The 18th century was a wealth of knowledge, exploration and rapidly growing technology and expanding record-keeping made possible by advances in the printing press. In its determination to preserve the century of revolution, Gale initiated a revolution of its digitization of epic proportions to preserve these invaluable works in the largest archive of its kind. Now for the first time these high-quality digital copies of original 18th century manuscripts are available in print, making them highly accessible to libraries, undergraduate students, and independent scholars. Western literary study flows out of eighteenth-century works by Alexander Pope, Daniel Defoe, Henry Fielding, Frances Burney, Denis Diderot, Johann Gottfried Herder, Johann Wolfgang von Goethe, and others. Experience the birth of the modern novel, or compare the development of language using dictionaries and grammar discourses. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition ++++ British Library
T070831
Anonymous. By Daniel Defoe. With a half-title. sig.B is beneath "d" of "adorn".
Daniel Defoe was an English novelist, journalist, merchant, pamphleteer and spy. He is most famous for his novel Robinson Crusoe, published in 1719, which is claimed to be second only to the Bible in its number of translations. He has been seen as one of the earliest proponents of the English novel, and helped to popularise the form in Britain with others such as Aphra Behn and Samuel Richardson. Defoe wrote many political tracts, was often in trouble with the authorities, and spent a period in prison. Intellectuals and political leaders paid attention to his fresh ideas and sometimes consulted him. Defoe was a prolific and versatile writer, producing more than three hundred works—books, pamphlets, and journals—on diverse topics, including politics, crime, religion, marriage, psychology and the supernatural. He was also a pioneer of business journalism and economic journalism.
Il 10 gennaio 1702, sulla «London Gazette» viene offerta una ricompensa a chiunque consenta di catturare il “criminale” Daniel Defoe, colpevole di aver scritto una satira che a molti aveva dato non poco fastidio: The Shortest Way with the Dissenters. L’autore del libello viene scoperto, rinchiuso in prigione e condannato a comparire, tre volte e in tre luoghi diversi di Londra, alla gogna. Il pamphlet incriminato è dato alle fiamme dal boia e l’editore e il tipografo imprigionati. Mentre attende in carcere la sentenza, Defoe scrive A Hymn to the Pillory, che circola per tutta Londra: la condanna si trasforma in trionfo, la gogna viene ornata di fiori e scorrono fiumi di birra in onore del condannato.
Inno alla Gogna sviluppa un tema caro alle satire di Defoe: la condanna inflitta agli innocenti, l’impunità dei colpevoli, la barbarie del ludibrio della folla. La gogna come emblema non di giustizia ma del suo contrario. Ignominioso strumento di tortura che ha solo sete di vendetta e gode del dolore altrui. È, questa gogna di Defoe, solo una pallida anticipazione di quella odierna. Stampa e televisione, versioni aggiornate del vecchio arnese, hanno compiuto il gran salto di qualità, avendo licenza di celebrare il ludibrio ancor prima della condanna.
Un libro que investiga sobre el increíble acontecimiento que tuvo lugar en el Londres del siglo XVIII, cuando el polemista y futuro novelista Daniel Defoe fue condenado a la tortura de tres días en la picota. Defoe había escrito un panfleto incendiario y fue condenado a prisión y a escarnio público en la picota. Tras escribir su Himno, el clamor popular lo recibió esos días con flores, brindis y sus obras impresas ilegalmente. Es un trabajo de investigación soberbio el que realizan los editores de La Felguera y que nos transporta al mundo de intrigas de este Londres donde había 16 prisiones en toda la ciudad y como fue esta parte de la vida de Defoe que terminó trabajando como espía para David Harley, consejero de la reina Ana Estuardo.
Defoe le pregunta esto en su Himno: "¿Es que sin miedo a ti, acaso la humanidad habría de perder sin remisión toda su honestidad?"