"Having suffered in silence since the tragic death of their young daughter, Lola and Duncan Drummond's last chance to rediscover their love for one another lies in an anniversary holiday to the gorgeous Napa Valley.
Unable to talk about what happened, Duncan reaches out to his wife the only way he knows how - he buys her a derelict house, the restoration of which might just restore their relationship.
As Lola works on the house she begins to realise the liberating power of letting go. But just as she begins to open up, Duncan's life begins to fall apart.
Colette Dartford's debut novel, Learning to Speak American, exploring whether a parent can ever truly move on from the death of a child. And, after all the heartbreak, whether Lola and Duncan can learn to love again."
Colette Dartford writes contemporary fiction with compelling emotional themes. Her debut novel, Learning To Speak American, was shortlisted for the Amazon Breakthrough Novel Award and published by Bonnier Zaffre. Her second novel, An Unsuitable Marriage, was a Kindle bestseller for over 18 months. In addition to her novels, Colette has had award winning Flash Fiction, short stories and poetry, published in popular magazines and anthologies. Her third novel, The Mortification Of Grace Wheeler, will be published in August 2022.
When I started this book, I had been putting off reading it for ages, but yet the first few chapters hooked me in, got under my skin and I was left with a very good feeling about the rest of the book. However although even from the beginning I could tell that there would be a great deal of emotion involved, I found the book started to drain me as it went on. I was finding it harder and harder to go back to it and read it, and felt that a story that had tremendous promise just went flat.
My favourite sections of the book were the initial trip to San Francisco and then onto the Napa Valley, and seeing Lola and Duncan slowly reconnect with each other, and for Lola to come out of herself for the first time properly in two years, since the death of their child.
Due to Duncan not being able to talk about Clarissa, Lola has felt very alone, and their marriage is slowly fracturing. When Lola is shown a derelict house, though she feels a bit of hope and Duncan purchases it for her, just so he can see his wife smile and have a project to get on with.
However once the couple were back in the UK, it soon became apparent what a despicable and cowardly man Duncan really is and I really couldn't stomach reading about him that much, he has a personal habit that could get him into a lot of trouble, as well as many other secrets that he is keeping from his wife, made a lot easier by having a job that demands a lot of trouble.
Any section where Lola was in California, I really enjoyed, and seeing her point out the differences between the American and English language was amusing, but ultimately she is a woman who is still grieving, and had a relatively absent husband.
I just found the pace of the book was slow, and that I didn't really connect on any level to the characters. Although we know their daughter died, it takes until well over half way through the book to have the actions of that fatal day fully revealed to the reader, which had made me feel there should be far more of a mystery to it than there was.
Ultimately although I do read deeper, and emotional women's fiction, I have read far better than this book, and although other will probably enjoy it, as it isn't bad book, it just didn't work for me as much as I would perhaps have liked.
Thank you to Bonnier Publishing and Netgalley for this review copy. This was my honest opinion.
Learning to Speak American is Colette Dartford's debut novel, it is a tender and powerful novel that deals with some heartrending issues.
Lola and Duncan Drummond have had a charmed life, wealthy and successful with the trappings that go with it. Their seemingly perfect life came crashing down around them three years ago, when their cherished and much loved eight-year-old daughter was killed.
The Drummonds have dealt with their painful loss in their own personal ways, but have never discussed what happened on that awful day. In fact, they don't mention Clarissa's name at all. Duncan makes one last ditch attempt to try to heal Lola and books a surprise trip to the Napa Valley in California. Whilst there, they find themselves outside The Treehouse, an almost derelict house that Lola falls instantly in love with. When Duncan buys it for her, he hopes against hope that by restoring the Treehouse, they can restore their love, and their relationship.
I was totally swept away by this story, and the abundance of well-rounded, expertly crafted characters. It's an easy read, but surprises the reader by dealing with some emotional and sensitive issues, compassionately and with care.
I loved Lola, her pain is raw and so well described, she's frail and vulnerable, yet has an inner strength and force that is exposed many times. Poor Duncan .... I didn't like him, despite the horror that he too has had to endure, I found his way of coping with his pain so very sad - for himself and for those around him.
The contrasting landscapes of the Californian Napa Valley and their home in Somerset are written with convincing detail, and the contrast in lifestyles and character is engaging.
Learning to Speak American is a study of a breaking relationship, concentrating on how deep-rooted fears and secrets can alter a life for ever. Colette Dartford is a talented author, I look forward to reading more from her.
Lola and Duncan Drummond have suffered a terrible tragedy; their eight-year-old daughter, Clarissa died in a fluke accident. Clarissa couldn’t have been more wanted, the eighth pregnancy for Lola, and the only one carried to term.
The book opens with Lola thinking back to a walk with Duncan and their dog, Darcy, across the countryside around their home; the countryside which Lola walked so often with Clarissa. This event perfectly illustrates the gulf which has grown between them as Lola desperately wants to remember her daughter, whereas Duncan cannot bear to hear her name.
On their twentieth wedding anniversary Duncan takes Lola to San Francisco in an attempt to distract her from her memories. It is two years since Clarissa’s death.
Once in California, Lola does seem more relaxed and they are able to spend time together pleasantly, provided of course that Lola maintains her silence. On moving out of San Francisco and into wine country they find themselves outside an estate agent and somehow manage to agree to visit a house in their price range. The Treehouse is virtually derelict, but Lola is captivated and in an effort to make her happy, Duncan agrees to buy it as a holiday home. Whilst there they meet the nearest neighbours, Joanne and Mike who couldn’t be more welcoming, and the Drummonds are drawn into their circle.
Once back in England, Lola is energised and full of plans for the house, whilst Duncan returns to work to find that problems have arisen with an important deal.
This situation really signifies the beginning of the end for the couple who are estranged by distance as Duncan spends more and more time on London, whilst Lola is at home, or flying to America to make decisions about the renovation. Whilst things are improving for Lola, Duncan starts to disintegrate and makes some very bad choices.
This is an engaging novel concerning relationships and new friendships, some positive and others less so. The author expertly weaves her tale towards an ending which is perhaps predictable, but which brings closure and a better future for the Drummonds.
Pashtpaws
Breakaway Reviewers received a copy of the book to review.
Can the purchase of a house fill the gaping hole in a couple relationship, mourning the loss of a young daughter? Lola and Duncan Drummond are struggling, their marriage is in the depth of despond. Duncan takes the reins and organises a holiday in California to lift the spirits of his wife.
A spontaneous visit to an estate agent (or realtor, it being California) and they find themselves viewing a house in the Napa Valley, a property that needs considerable tender loving care. Could this project of restoration prove to be the healing that they both need? The neighbours are more than welcoming, the countryside is wonderful and the Treehouse itself is so full of potential which interior designer Birdie will modify and rebuild to form the perfect home for Lola – and Duncan. Cain, the handsome young realtor is on hand to support Lola in her house renovation ventures. Wine is in abundance and lubricates the social interactions.
Duncan – committed now to the purchase – suddenly finds that his work situation is precarious and he has to jet off around the world to try and close deals. Although wealthy on paper he is reliant on commissions that should come from his business deals and as money floods into the renovations, his relationship with Lola continues to struggle.
It is extremely common that a traumatic event places huge pressure on a couple relationship. Partners often mourn losses in different ways which can distance them from each other even more. A big, all-consuming project – like a house build – is often the unconscious couple choice to bridge the widening gap in the relationship, and as in this story, it serves as a vehicle to move the focus away from the fractured relationship.
I really enjoyed reading the novel, the relationship difficulties felt real, and I felt transported to the Napa Valley and California. The ending seemed to me to slot together perhaps just a little too easily. Recommended.
The loss of their beloved daughter, Clarissa, has devastated Lola and Duncan Drummond. In a desperate attempt to pull together the pieces of their marriage, a last ditch holiday to California's beautiful Napa Valley offers, just maybe, a semblance of hope. Amidst the glory of vineyards and lush, green countryside, Lola finds an element of peace and the idea of restoring a derelict cottage, aptly named The Treehouse, shakes her out of a lonely, grief-ridden apathy. What then follows shows Lola blossoming alongside The Treehouse, which in an unexpected way, helps to set her on the road to recovery, but at what cost to her relationship with Duncan?
The story opens up from the very start and I had enormous sympathy for both Duncan and Lola, although as the story progressed, I felt my allegiance, simply because of Duncan’s behaviour, focused more sympathetically on Lola. There are some perceptive observations into the grieving process, with a real sense of two damaged souls trying desperately to make sense of their grief ,but who never really communicate properly with each other.
For some reason, I expected the novel to be a lighter read and was surprised at just how much depth the author’s reveals about loss and the different ways that people come to terms with hurt and despair. There’s a lovely, lyrical quality to the writing with a real sense of time and place, which helps to bring the beautiful Napa Valley to life, and although I have never visited California, I could, from the author’s descriptions visualise the beautiful countryside around The Treehouse quite clearly.
In many ways Learning to Speak American is a difficult novel to enjoy per se as it touches on a really heart breaking situation, and yet, as the novel progresses a lightness comes across the narrative and you can’t help but wish that everything is going to work out for Lola and Duncan. And does it...well, you’ll need to read this lovely story for yourself to find out ..
I don't read a lot of 'women's fiction' and for that reason I find it difficult to review. I found the middle section was a bit slow and it seemed to go for pages without any progression in the storyline. In contrast the ending and particularly the epilogue I thought was too condensed. The story does not correspond with my own life and I didn't have a great emotional reaction to it but I'm sure there will be others that will be moved to tears by it.
I received a free copy of Learning to Speak American in return for an honest review and my thanks to NetGalley and Bonnier Publishing for that.
A story that is relatable in all its simplicity, raw emotions and imperfections of the “real-life”.
Lola and Duncan may seem like the perfect English couple, living the high life on Duncan’s prestigious work title and Lola’s home-life assisted by the help. But hanging above every individual is a rain cloud that haunts and weakens them. As for Lola and Duncan it was the tragedy of losing their only child, Clarissa, when she was merely an 8 year old. Clarissa was their ultimate gift after going through multiple miscarriages. So when they lost her in an unexpected accident, they not only lost their one and only love, but also were on the verge of losing their marriage.
Feeling like strangers in a 20 year old marriage, Duncan takes Lola on a trip to America in hope of saving what���s left of their love for one another. Along their conventional tour and sight-seeing, they stumble upon Cain McCane, an at-that-moment real-estate agent who shows them a property which was necessarily a fixer-upper.
But with no further thought, Lola falls in love with what she called a “Treehouse” and her demeanor lightens and puts a smile on her face, something that Duncan hasn’t seen since their daughter’s death. In the process, Duncan decides to buy the Treehouse for Lola hoping that it would relieve her of some of the pain.
All send to go perfectly until Duncan returns to work and discovers that he’s lost an important contract which sends him into a panic attack that he’s been experiencing since Clarissa’s death but kept it to himself. Following the loss of another major deal and trying to cope up with his panic attacks, Duncan carries on an affair with his young mistress and is often not home.
As Duncan distance himself from Lola, Lola begins to find comfort in talking to Cain, who, by now, has taken over the construction supervision tasks over at the Treehouse that he sold to them.
When Duncan is excused himself from accompanying Lola to America and leaves her alone on the 3rd year remembrance of their daughter’s death, Lola falls in with Cain and ends up pregnant.
The story neatly wraps up with a satisfying not-much-drama ending when Duncan arrives and finally finds out about his wife’s affair and her pregnancy, confesses his own affair, loss of job, and panic attacks, tells her that she could have the Treehouse as he bought it for her to make her happy in the first place and leaves back to London to start his new life with his new love.
It’s a soothing tale told in all its raw beauty, fresh wounds and concealed truths. Author Colette Dartford has indeed managed relate to the actuality of life in her ambitious debut novel, “Learning to Speak American”.
This is kind of a genre I usually don't read unless I either really feel like it or my mother-in-law brings it along. None of these two things really applied here during the past couple of weeks, yet I still couldn't wait to get started on it! Probably because I really liked the cover and the idea of reading a story set in Napa Valley (in my imagination, it's like Italy with English speaking people in it). I'm glad I prioritized this book because it turned out to be pret-tay good!
This wasn't the typical mushy love story. I would say it's more about intense emotional pain, depression, and how to climb out of this well of sadness and start anew.
Lola and Duncan Drummond are living in a huge house in a Somerset village in England. It's been almost three years since their only daughter, Clarissa, died in a horrible accident at the tender age of eight (the story slowly unfolds to what happened to her exactly). Lola and Duncan's marriage is falling apart because of it. They hardly speak to each other. Lola is lethargic and Duncan doesn't want to talk about Clarissa, pretending like she never existed, out of the guilt he feels regarding her death.
When they're 'celebrating' their 20-year anniversary, Duncan decides to take Lola to San Francisco. When they head out to Napa Valley, they discover an old worn-out house in the middle of the countryside that's for sale. As soon as Duncan notices the spark coming back into Lola's eyes, he decides to buy it for her, in the hope it will distract her from her sadness and get their life back on track eventually.
While Lola thrives at the prospect of restoring the Treehouse (that's what she calls the house because it reminds her of one), Duncan's business is quickly going to hell. He has been experiencing panic attacks ever since Clarissa died, yet now they strike more relentlessly than ever before. Duncan's way of dealing with it all is to seek out anonymous sex(without Lola being aware of any of it, of course). Only this time, he meets a young Russian prostitute and soon takes the anonymous part out of the ordeal.
In the meantime, Lola is alone most of the time, either in England or California. The neighbours of the Treehouse, an older couple called Mike and Joanne, are incredibly social people and they welcome Lola like a daughter of their own. With Duncan being the distant one now, both physically and emotionally, Lola finds herself attracted to another one of her new Californian friends, Cain McCann, an easy going, young, and good-looking surfer type of guy.
Do Duncan and Lola need this to come closer to each other again? Or is it the beginning of the end of their marriage? That's what kept me reading and reading because I was dying to find out!
Learning to Speak American is Colette Dartford's debut novel, but to me, it seems like she has been a very experienced author for a long time! The writing is smooth, with the right balance between 'fluffy' and distinguished language, so it didn't make me feel like I was reading the latest novel in a Harlequin series (something which I was afraid of at first).
As for the characters, I liked some more than others. I could empathise with Lola, but sometimes I thought she was overreacting quite a bit (like walking out of a diner because someone asked her if she had any children). The whole luxurious lifestyle is something I couldn't really relate to as well. I think Lola is definitely more of a girly girl than I am. Other than that, I liked her and her love for redecorating and living in the countryside opposed to in a noisy city.
Duncan. Well, I guess he meant well with some things, but other than that, he's the regular stuck-up jackass you tend to meet at fancy dinner parties. I would've left him ages ago. Lola felt comfortable in living a sheltered and protected life and I guess that's the main reason she stayed this long with him. Yet, damn girl. She didn't know this, but not only is he a bastard, he's a cheating one as well! Some people say it's not cheating when it's only sexual. Some people even take it as far as to say that having sex with a prostitute doesn't count as cheating either, just because you're paying for a service. I'm definitely not one of those people! The whole thing repulses me, and so does Duncan.
Cain McCann, what to say about him. He was a nice guy, at least, but could've used a little more depth. It feels like such a bland character now.
The other Americans sounded way too American to me. Every time an American character said something, I instantly heard it in a southern dialect in my head. While they live in California! I think it's because most of their dialogue sentences start with a verb. Maybe that's how real Americans truly talk, I've only ever heard Canadians and two Texans in real life. Somehow, I highly doubt it, though...
I think Colette Dartford really did a great job at depicting a painful relationship. It felt very realistic (and painfully familiar at times when thinking about my own previous relationships).
As for the settings...
A house called the Grange in Somerset
Napa Vally sunset
A property for sale in the Napa Valley region which could easily be the Treehouse to me
...nothing wrong with those right?!
Even though I have no strong love for horses, I didn't mind the horse talk because the author only restricted it to a few chapters here and there. The wine talk, however, got a bit on my nerves at times. Probably because I know shit about wines and don't like it when people become all pretentious about it. Then again, it's freaking Napa Valley.
I've got two more short points of critique and then I'm moving on to my rating!
1. A Blackberry? Duncan's constantly referring to the importance of his Blackberry, which makes me wonder if this was written in 2006 rather than more recently? Last time I heard about a Blackberry was on Oprah. 2. I had mixed feelings about the plot twist in the end. It makes sense new beginning-wise, but it didn't seem very realistic to me.
I'm giving it 3.5 stars based on my level of enjoyment.
***** I like to point out again that this is by no means a bad rating. I rarely give 5-star-ratings, meaning that books that I immensely enjoyed often get 4 or 4.5 stars as well. 3 stars mean I liked it and was entertained. *****
A big thank you goes out to Midas PR, Twenty7 Books, and Colette Dartford for being so kind to send me my first physical ARC copy. I was giddy like a schoolgirl when I received it in the mail!
a gorgeous and eye catching cover with an interesting title. i love sort of dramatic/ tragic romance books so this was a nice book for me to have the chance to read. i like the fact that it has layers to it. it isnt just two dimensional and isnt just the same typical romance story of ‘boy meets girl, they fall in love and live happily ever after’ trope which has been done ten million times. these two characters are important and real. they go through trauma and life together. they are people that you can see yourself in at times and you grow to understand their hearts and emotions. i liked the aspect of them buying the house and fixing it up. i feel like that also really brought life to the book and kept it even more interesting and lively. but the dynamic between the two main characters was interesting enough. for some reason i am often drawn to stories about imperfection and relationships with problems, bumps and hardships. its so real and refreshing. it’s beautiful and sad and great to read
This isn’t my usual fare, I’m a thriller and crime addict, but Colette Dartford won me around with her gentle and absorbing story of immense grief. Her lyrical writing drew me into a world of loss and hope, hurt and redemption. Also winding through the book was a wretched trail of marital deceit and lies where I would have quite happily have murdered Duncan at one point – ripe to be murdered in my opinion (I told you I like crime novels!). The true test of any book for me is whether, some time later, the characters are still alive and vibrant in my memory, which is why I’ve upgraded it from 3 to 4 stars. A tender, beautifully written tale.
Meh. I enjoyed the beginning of the book, but then it went kind of downhill. The ending was very rushed and didn't feel 100% wrapped up. I did enjoy the house renovation but Duncan's storyline seemed way too exaggerated - plus who has that amount of money even with credit cards, shares and savings??
Received through GoodReads First Reads for reviewing - thank you. Not a challenging read but an enjoyable one nonetheless. You do end up feeling for Lola and Duncan after the miscarriages' and the loss of a daughter. For a debut novel it comes together well and I would certainly try another novel by Colette Dartford.
3.5🌟enjoyed this book - loved the location set in Napa Valley California. Lola & Duncan are struggling getting over the death of their only daughter - Duncan surprises Lola with an anniversary trip to California where they see a house that Lola loves & Duncan buys it as a renovation project. A good read except Duncan irritated me I just wanted to shake him!!
Brilliantly written and a few moments of reality. Great read and great caricatures. Would have liked a a slightly better epilogue as this was the only thing I didn’t like
Focuses on a grieving couple who tries to move on from a personal tragedy and a woman who slowly picks up her pace to healing while the man slowly descends to job issues, affairs and more......
I've heard many praises about Colette Dartford's debut novel "Learning to Speak American" and I truly wanted to read the book for myself, so when the opportunity for taking a part in the blog tour came, I didn't hesitate and jumped at the chance. I really liked the sound of the book as well and I was asking myself all the time, can such a tragedy bring people together or rather drive them away? This is the question that was really bothering me all the time, maybe because I know people who are experiencing the same situation and it doesn't seem to work for them, so I was really intrigued to see how it is going to continue between Lola and Duncan. On the surface they both seem to cope with the death of their daughter, or should I rather write "cope" because I think it is a situation that you can never process, and I wanted to see for myself the outcome of this story.
I think that for a debut the author has chosen a really difficult subject matter to deal with, and hats off to her for starting with such ambitious novel. The book started in a very promising way and I could feel all the feelings and emotions of the characters myself, as they were really written in very descriptive way and I could feel the tension, the uncertainty, this wall between Duncan and Lola. However, soon the story went a little downhill for me, I found it hard to get into it - I can't tell you why exactly, it's just that all the feelings started to overwhelm me. I also think that the death of Clarissa should have been explained much quicker - we know that Lola and Duncan had a daughter and that she's dead, and this subject came every once in a while in the story, but the real reason of her death was kept a secret. There were some flashbacks, some hints but we needed to wait almost to the end of the book for it to be explained, and I think it was unnecessary tension as it led us to thinking that there was some kind of mystery, especially as Duncan made it clear more than once that he feels guilty about it. I think it should have been told straight at the beginning because maybe then it would change my view of the characters? Because I also couldn't connect with the characters and as much as I understand that after such a tragedy you must find something to keep you occupied, I couldn't stomach Duncan and his escapes into work and other "hobbies" (I didn't like Duncan. I just didn't. He was a coward, he was cold and he was unjust. I understand his grief, I truly do, but he should have open to Lola and stop carrying the weight of the whole world on his shoulder - because he felt like this. Though there were moments that even with me disliking him, my heart really went to him, he was so incredibly sad and he lived with this sadness alone) and Lola being obsessed with the house renovations.
I much more enjoyed the parts of the book set in Napa Valley than the parts in the Somerset village, as they were so full of sadness, secrets and lies and they made me feel really depressed. And the characters that I liked most were probably Lola's new neighbours. I empathised with Lola but somehow, the way she acted and reacted, she didn't feel so genuine to me - I can't put my finger on my problem and it annoys me to be honest, because there seemed everything to be okay with Lola and yet I had problems to warm to her. To be honest both the characters, Lola and Cain McCann felt just too bland to write a whole story around them and I think I missed a little more depth to them.
The book is written in a lovely writing style, however the pace was too slow for my liking and I was mostly waiting for something to happen. But it was a deeply emotional novel about grief, about second chances and new beginnings and I was intrigued by Lola and Duncan's story and wondered how it's going to end. Although the end was far too Disney - like in my opinion and it didn't make me feel so content and glad. I liked how the story was told from Lola and Duncan's perspectives, alternatively, as it gave us a deeper insight into their heads, into their thoughts and we were fully aware of what they were thinking and feeling. And the secrets they were keeping from each other as well, and there was quite a number of them. And what the author managed to do is write a novel that is sad on one hand, and on the other filled with hope - she did it really professionally and perfectly blended those two feelings. She has also with a lot of subtlety captured the works of a broken relationship. Yes, I am a little torn about "Learning to Speak American" but altogether it was a nice book and I will be looking forward to reading more from Colette Dartford.
Copy provided by the publisher in exchange for a review.
Well, for a debut novel this is simply incredible. It kept me hooked to the page right to the end. It’s packed full of emotion and so, so realistic. To start with I felt so sorry for Duncan, he was trying so hard to help Lola with her depression since their young daughter died, but she was in a grey fog, drifting aimlessly, and not even trying. Then on a morning out while on holiday they come across a derelict property for sale. She’s enthused about it, it pulls to something in her and Duncan is so pleased he arranges to buy it. From there my opinions began to change, we leant more about them and see from the outside that each are dealing – or not dealing – in their own way. Duncan is buttoned up, refuses to talk about their daughter and throwing himself into getting Lola better. Hobbies, counselling, anything but letting her talk to him about her. Lola just wants to talk, not treat their daughter as if she didn’t exist, and over the two years since the accident they’ve drifted. I felt she was so cold to Duncan when he was trying so hard, I didn’t like her but as I knew more of her I saw another side. They’re still on holiday when the cottage purchase starts to bring her forward, and she responds to Duncan as she hasn’t in a long while. Their love life had fizzled out, Lola just wasn’t interested for so long and now it looks to be sparking alive again. Duncan’s having work issues too though, but he doesn't talk to Lola about them, and that harks back to his upbringing and the Stiff Upper Lip British way of men coping. He’s very traditional, he spends long hours at work, never really switches off, he deals with money and bills, and Lola runs the home and her livery yard, which he treats as a kind of hobby. They live outside London and he has a long journey into work each day, and often stays over when work ends late. Things get worse for him at work when he loses an important contract, and the stress pushes him further into actions he rationalises as OK. Lola gets more and more involved in the new property and the people there. We can see slowly how what was supposed to bring them back together is having the opposite effect. I was really annoyed at Duncan, didn’t understand how he could reconcile his actions, how he could justify himself like that. Of course he’s doing what most people do, thinking up reasons to rationalise and excuse what we know isn’t right but what we want to do. He’s human not a saint! I felt for him even when I was angry at him. I felt for Lola finally coming out of her depression just as things as going so badly for Duncan and he’s keeping her in the dark about it all. He’s very old fashioned and the age difference between them leads him to treat her as if she’s a child in a way. If they’d just talked she could have helped...but then we wouldn’t have this fabulous story. Its a story that could happen to anyone, and so full of emotion. I so felt for both of them, was desperate for things to change for the better, for them to be happy. The death of a child is something no parent should have to deal with. I loved Treetops, the people around and involved in it. They felt so real, were so warm and welcoming even when they’d had their own issues. There’s some shocks here, things come out that no-one expects, and its a wonderful read. I’m a true romantic at heart, I want happy endings for everyone and here I got it. I finished it feeling very satisfied at the way things worked out, but it wasn’t at all as I’d thought it would be when I began reading... . Stars: Five, an emotional journey and fabulous début book. .
ARC supplied by Netgalley and publishers
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Lola and Duncan Drummond have been married for over twenty years, but ever since the tragic death of their daughter Clarissa things haven't been the same between them. In order to try and fix things, Duncan takes Lola on a trip to California, far away from their daily lives in England. Against expectations, Lola falls in love with an abandoned house in the woods of Napa Valley and Duncan decides to buy it in the hope it will bring both Lola and their marriage back to life. However, Lola's passion for the renovation of the house and her new Californian friends on the one hand and Duncan's troubles at work and with dealing with the past on the other, only cause the rift between them to become even bigger. Will they be able to save their marriage or is it time to admit defeat?
'Learning to Speak American' is Colette Dartford's debut novel and a book that is slightly based on her own experiences. I really liked the setting of the book; the differences between the Somerset village and the American life in Napa Valley really shone through in the writing and I loved the detailed descriptions that made it easy to imagine everything. Each chapter of the novel is told from one character's perspective, mainly the two protagonists Duncan and Lola, providing the reader with a chance to really see what the characters are thinking and feeling. There are quite a number of secrets being kept and it was interesting to see how specifically Lola and Duncan dealt with certain things and communicated with each other and the people around them.
It took a bit of time before I really got into this novel, because I wasn't quite sure where the storyline was going to go and I had a bit of difficulty reading and warming to the characters. Duncan and Lola have experienced something truly tragic and they are both trying to find their own way to move on. I did feel for Lola, but somehow I couldn't connect to Duncan, not even in the slightest way. I was, however, intrigued by their story and wondered how it would all eventually end. Overall, I did enjoy reading 'Learning to Speak American'; it was an engaging, well-written, and quite heavy women's fiction read; one that held my attention throughout and certainly a promising start to Colette Dartford's writing career!
This novel eloquently tackles the deeply troubling relationship between two people whose lives have been torn apart by a harrowing event, and works to chip away at the walls they have built to protect themselves from facing the reality of it.
Duncan and Lola have everything, everything, that is, except a child. This story is a powerful portrayal of the fallout a couple experiences following the tragic death of their only daughter. Since the incident, Lola and Duncan have been standing on the edge of the massive ‘Clarissa shaped’ hole in their lives, neither one of them having the strength to tackle it.
Lola is withdrawn from the world, a shell of her former self, while Duncan working all hours and permanently engaging in furtive behaviour throughout the book. The emotion and suffering appears endless. With both of them suffering in their own private hell, he suggests they take a holiday to celebrate their wedding anniversary, and try to rekindle something of their past relationship. Lola robotically agrees.
They visit the beautiful Napa Valley and experience fabulous wine, gorgeous climate and the Californian way of life. It’s there where Lola feels hope in the shape of a dilapidated property in need of renovation. The fact it’s been empty for years makes her believe she could to breathe new life into it, to make it whole again. Something she couldn’t do for her child.
The locals are relaxed and welcoming, addressing each other by their first names, which is alien to ‘stiff upper lip’ Duncan. Yet he reluctantly plays his part in this chilled company, as it’s the first time he’s seen his wife smile in over two years. During the renovation these new neighbours and friends help to open all manner of emotional doors for them. It’s only then that the magnitude of their daughter’s loss becomes clear. While the experience is a positive one for Lola, it would appear Duncan’s been keeping more than just his own grief from her, and the strain is becoming unbearable.
The process of transforming the little house in need of repair offers the couple solace in more ways than they could ever imagine. The lovely, lovely writing throughout captures the changes to their fragile relationship perfectly, and it’s wonderfully done.
(My thanks to Midas PR for the ARC I received for review purposes.)
On the face of it Lola and Duncan appear to have everything . . . a lovely house in a Somerset village, stables, high-powered job, lavish lifestyle. Certainly money is not a problem for them, judging by the way they hop across the Atlantic every month or so with scarcely a thought for the cost. Even the idea of buying another property in prosperous Napa valley is merely a matter of shifting around a few portfolios or cashing in a handful of shares. Yes . . . on the surface things are just fine. Except life isn't lived on the surface of course. Scratch off some of the gloss and there are scars underneath, caused by the loss of their daughter Clarissa in a tragic accident which Duncan is reluctant to confront and Lola can't just ignore. His way of coping is to throw himself into his work and do his damnedest to avoid talking about it. Lola's preference would be to keep her daughter's memory alive by bringing her into the conversation at every opportunity. It's a stand-off that would test the strongest relationship and in the author's steady hands it gradually becomes clear that this is anything but that. If this sounds unpromising or gloomy material, nothing could be further from the truth. The loss of a child and the gradual disintegration of a relationship is never going to be a barrel of laughs but what ensures the book does not slip into melodrama or bathos is the sheer quality of the writing. Colette Dartford has an easy way with words that allows her prose to flow. There is no hint of overwriting here, no strangled sentences that render dialogue stilted and forced, no passages where the meaning is obscured by the writer striving for effect. She is simply in control of her material and happy to point the way rather than spell things out for the reader. I'll confess that I didn't like Duncan very much as a person and wasn't sure for most of the novel whether to put my arm around Lola or give her a good shake but you don't have to like people to sympathise with the predicament in which they find themselves. Colette Dartford is comfortable enough with her own skills to allow readers to decide for themselves rather than point the way. For a debut novelist, I'd say that demonstrates a lot of confidence in her skills and promises a great deal for the future.
Firstly, thank you to Twenty7 and Alice for sending me a copy of this lovely book. This is Colette's debut novel and is all about main characters, husband and wife, Lola and Duncan.
Lola and Duncan's lives were turned upside down after the heartbreak of losing their daughter. They're lives were literally torn apart so much so that they are near strangers to each other. Duncan lives his life in London, securing legacy worthy sales and Lola stays in their countryside home looking after their livery yard and battling through grief alone.
One of the many brilliant things about this novel is the depth of emotion Colette achieves throughout. Lola's grief is almost palpable in the beginning of the novel. It's a dark cloud overshadowing everything in her life and her resentment of Duncan is very easy to empathise with. Equally it's easy to see that Duncan is struggling to engage with his wife in this new life post death and at the start of the novel he also will garner your sympathy.
As the story kicks into gear on the couple's anniversary trip to Napa Valley the dynamic between the characters changes. Lola has a new lease on life and in turn everything in Duncan's is falling down round about him. At times I really disliked Duncan and although there is some empathy for the stress he is under his actions are never for the better and at times he is quite pathetic.
Throughout the story will charm you however it will also reduce you to tears on more than one occasion. There will always be a part of me that loves America and everything to do with it so seeing the move through Lola's eyes was right up my street when it comes to imagining someone else's life.
I cannot wait to see what is next from Colette after this stunning and compelling debut. If you haven't already, you can read an article from Colette on the blog about the things she learned while living in America.
*Book provided by the publisher in exchange for an honest review*
Learning to Speak American is Colette Dartford’s debut novel and I have to say I really enjoyed it.
It follows the story of Lola and Duncan, who have lost their young daughter a few years ago. They both have their own way to deal with the situation. Lola would actually like to talk about it, but Duncan shouts her out. Their life is sad, miserable and boring, until they go to America.
Lola falls in love with a house their and they make it their project. Well, it’s actually more her project, Duncan is distant and after a while doesn’t even join her on the trips to see the house. He is buried in his work and starts to look for a different way out. Lola spends a lot of time with her neighbours in the States, as well as Cain McCann, with them she seems to open up and she is even able to tell them about what happen. Also Duncan finds someone to do that. That means that they grow even more apart and their love is really tested. They have to learn to love again and that’s not easy.
I adored the scenes in America, especially Napa Valley, this gave the story a different atmosphere and it was kind of like a totally different world to the one back in England. Colette’s descriptions were on point, I really had a vivid picture in my mind.
The topic is a very sensitive and touching one and I think Colette found a great way to include the character’s feelings in the story. We knew exactly what they felt and it came across really well. Another think I didn’t really like was though that some characters were not well lined out. They were there, but some depth was missing to them.
I really like Colette’s style of writing, I got hooked right away and the storyline has a great flow. It could move a bit faster at times, but all in all this is a wonderful debut novel about family, love, loss and big emotions.
Firstly I’d like to thank the publisher for sending me this book to read and share my honest opinion. As a parent myself I was unsure whether the subject of a child passing away would be too much for me to read but I had heard so many good things about this book that I just couldn’t resist finding out!
Thankfully the storyline began after the passing of Lola and Duncan’s daughter so I was spared the distress of reading about it as it happened. Details of the tragedy trickled through gradually and finally all was revealed but it was written in such a way that it didn’t overwhelm me with sadness (something I was grateful for).
The author successfully created a believable atmosphere that I could almost feel through the pages: to begin with there was a hollow emptiness surrounding Lola and Duncan. This changed to a warm kind of hope as they discovered the unexpected in California. Life continued back in the UK but there was an unpleasant sense of deception filtering through at this point, leading me to will Lola to do something that I would never normally encourage.
Towards the end it simply felt like everything was unravelling right before my eyes. It was at this moment that I decided how I would like the storyline to end up – I closed the book with a smile on my face so clearly I got my wish!
This was a beautifully written book that was a pleasure to read. I look forward to more from this author.
The death of a child has got to be one of the most painful, traumatic and tragic things a parent has to deal with. In the aftermath of such a tragedy the people left behind often struggle to keep everything together. Relationships crumble and marriages fall apart.
Duncan and Lola are each struggling in their own way with the death of their daughter. Lola is withdrawn and Duncan refuses to deal with his grief. The result is two people in a long-term relationship, who have become complete strangers to one another.
In an attempt to reconnect with his wife, Duncan takes her on a trip to America, where Lola falls in love with a piece of property in a tranquil spot. Although the two of them seem to have found common ground in the property,they actually start to wander even further apart.
Duncan seeks release from his guilt and emotions by completely disconnecting from them. Lola starts building new relationships and emotional bridges to strangers a whole continent away.
Dartford has captured the essence of estrangement between the married couple. How two people who have lived together,have had a child together and have been intimate lovers and friends for many decades, can suddenly become strangers. With the two of them travelling on such completely different paths it seems as if the outcome is inevitable. Or is it? Thank you to NetGalley, Twenty7books and MidasPR for my copy of Learning to speak American.
This is an accomplished and emotional family drama and an excellent debut novel which will help establish the author as a writer of womens fiction.
It follows the story of Lola and Duncan a middle aged English couple both struggling to come to terms with the sudden death of their daughter.
Ducan suffers in silence whilst Lola grieves hard and despairingly, their marriage seems to be all but over as they can no longer communicate and neither can seem to accept the way the tragic loss has affected the other. But in a last ditch attempt to rekindle their old feelings for each other Duncan takes his wife on holiday to the Napa Valley in California where she shows a flicker of interest in an old derelict house which is for sale and th ecouple buy it on the spur of the moment.
Seeing this as a possible chance to start afresh the grief stricken pair begin to merge in to Americam life and find that coming to America is just the beginning of a journey, which might bring them back to normality but Duncan is hit harder than it would at first appear and has his own demons to battle.
I found it a little hard to relate to the couple, but enjoyed the lovely setting, great descriptions of place and the many characters who take part in the story. It's an engaging, emotional and in parts rather dark story painted lightly with a deft hand and capable style.
I received a free copy from the publisher so I may read and review it and these are my thoughts after reading it.
I didn't think that I was going to enjoy this book; the whole aspect of losing a child and the fallout afterwards felt way too depressing for me but I kept an open mind and started to read it. I suppose 'enjoy' is not a word you could easily attach to this novel purely for the subject matter but I did appreciate the delicate and sympathetic way Colette Dartford approached this. Far from being all doom and gloom and heavy going it was easy to read and believable as this couple tried to re-build their lives together after their tragedy.
Collette Dartford takes the reader on an emotional roller-coaster as this couple try to overcome their loss in their own ways while they seem to drift further and further apart. Some beautiful writing and the author seems to have been able to get under the skin of her characters; sometimes desperately sad and at other times filled with hope for the future. A good debut novel and worth the read - I would give this a well deserved 4 stars.
I would like to thank the publisher for sending this in exchange for an honest review.
It’s clear from the description that Lola and Duncan are a couple in crisis, and I have to admit that I was initially a tad nervous about reading this book, having recently gone through the painful break up of my own marriage. But I needn’t have worried as the story utterly absorbed me. Despite the heart-breaking scenario, reading the book was a bit like drinking a tonic - spiked with yellow sunshine and thirst-quenching hope. The genius of the author is that she manages to completely turn around the reader’s sympathies, and, without giving too much away, you find yourself rooting for Lola, despite, well … read it and you’ll see for yourself!
It’s hard to believe this is Colette Dartford’s debut novel as the writing is so accomplished and effortless. Every conversation, every line, is completely real. Nothing jars, nothing confuses the reader, there is no sense of having to flick back a page or two, or re-read a line to make sense of it. I loved it, and I can’t wait to see what this writer produces next.
This is not my normal genre and I had some reservations when I was given an ARC in exchange for an honest review. However, I need not have been worried.
It is an incredibly emotional book, dealing with the aftermath of the death of a child. It follows the parents as they try to make sense of the world, their relationship and themselves.
Duncan is the fixer - trying to make his wife's life better as he tries to deal with his guilt. Lola is badly damaged by the death but starts to come alive and recover in California's Napa Valley as she fixes an old house they buy.
There are many twists and turns before the end, none of which I will give away! But I enjoyed it and it certainly made me think - a lot!
A dark and wet December evening is illuminated by the sunshine of the Napa Valley! I was given this book as a gift and a little uncertain as I started to read but this is a story that is different and engaging. Not only the main characters, but all those who appear, are so well drawn that we become part of Lola's life both in California and in the muddy stable yard in Somerset. The attributes, challenges and defeats of a life underlined by sadness are seen through the lives of Duncan and Lola but on the way they meet people who engage with similar challenges in quite a different way. Which route to healing will they choose? Do read this book - it will allow light to diffuse through the windows of your life.