1996
I learned a lot from this book. Painter sets out to put Sojourner Truth [born Ulster Co. New York state c1797 as Isabella Van Wagenen-1883] in a broad context, and she succeeds.
It's remarkable how little is known about this long-lived woman who was so much in the public eye and who gave so many speeches and sermons.
She did not read and write, so not only do we have nothing that she herself wrote, her so-called autobiography seems to have been quite biased by the first woman who wrote it into a book, and then the next woman who added and changed it for later editions.
TO READ: Representing Truth:
'Sojourner Truth's Knowing and Becoming Known'. By Nell Irvin Painter. Article [summarizing part of the book] publ 1994 J of Amer History -- read it on google search.
Painter does a good job of pointing out and entangling the confusion of abolitionists and woman suffragists; some organizations were for both these things, others for only one. Truth got involved with all these variations at one time or another.
Her first 9 years she spoke Dutch, as that was the language of her masters.
She never lived in the South, and would have spoken the same dialect of English as her 2nd or 3rd set of white slave owners in NY state. [Whereas nearly every article written about her in her lifetime --always using her to further the agenda of the suffrage or abolition newsletter it was published in -- quotes from her speeches in extreme southern black dialect, which Painter argues could simply not have been the way she spoke at all.
Truth purchased her first house in 1850 in Northampton Mass., and sold it in 1857, moving to Battle Creek Mich., where she eventually bought another house. She spent most of her speaking career [i.e. second half of her life] living with and speaking to white people.
At the very end of the book, Painter sums up the reasons why a historian would find more credible the write-up of Truth's 1851 speech written AT THAT TIME by organization secretary Marius Robinson [p 125]. Power, powerful voice, soul, earnestness, gesture, simple and honest. Painter then tells several incidents and exchanges in reaction to this claim of her that convinced her that accuracy aside, people [including scholars of history!] NEED a the myth/legend of Sojourner Truth as a Strong Heroic Angry black woman who electrified white audiences and silenced them. A myth ["symbol" for Painter] that ignores and denies her vulnerabilities.
Truth's earlier [1832-35] devotion to a charlatan who proclaimed himself Matthias the Prophet shows her gullibility. p59: "A chasm seems to separate the strong, canny person who would create the legendary Sojourner Truth from the woman who stayed with a scoundrel who beat her up, suppressed her preaching, took her money, and made her do his housework for nothing...How could she submit to being bossed about by Matthias...?" Painter notes that this was not too different from the ambivalent relationship [maintained her whole life] with her slave-owner/family Dumont[?] when she was a teenager and young woman -- part friendly and supportive, part abusive.
A NYC journalist Gilbert Vale investigated Matthias and is 'a rich source for information' about Truth. Vale got to know Truth through several interviews and describes her as SHREWD, which seems to me a pretty fair description after reading Painter's book. Truth was very aware of the value of money and how few ways she could get any. When she found there were white abolitionists and woman's suffragists who were willing to pay her [and provide lodging and transportation] to speak at their meetings and conventions, she was glad to do so. She saved, and was able to buy a house in Northampton.
It wasn't until the summing-up chapter that I realized that Gilbert Vale's description of Truth was one of very few, so I went back and reread that early chapter. Also, how significant Marius Robinson's report of Truth's 1851 speech was; again I had to return to that chapter and reread it. Painter shows that the writer of the Autobiography had very much her own agenda, and the one or two later editors had *their* own agendas; also, the autobiography was a project Truth embarked on as a way to get some income, rather than any attempt at an accurate historical document of her life. As Vale noted, Truth was "not communicative".
She used humor to good effect in her speeches. Painter notes that "the humor was shrewd, for it allowed her to get away with sharp criticism, but it permitted some of her hearers to ignore her meaning." p 129
RELIGION was extremely important to Truth, and this is probably ignored by most today who use Truth as a symbol. Truth spent many years with those of the movement [one of a great many at that time] called perfectionists, which Painter says we can think of as today's pentecostals. The Holy Spirit was important. A great many of the abolitionists and suffragists were also religious and Painter spends time describing each of these movements and beliefs and communities. Painter also says most everybody in those times knew their Bible backwards and forwards, and though Truth could not read, she had had others read the Bible to her and could cite many verses to advantage.