Noted scholar Imelda Whelehan looks at key adaptations released during this period and considers the impact of social change, film consumption and film tastes, as well as noting the most popular genres at this time.
The latter part of the 20th century saw cinema becoming increasingly significant as an art-form, even while its status as 'art' was still openly contested. This installment in the Bloomsbury Adaptation Histories series discusses a rich and exciting period of cinema Hollywood in the latter stages of its golden age, releasing masterpiece adaptations such as It's A Wonderful Life (1946), The Treasure of the Sierra Madre (1948), The Third Man (1949), All About Eve (1950), Rear Window (1954), The Night of the Hunter (1955) and Vertigo (1958).
Professor Imelda Whelehan has published widely in the areas of feminism, adaptation studies, popular culture and women's writing. She has recently co-edited the Bloomsbury Adaptations: Critical and Primary Sources (2022) with Professor Deborah Cartmell. Forthcoming is a co-authored chapter, 'Screening the Australian Novel' (with Claire McCarthy) which will be published in The Cambridge History of the Australian Novel in 2023. She is also writing a monograph, Post-War Adaptations which will be published by Bloomsbury. She has spend many years in research leadership in the UK and Australia and has been Dean and PVC for Graduate Research at the University of Tasmania, The Australian National University and the University of Western Australia.