John Keats's abiding poetic legacy is one of extraordinary and triumphant richness. Before the moment of `self-will' when he declared his intention to be a poet, Keats (1795-1821) had chosen the medical profession. His apothecary's training influenced his conception of poetry as an art that could mitigate the world's suffering. Keats's generous spirit triumphed over personal sadness, finding expression in his concept of life as a `vale of Soul-making' rather than a vale of tears. He published only three volumes before his death at the age of 25, and, while many of his contemporaries quickly recognized his genius, snobbery and political hostility led the Tory press to vilify him. This selection, chosen from the Oxford Authors critical edition of Keats's major works, demonstrates the remarkable growth in maturity of his verse, from early poems such as `Imitation of Spenser' and `Ode to Apollo' to later work such as 'The Eve of St Agnes', `Ode to a Nightingale', and `To Autumn'. Elizabeth Cook's introduction, notes and glossary of classical names offer helpful insights into Keats's life and work.
Work of the principal of the Romantic movement of England received constant critical attacks from the periodicals of the day during his short life. He nevertheless posthumously immensely influenced poets, such as Alfred Tennyson. Elaborate word choice and sensual imagery characterize poetry, including a series of odes, masterpieces of Keats among the most popular poems in English literature. Most celebrated letters of Keats expound on his aesthetic theory of "negative capability."
John Keats is one of my all-time favorites. He positively enchants and ensnares me with his sensual and beautiful landscapes, enthralls me in his passionate descriptions of lovers entwined in Endymion (a lovely poem) and his odes are masterpieces, iconic and eternal.
I can't find my edition—an 1866 gilded leaf and leather-bound beauty—but the poetry is the same across editions, more or less.
Lovely small edition of his work, early poems, early sonnets, odes, his tour of Scotland, Teignmouth, faery songs and some of the usual suspects, To A Nightingale, Endymion, Lamia, The Eve of St Agnes, for example. Both versions of Hyperion are contained here. Endymion being the longest, it takes up about a third of the book.
However it is a good little pocket edition and there are poems/sonnets/songs that people won't know. Good introduction for those not familiar too.
This is the earliest copy of Keats’ poetry I could find on Goodreads, but the edition I read was from 1885. In any case, Keats’ writing is always beautiful. I enjoy his shorter works than the larger poems, though. In particular, my favourites are: • On Leaving Some Friends at an Early Hour • Ode to Autumn • Ode to Melancholy • To Kosciusko • Isabella; or, The Pot of Basil
He died too young. His grave is in Rome, in the "Cimitero Acatolico" (cemetary for non-Catholics), where he died, seeking to heal, of tuberculosis. "When I have fears that I may cease to be/ Before my pen has glean'd my teeming brain,/ Before high-piled books, in charact'ry/ Hold like full garners the full-ripen'd grain;/ When I behold, upon the night's starr'd face,/ Huge cloudy symbols of a high romance,/ And think that I may never live to trace/ Their shadows, with the magic hand of chance;/ And when I feel, fair creature of an hour!/ That I shall never look upon thee more,/ Never have relish in the faery power/ Of unreflecting love!--then on the shore/ Of the wide world I stand alone, and think,/ Till Love and Fame to nothingness do sink." (Sonnet XXIX)
Because I read Ode to a nightingale at school this was one of my first books of poetry i bought. It has all the poems in it, so it's hard to rate it. I've not read them all. But on first looking into Chapman's Homer made a lasting impression. As did the sequence of odes. I can still remember a lot of it today, which says a lot.Together with the Keats biography it made a great read.