Sell more books and build your career by kicking these blunders to the curb!Ever wonder why some books shoot to the top of the bestseller lists? And others that you think should, don't? It's usually a matter of mistakes that could have been avoided!
#1 bestselling writing coach James Scott Bell has analyzed thousands of manuscripts over the years, by both new and experienced writers, and noticed certain errors that keep showing up to take readers out of the fictive dream. Now he's tackled the biggest offenders and shows you how to fix them.In 27 Fiction Writing Blunders you'll
* The biggest reason readers get stuck in your opening pages...and how to unstick them* How to avoid marshmallow dialogue* The simple solution for low stakes* The art of getting into and out of flashbacks* Getting rid of the kind of characters that readers never want to see in your novel* The biggest point-of-view gaffe and how to spot it* How to perform liposuction on flabby scenes* The best way to show what characters think and feelAnd much more! Plus, Bell attacks some of the blunders writers can pull on their own careers, including fear, false competition, market ignorance, and the neglected brain.
Don't let little mistakes keep you from big success. Eliminate these 27 blunders forever...and sell more books!James Scott Bell is the bestselling author of many thrillers and popular books on the writing craft. Visit his website at jamesscottbell.com"
"James Scott Bell is my go-to writing teacher!" - Terri Blackstock, New York Times Bestselling Author of Intervention and Vicious Cycle
Jim is a former trial lawyer who now writes and speaks full time. He is the bestselling author of Try Dying, No Legal Grounds, Presumed Guilty, Glimpses of Paradise, Breach of Promise and several other thrillers. He is a winner of the Christy Award for Excellence in Inspirational Fiction, and was a fiction columnist for Writers Digest magazine. He has written two books in the Writers' Digest series, Write Great Fiction: Plot & Structure and Revision & Self-Editing.
Jim has taught writing at Pepperdine University and numerous writers conferences. He attended the University of California, Santa Barbara where he studied writing with Raymond Carver.
This author has written a ton of writing books. Despite the high ratings of this one, I wouldn't recommend it. You could find a list with these items on the internet somewhere and read it for the exact same effect. I don't remember any specific point he had, but basically it was something like: don't just sit there; write! or fairly similar advice of the sort. It's obviously valid, but nothing earth-shattering. Maybe one of his other books would be better as actual advice?
I think the fact that I devoured this book in one sitting and then proceeded to buy two more of Bell's craft books on the same night pretty much speaks for itself. I like long, meaty books on writing, but sometimes you just need a quick pick-me-up, and this is exactly what this book did for me. There's solid advice on just about everything from getting the writing juices flowing to handling backstory and dialogue. And even though I've read several books on writing and have taken a couple of pretty intensive courses,I still found new techniques I'm itching to try out. Though beginning writers will benefit the most from this book, I suspect it will also help those like me who are somewhere in the middle and looking to add new tools to their toolbox.
3 stars. I won this book in a giveaway years ago and often thought to reading it but never felt very inclined till forced to by a reading challenge. Still, I hoped to enjoy and learn from it; but the first two or three chapters dampened my expectations considerably. To be frank, Mr. Bell's style is a little off-putting for me and most of the advice I already knew and put in practice—it appears this book is aimed mostly at new or aspiring authors. Still, I found some helpful ideas. I would caution, however, that he talks from the POV of someone who writes and reads thrillers, legal mysteries, etc, and there's a solid percentage of his advice that can be safely disregarded if you're not writing that type of story.
This does exactly what it says on the cover. I didn't expect any less, but I might have expected a little more.
A lot of his advice is more basic advice for fledgling writers--which is fine, mind you--so it didn't have as much to offer me as I hoped. I've read enough writing books that I know all the basic tips already.
That said, it still had valuable advice. Whether it be new looks at familiar issues, or examples and demonstrations of the problem. One thing I really like that James does, is take a textbook example of his issue and then fix it, draft-by-draft, showing and explaining the results each time. That's really nice.
And in the end, there's encouragement and a list of resources, which is also really nice to have.
I suppose the only thing I didn't care for in this book is James' seeming disdain for knitting and quilting. He talks about how rough it is to handle rejection, plotting, time commitment and criticism as a writer and his answer is: "If you can't handle it, take up knitting."
I know a knitter. Knitting is hard. It takes a lot of time, mighty patience and you're not immune to rejection either. Don't knock it!
So, all in all, I find 3 stars is fair for this. If you're someone who's just getting started writing, get this. It's valuable. If you're more savvy, then this won't be as helpful, but it'll still offer enough to justify the purchase price.
Reúne 27 conselhos do que não fazer ao escrever ficção. Pra quem já leu outros livros do autor, esse é mais um lembrete, um resumo do que ele acredita e ensina.
Recomendo pra quem não tem costume de ler livros de escrita e quer algo rápido e objetivo. Como qualquer obra, sempre tem alguns pontos bem legais pra quem procura.
I always get something new (or finally recognize something I should have understood long ago) whenever I read Bell's handbooks. This one is no exception. Lots of good points about craft, a few suggestions about life as a writer, and tips on getting started with Scrivener. Something for any writer.
I want to understand character arcs and acts and structure etc. so I can tell the difference between something that I enjoy and something that is objectively well-crafted. This book told me to exercise and eat walnuts.
I have a 2019 reading goal to read 24 books on the craft or business of writing fiction, or about writing in general. That's a pace of two each month, as I've accumulated a bunch of craft books and have only read cover-to-cover several of them. Granted, some are set up as a thesaurus, which aren't meant to read like a novel, as they have sections with word choice recommendations for different emotions (or other lists - I have a romance writers thesaurus with a whole section on euphemisms). But, I digress, most of the writing books are meant to be read, and I intend to do it.
I'm starting with the James Scott Bell books in my collection as I'm trying to decide whether to register for a writing conference where he will be the featured speaker. If attending this conference didn't involve driving 400 miles in the upper Midwest (from Minneapolis to Chicago) in February, I'd have already signed up. But, who knows whether there will be some storm which makes that impossible, so I'm delaying, but can't delay forever, and I'm reading his craft books to see if it's worth plunking down my conference fees knowing that I might not make it if we get a foot of snow that weekend.
So, on to this book. This is the second I've read by James Scott Bell. I can see why he's so popular of a writing coach, as he has a humorous style and doesn't take himself of the writing life too seriously. I like his attitude, and most of his tips in this book, while not "new" to me, were good reminders told in a friendly way. He also had some fun tips for capturing creative ideas, and I put a post-it note on page 50 where he listed a number of "games" he's invented to brainstorm ideas so I can put them into use myself.
I have two other books by James Scott Bell that I'll plan to read this month before the deadline for registering for the conference, to see whether they convince me it's worth attending the conference to see him speak in person.
Maybe I just learn better from being told what not to do, but I liked this one more than other writing books by Bell. This one is broken into bite-sized pieces that serve as good reminders. This is one I will definitely refer back to from time to time.
27 Fiction Writing Blunders is a companion book to How to Make a Living as a Writer, but it is also a standalone. It goes more in-depth on the mistakes that fiction writers make. This entire series has been excellent and helpful. The only thing I don't like about this book is the book cover, but I recommend it.
It is amazing how much valuable information is packed into such a small number of pages. I flew through this book not wanting to put it down; I just had to know what each blunder was and how many of them I've made! As it turned out...I've made a few. But the point Bell makes is that every author does a few mistakes.
That's why a book such as this is so important to any writer out there who's interested in improving their craft. Bell provides easy to understand examples and lays it all out, often in humorous prose, making it obvious what not to do with your next project.
Authors unite...this one is worth the price of admission!!
A relatively quick read, Bell provides a succinct and easy-to-read summary of some key areas to your on your manuscript. While perhaps not as thorough as your typical 'masterclass' type book or as deep an meaningful as other successful authors' 'On Writings' Bell does provide some clear practical tips to get you through writing a project.
Bell's prose is easy to grasp and not-overblown he has a way of making tricky concepts straightforward and his advice is invaluable for beginners or old-hands.
This book is packed with gems for all writers. But that's just why I gave it three stars. What was in it for me was great. However, I didn't need about 13 of those. I was looking for straight writing gems, applicable to my penmanship, not towards my attitude about writing. Although, do understand that I love all of Bell's books that I've read. I just have to give an honest review of this one. A must-read is Dazzling Dialogue.
Excelente y ameno resumen de algunos de los problemas más comunes en estilo y contenido en la escritura de ficción. Se agradecen los ejemplos y los ejercicios prácticos. Un libro muy interesante para escritores a todos los niveles.
I'm a new author. I've been reading all kinds of books professing to help a novice increase their writing ability, but this is by far, the best one yet. It's full of great examples showing how to apply the techniques he lays out in the book. I highly recommend it!
One of the biggest issues I have with books that are "X number of tips/tricks/blunders/pitfalls" type books are that almost all of them feel like the list is artificially inflated to hit a specific number. Some of these 27 blunders are useful to read about and the author does a good job of inspiring the reader and keeping them interested. But several of them felt like filler or slight twists on the other blunders listed in this book. I would have rather read "17 fiction writing blunders" where every one of them was amazing, rather than "27 fiction writing blunders" where ten of them felt extraneous. Still, I'm very much of a "take what's useful and discard the rest" mindset when it comes to writing craft books, and this one did have some tidbits that were helpful to think about.
A quick and concise read with some good advice here and there. It felt like it didn't need to be a book, but rather a long blogpost. I think that writers who are just starting out or don't watch alot of youtube writing videos would find this more insightful.
My favorite advice was: • "Readers connect with characters in motion. They don’t connect with exposition" • Give your characters attitudes & agendas and tension & fear • How to handle POV • How to fix pure evil villains • Why readers bond with characters
I'll still check out some of the author's other books since it seems like he knows what he's talking about.
I didn't expect this little book to be packed with useful information. Honestly, I wasn't even sure it would be worth reading as I know most of the major writing blunders, and thought this would simply rehash those. It did that to some extent, but it was also chock full of great ideas for getting the creative juices flowing.
I suggest reading this if you have writers' block. The exercises suggested are excellent ways to jumpstart the word flow.
Good little book with some good points. Best for someone who is perhaps just getting started in writing; for others, a lot of it will be stuff you've heard before. Saying that, I'm still glad I read it as it gave me some pointers and reaffirmed a few things.
I'm glad I blundered onto this book of writing lessons and encouragement given in a direct and easy to read to understand. If you write you need to read this book. James Scott Bell is an excellent teacher and mentor.
Everything James Scott Bell writes is wonderful help to authors. Whether you're still writing your first book or you're on number fifty, he has something that will help. Each of the 27 blunders gets its own chapter, explained with humor and examples. I'll pick up every JSB book I see.
Lots of great ideas. Worth my time. Easy to read in short spurts. Been studying writing for only a couple years, so I found it very useful. Worded advice in a way that made it sink it.
It was okay, I guess. I listened to it on Audible. Unfortunately, it used Virtual Voice as the narrator. It was not wonderful. I heard a lot of these on Bell's Great Courses audio. I was hoping for more new material. And I would have liked it better in Bell's voice. He is a good lecturer.
Here are plenty of good suggestions for fiction writers, and even non-fiction writers, all plainly stated and told with humour and brevity. Five of the chapters are more to do with the writing life than writing technique, for instance, how to deal with fear. I thought the next-to-last chapter on "strength of will" would have made a better ending than the actual final chapter on "bland minor characters". Otherwise, a good basic introduction to the topics covered.