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Λογοτεχνική θεωρία και ιστορική συγγραφή
"Ο Hayden White είναι μια cult φιγούρα στις ιστορικές σπουδές. Οι σοβαροφανείς και στερημένοι χιούμορ, ειρωνείας και αυτοσαρκασμού θα τον απέφευγαν, ακόμη κι αν κινδύνευαν από αυτοκίνητο, αλλάζοντας πεζοδρόμιο. Οι φίλοι του τον λατρεύουν, αν και ο ίδιος κάνει οτιδήποτε περνάει από το χέρι του για να το αποφύγει. Κάποτε σε μια παμπ, την ώρα που άρχιζε κάποιος να τον εκθειάζει, ο ΗW αισθάνθηκε τόσο άβολα, που σηκώθηκε να βοηθήσει το γκαρσόνι να μεταφέρει τα ποτά στο τραπέζι. Όταν ήρθε για πρώτη φορά στην Αθήνα, είχε σχεδιάσει να πάει ένα πρωί στην Ακρόπολη. Είδε στο δρόμο μια διαδήλωση και την ακολούθησε. Η Ακρόπολη μένει στη θέση της εδώ και χιλιετίες, μας εξήγησε. Διαδηλώσεις ποιος ξέρει αν θα έχει ξανά τη δυνατότητα να δει; Στις κουβέντες των ιστορικών για τη δουλειά τους, ο ΗW είναι εδώ και χρόνια η πιο αμφιλεγόμενη προσωπικότητα. Ξέρουν δεν ξέρουν το έργο του. Στα τελευταία χρόνια όμως, οι συζητήσεις για τη θεωρία στην ιστορία επικεντρώνονται σχεδόν αποκλειστικά στο πρόσωπό του και στο έργο του, σε όλο τον κόσμο. Το έργο του άλλαξε το ιστοριογραφικό τοπίο. Η συλλογή αυτή είναι ένα μικρό απάνθισμα κειμένων του, που δείχνει το πιο βασικό στις επιδιώξεις του: Πώς διαβάζουμε; Πώς προσεγγίζουμε δημιουργικά τα κείμενα του παρελθόντος; Η σχέση ανάμεσα στην ιστορία και στη λογοτεχνία, μια σχέση που πάει πολύ πιο πέρα από αυτή που μπορεί να φανταστεί ακόμη και ο καλλιεργημένος αναγνώστης, βρίσκεται στην καρδιά αυτών των κειμένων".
Αντώνης Λιάκος
[από το οπισθόφυλλο του βιβλίου)
Αντώνης Λιάκος
[από το οπισθόφυλλο του βιβλίου)
320 pages, Paperback
Published May 1, 2015
3 people want to read
About the author
Hayden White
48 books56 followersHayden White was a historian in the tradition of literary criticism, perhaps most famous for his work Metahistory: The Historical Imagination in Nineteenth-Century Europe (1973). He was professor emeritus at the University of California, Santa Cruz, and held position of professor of comparative literature at Stanford University.
White received his B.A. from Wayne State University in 1951 and his M.A. and Ph.D. degrees from the University of Michigan (1952 and 1956, respectively). While an undergraduate at Wayne State, White studied history under William J. Bossenbrook, who inspired several undergraduates who later went on to achieve academic distinction in the field of history, including White, H. D. "Harry" Harootunian, and Arthur C. Danto (The Uses of History).
Hayden V. White has made contributions to the philosophy of history and literary theory. His books and essays analyze the narratives of nineteenth-and twentieth-century historians and philosophers, suggesting that historical discourse is a form of fiction that can be classified and studied on the basis of its structure and its use of language. White ultimately attacks the notion that modern history texts present objective, accurate explanations of the past; instead, he argues that historians and philosophers operate under unarticulated assumptions in arranging, selecting, and interpreting events. These assumptions, White asserts, can be identified by examining the form and structure of texts themselves, providing valuable information about the attitudes of the author and the context in which he or she has written. Furthermore, as White postulates in Metahistory: The Historical Imagination in Nineteenth-Century Europe, historical discourse can be classified into the literary patterns of tragedy, comedy, romance, and irony.
In a review in the Journal of Modern History, Allan Megill wrote: "Taken together, White's books and essays have done much to alter the theory of history. Although his focus on trope and narrative is far from what most historians are interested in, they are all aware of his work." The critic added that White "is able to speak fluently and interestingly on an astonishingly wide variety of matters."
Most scholars agree that White's most important work is Metahistory. The book grew out of its author's interest in the reasons why people study—and write—history. Dictionary of Literary Biography contributor Frank Day observed that in Metahistory White "adapted ideas from Giambattista Vico and other students of rhetoric and literary history to produce an intricate analysis of nineteenth-century historians in terms of their methods of emplotment. . . . White's broad purpose in Metahistory is to trace how the nineteenth-century historians escaped from the Irony that dominated Enlightenment historiography and from the 'irresponsible faith' of the Romantics, only to lapse back into Irony at the end of the century." The implications for historians and literary theoreticians lay in the "application of rhetorical tropes to narrative discourse," to quote Day.
White received his B.A. from Wayne State University in 1951 and his M.A. and Ph.D. degrees from the University of Michigan (1952 and 1956, respectively). While an undergraduate at Wayne State, White studied history under William J. Bossenbrook, who inspired several undergraduates who later went on to achieve academic distinction in the field of history, including White, H. D. "Harry" Harootunian, and Arthur C. Danto (The Uses of History).
Hayden V. White has made contributions to the philosophy of history and literary theory. His books and essays analyze the narratives of nineteenth-and twentieth-century historians and philosophers, suggesting that historical discourse is a form of fiction that can be classified and studied on the basis of its structure and its use of language. White ultimately attacks the notion that modern history texts present objective, accurate explanations of the past; instead, he argues that historians and philosophers operate under unarticulated assumptions in arranging, selecting, and interpreting events. These assumptions, White asserts, can be identified by examining the form and structure of texts themselves, providing valuable information about the attitudes of the author and the context in which he or she has written. Furthermore, as White postulates in Metahistory: The Historical Imagination in Nineteenth-Century Europe, historical discourse can be classified into the literary patterns of tragedy, comedy, romance, and irony.
In a review in the Journal of Modern History, Allan Megill wrote: "Taken together, White's books and essays have done much to alter the theory of history. Although his focus on trope and narrative is far from what most historians are interested in, they are all aware of his work." The critic added that White "is able to speak fluently and interestingly on an astonishingly wide variety of matters."
Most scholars agree that White's most important work is Metahistory. The book grew out of its author's interest in the reasons why people study—and write—history. Dictionary of Literary Biography contributor Frank Day observed that in Metahistory White "adapted ideas from Giambattista Vico and other students of rhetoric and literary history to produce an intricate analysis of nineteenth-century historians in terms of their methods of emplotment. . . . White's broad purpose in Metahistory is to trace how the nineteenth-century historians escaped from the Irony that dominated Enlightenment historiography and from the 'irresponsible faith' of the Romantics, only to lapse back into Irony at the end of the century." The implications for historians and literary theoreticians lay in the "application of rhetorical tropes to narrative discourse," to quote Day.
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September 21, 2016
Η σημασία της μετάφρασης (στη γλώσσα μας) κειμένων του White είναι από μόνη της ένα σπουδαίο εκδοτικό γεγονός.
Μπορεί να μη συμφωνώ σε πολλά μαζί του,αλλά και μόνο η κριτική σκέψη μέσω της ανάγνωσης του παρόντος βιβλίου είναι σημαντική για τον ιστορικό ερευνητή-μελετητή που έχει στόχο τη διεπιστημονικότητα.
Εκδόσεις Επέκεινα συγχαρητήρια & πάλι,αναμένουμε νέους τίτλους!
Μπορεί να μη συμφωνώ σε πολλά μαζί του,αλλά και μόνο η κριτική σκέψη μέσω της ανάγνωσης του παρόντος βιβλίου είναι σημαντική για τον ιστορικό ερευνητή-μελετητή που έχει στόχο τη διεπιστημονικότητα.
Εκδόσεις Επέκεινα συγχαρητήρια & πάλι,αναμένουμε νέους τίτλους!
Displaying 1 of 1 review