Former SIS agent-runner Herbie Kruger and attractive SIS agent Pucky Curtiss interrogate Maestro Louis Passau, an orchestra conductor who has been accused of spying for Hitler and aiding the KGB, eliciting an extraordinary portrait of a brilliant but flawed man.
Before coming an author of fiction in the early 1960s, John Gardner was variously a stage magician, a Royal Marine officer and a journalist. In all, Gardner has fifty-four novels to his credit, including Maestro, which was the New York Times book of the year. He was also invited by Ian Fleming’s literary copyright holders to write a series of continuation James Bond novels, which proved to be so successful that instead of the contracted three books he went on to publish some fourteen titles, including Licence Renewed and Icebreaker.
Having lived in the Republic of Ireland, the United States and the UK, John Gardner sadly died in August of 2007 having just completed his third novel in the Moriarty trilogy, Conan Doyle’s eponymous villain of the Sherlock Holmes series.
Ninety-year-old Maestro Louis Passau is a world-renowned musical prodigy, pianist, composer, and orchestra conductor who has traveled the world bringing joy and inspiration to audiences with his concerts and performances. Despite his phenomenal contributions in the realm of music, Passau is a man with a dark past whose former sins and transgressions include crimes ranging from larceny and bootlegging to homicide and, according to some of his accusers, treason by way of giving away top secret information about American politics and war strategies to Nazi and Communist spies during World War II and the Cold War, all the while maintaining his impeccable image as one of the most gifted musical artists of the Twentieth Century.
There is a little something for everybody in this lengthy novel by the prolific author of fiction, John Gardner, including organized crime, espionage, action/adventure, mystery, romance, and even historical fiction, as the “hero” recounts the circumstances of his childhood in pre-World War II Germany and the infamous immigrant ghettoes of New York’s Lower East Side in the early thirties.
The circumstances surrounding Louis Passau’s criminal past and his rise to stardom are gradually revealed to the reader in a series of interviews conducted by investigators to determine whether the charges of treason are justified. The maestro’s story unravels through hundreds of pages filled with action, adventure, romance, and a mind-blowing cast of colorful characters. Despite the slow pace of the interviews, the story is compelling. Above all, there is MUSIC. The author has an impressive knowledge of both classical and popular music, and almost every one of this book’s 600 pages is replete with references to music.
The central question explored by this book, in my opinion, is whether or not the redemptive power of music to heal the wounds of the past and bring joy to listeners in the present is enough to “atone” for the suffering and heartbreak Passau’s bad behavior brought to others in the past. This is something the individual reader will have to decide for him or herself.
I was all set to give this book five stars and call it a masterpiece---until I got to the last hundred pages. The story moves along at a steady pace when suddenly the author switches gears with a confusing new story line that appears to have little to do with everything that went before it. A bunch of new characters are introduced that are only vaguely alluded to in earlier pages, and the ending drags on interminably for another hundred pages. Regrettably, I must factor this into my rating. As a music lover myself, I base my rating on the skillful way the author uses the uplifting power of music to relieve the darkness of an otherwise tragic story, and give the book four stars.
Written and set at the end of the Cold War, Gardner’s forgivably self-indulgent doorstopper functions as three things at once: an elegy for the espionage drama, a sweeping rags-to-riches tale, and a love letter to classical music. It seamlessly weaves in Roaring Twenties gangster shenanigans, wartime drama, a sun-drenched and star-crossed romance, and enough divided loyalties and conflicting personas to keep a team of psychiatrists tied up for months. It’s at its best when Gardner is revelling in the saltiness and appalling behaviour of his main character, less so towards the end when he tries to make A Big Important Statement About The Pointlessness Of It All and just lumbers into cheap, obvious melodrama instead.
I managed to read this by mistake - I was supposed to read Maestro by Peter Goldsworthy, an Australian author, and downloaded the wrong book from the library. Big mistake! This was 600 pages long and I kept asking myself when it would be over! The first few chapters felt like they were written in another language; every character seemed to have 3 or 4 names to cause confusion. It did pick up in the middle but the ending was no surprise. I've read other John Gardner books and they have been good but this one was pretty bad.
I loved the earlier Herbie Kruger novels, but this is a slog--754 tedious pages. It recounts the whole life, in minute detail, of a suspected spy under interrogation. When I say "whole life," I mean from young childhood.
Gardner throws you a bone by have tiny spy vignettes along the way but even those are pretty boring (e.g., the difficulty of getting groceries to a safe house).
The Kruger series goes from strength to strength, for me this is by far the best of them all. It’s the most complex and the longest…..but an absolute triumph of twists and turns.
I dipped into the Herbie Kruger series at the end, so I missed a lot references. But it was still an enjoyable spy book that while low on action (it is mainly an old spy telling his story to Kruger) is still very readable and intense.
This is a very slow read, at least for me. It’s about the whirlwind debrief of a decades long spy. There’s plenty of implied action, but very little actual action. Don’t get me wrong, it’s interesting but not a page turner.
This was a good book (3 stars). It was far too long for where it went. The writer has talent but the book could have been half as long. I am not sure I would read any more of John Gardner's books.
This book turned out to be much deeper and more poignant than I expected it to be. I picked this up years ago as an impulse buy in a used bookstore, but it turned out to be one of the better novels of the genre that I have read, especially for anyone who enjoys classical music. The plot is built around a world-famous orchestra conductor, somewhat modeled on von Karajan, who led a double life as a spy throughout his career. Gardner is quite obviously a music lover, and manages to work a lot of meaningful discussion of music into the book, giving the reader a vivid picture of what a conductor's work is like. Additionally, the plot winds its way through most of the 20th century, with many unexpected turns and twists. It is the kind of book that I enjoy coming back to every few years.
A finely woven, richly coloured fabric, changing constantly as the light moves around
The warp of biography interwoven with the weft of espionage. Gardner's characters, dialogue and placement of plot in time and place, along with the steady uncovering of lies and truths keep you bound. I wish I had discovered Gardner before.
This is the fourth Herbie Kruger novel. It is good and worth reading but It is 600 pages and stages in places. There are also plot s that are not fleshed out.