Günümüzde olduğu gibi, eski Yunan ve Roma toplumlarının dağarcığında da tekinsizlik söylenceleri, hayalet hikayeleri, şehir efsaneleri vardı. Halk kültürünün ürettiği bu anlatılardan kimisi sözlü gelenekte kalmamış, yazıya geçirilmişti. D Felton'ın doktora tezinden geliştirerek hazırladığı Antik Edebiyatta Hayalet Hikayeleri adlı bu kitap, epik şiirden tragediaya, satirden biyografiye farklı edebiyat türlerinde karşımıza çıkan hayalet hikayelerini incelemektedir. Kitapta antik terminoloji sorunları ele alınmış, antik kayıtlarda beliren tekinsizlik türleri modern parapsikoloji ışığında sınıflanmış, Plautus, Genç Plinius ve Lukianos'un aktardığı perili ev öyküleri başta olmak üzere çeşitli hayalet hikayeleri halk kültürüne dayalı bir bakış açısı ile çözümlenmiştir. Antik anlatıların 19. ve 20. yüzyıl hayalet hikayeleri üzerindeki etkilerine de değinen Felton'ın çalışması, klasik filologların yanı sıra, halk bilimcilere, İngiliz-Amerikan edebiyatı araştırmacılarına ve "iyi bir hayalet hikayesiden hoşlanan herkes"e yararlı olabilecektir.
Debbie Felton has degrees in English from UCLA (B.A. 1986) and in Classics from The University of North Carolina at Chapel Hill (M.A. 1990, Ph.D. 1995). She has taught at UMass since 1999. Her main research interest is folklore in classical literature, with particular attention to the supernatural and the monstrous. She is Editor of the journal Preternature: Critical and Historical Studies on the Preternatural (Penn State Press) and has served as Associate Review Editor for the Journal of the Fantastic in the Arts for many years.
Professor Felton's first book, Haunted Greece and Rome: Ghost Stories from Classical Antiquity (UT Press, 1999), examined the oral and literary transmission of ancient folklore about ghosts as well as analyzing the development of the ghost story as a literary form. Her forthcoming book, Monsters and Monarchs: Serial Killers of Classical Myth and History, examines the likelihood that stories of familiar monsters as well as of certain human characters from ancient literature were based on an understanding of real-life serial mutilation murders.
This was a fascinating treatise on the role of ghost stories, specifically haunted houses, in the literature and culture of the Ancient Greeks and Romans, and how such lore affected later Western concepts of ghosts and hauntings. Felton delves into classical literature to explore how these elements originated. Focusing on the specific examples of stories surviving from the works of three classical authors, Plautus, Pliny, and Lucian. Each of their tales includes tropes that remain familiar to the modern reader, including rattling chains, secret murders, and even an element of the tongue in cheek. I loved learning about ancient Roman idioms as a student of Latin, so I found the discussion of the numerous synonyms and names for ghosts, spirits, hauntings, and other spooky things to be particularly interesting. All in all, Felton's study is extremely informative on the history of the ghost story, and her evocative writing makes even the driest topic of folklore shine.
This was an intriguing and well-organized book, surprisingly succinct and very informative on the subject of Greek and Roman antecedents for many well-known and (now) venerable Western European and American ghost story themes and motifs. I was interested to find how many famous tropes in this genre are almost certainly directly derived from ancient Greek and Latin sources, many of which were probably known to and disseminated by Shakespeare and his contemporaries, as well as later post-Enlightenment novelists, including Dickens and Wilde (who was a gifted Classics scholar long before he wrote fiction).
All in all, a relatively quick and easy read, covering some very entertaining and spooky material, all based on sound and extremely well-presented research. All presented in clear, brisk and decidedly un-stuffy language, a real find!
Great stuff. I knew Debbie Felton a little, whilst attending UMass Amherst. Just finished re-reading it again, and it really is full of fun stuff, and cites original texts in end notes (something I missed the first time).
A delight to read, and tremendously well-researched. Felton writes with both rich detail rewarding to the Classicist and skillful storytelling incredibly entertaining to the more casual reader. What a gift of a book.
It would be cool if they had a shelf for "re-reading," which is what I'm doing with this one. Excellent study of classical ghost stories, excellent bibliography.
This is just really fantastic. It seems to have grabbed everything there is to grab on the subject and even oozed put a little more on the sides. I’d say “I want more” but according to the book, this is it, as far as we have surviving copies of.
I would have liked an examination of the Pliny story over time, as it’s so archetypal it seems like it either had a huge influence OR that classic ghost stories are so uniform that cultures simply create them in that form on their own.