Ginka e Kinka - un unico corpo e due teste che stanno provando a eliminarsi a vicenda, due vittime collaterali dei piani di Naraku. E se uno dei due finirà assorbito da Moryomaru, l'altro deciderà di fondersi con Tessaiga. Il risultato finale? Per la prima volta, il neonato inquitante/cuore di Naraku rischia di rimanere esposto. Mi hanno fatto molta tristezza - alla fine avevano accettato l'idea di perire per mano dell'altro, meno quella di finire inglobati dentro il corpo di un emerito sconosciuto che, per i propri scopi personali, ha pensato bene di impicciarsi e di interrompere il loro scontro. E alla fine i due fratelli gli presenteranno il conto.
Comunque, mancano sette volumi alla fine e sto aspettando con ansia il momento in cui Naraku verrà mazzulato senza pietà, perché ormai lo trovo insopportabile e mi fa pure un po' schifo. Così, tanto per dire.
May 16, 2021
Cinco estrellas por que salé Shessomaru en portada 😔👌🏻 y también por qué el e inuyasha están aprendiendo algo nuevo
April 29, 2024
I love reading inuyasha but right now I'm frustrated if all this is necessary for the end fight or simply there to draw out the manga
July 4, 2022
Con cada combate inuyasha y compañía se hacen cada ves más fuertes, colmillo de hacerlo sigue sumando abilidades para poder combatir al despreciable de naraku.
January 23, 2026
Gdl con Edicola & Libreria: le nostre passioni...
https://www.goodreads.com/topic/show/...
Ho letteralmente adorato questo volume non solo per le dinamiche tra Inuyasha e Kagome ma anche per la presenza di Sesshomaru che adoro. Come sempre un volume fenomenale.
https://www.goodreads.com/topic/show/...
Ho letteralmente adorato questo volume non solo per le dinamiche tra Inuyasha e Kagome ma anche per la presenza di Sesshomaru che adoro. Come sempre un volume fenomenale.
Displaying 1 - 7 of 7 reviews