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272 pages, Hardcover
First published February 9, 2016
My father grew up in a log cabin near Taylorsville, Kentucky. The house had twelve-inch walls with gun ports to defend against attackers, first Indians, then soldiers during the Civil War. At age twelve, Dad wrote a novel of the Old West. He taught himself to type with the Columbus method—find it and land on it—using one finger on his left hand and two fingers on his right. Dad typed swiftly and with great passion. He eventually wrote and published more than four hundred books under eighteen different names. His novels included six science fiction, twenty-four fantasy, and one thriller. The rest was pornography.
In the course of his fifty-year career as a writer, my father explored every sexual permutation except pedophilia. At the end of his life, still seeking a frontier, he wrote an intricate portrayal of cannibalism. His sole foray into bestiality was combined with the medical cloning of goats.
The conversation shocked me, and I thought about it for a long time. Ellison had put forth a degree of effort to track me down at a hotel and make a call. He was known to be rude and irascible, a street fighter in his youth, litigious, a provocateur, and short-tempered. I couldn’t summon a reason for him to lie about the feud or about his sincere regard for my father. In short, I believed him. That meant the decades-long conflict was one-sided on my father’s part
My mother’s seamless veneer of politesse was unusual among fans, whose interpersonal skills were on a par with those of chess players and degenerate gamblers. Fans revered my father as royalty, granting him constant attention. They gave him swords and daggers, homemade chain mail, whips and leather cuffs, bottle after bottle of bourdon, plaques, statutes, and original art. Dad was charismatic and funny until someone failed to grant the proper respect, usually by having the audacity to speak. Dad then subjected that person to a public humiliation that made others uncomfortable, an interaction that enhanced my father’s notoriety. I learned to avoid Dad, who gave me dirty looks and deliberately turned his back if I didn’t vacate the area quickly. It was similar to our home life, except the hotel offered an alternative to the woods as refuge.
She told me about taking a box of pornography to science fiction conventions and selling the books to fans.
“They bought them,” she said. “They bought everything. I don’t know why. The books were pretty much all the same. Different settings and people’s names, but the same. People just like them, I guess.”
It’s like Agatha Christie novels. Or TV shows. A satisfying formula.
“With sex,” she said, and laughed.
"Women are inherently inferior to men. Caucasians are superior to the other races. Dad is superior to all Caucasian men. Asians possess wisdom."
there are times in people's lives when a significant event occurs and they're not aware of it—the last time you pick up a son before he's too heavy, the final kiss of a marriage gone bad, the view of a beloved landscape you'll never see again. weeks later, i realized those were dad's last words to me.chris offutt, author of kentucky straight and the same river twice (amongst others), was the son of noted and prolific science fiction/fantasy/porn/erotica author (and one time president of science fiction writers of america [sfwa]) andrew j. offutt. my father, the pornographer is a father-son memoir that finds its author searching for clarity and insight following the 2013 loss of his dad. raised in rural kentucky, chris was forever seeking the attention, affection, and approval of his father, all the while fearing the former insurance salesman who left his business behind to stake his claim to authorial immortality. verbally abusive and "maniacal," the greater the elder offutt's reputation grew, the more distant he became to his family.
i returned home and began sifting through my father's work once more. at the time of his careful filing, he wouldn't have known that a son would search it for clues and information. the essential dna of my father lay arrayed on pages before me. this undertaking hasn't brought me closer to him. if anything, it's a constant reminder that no matter who i think i am, i will always be my father's son. i don't know if i'm a writer because of him or in spite of him. if my life has been motivated by rebellion against my father, what have i gained through the liberty of his demise? a newfound sense of life? no. the intrinsic joy in little things? no.
i don't miss my father, but without his shackles to strain against, the world is terrifying and vast. i have lost a kind of purpose, a reason to prove myself.
TG: “After your father died and you went through his books, you found that he had a cataloging system for writing pornography - that he had whole sections ready to go into, like, kind of cut-and-paste in the appropriate book. So it had pages with, like, 150 synonyms for pain. There were sections for descriptions of the mouth, for descriptions of the tongue, the face, the legs, for kisses, spanking, distress. So it sounds like he cataloged all of this and had it all ready to paste into the appropriate book, and then he'd kind of "X" it out of the catalog so he wouldn't use it a second time.”
CO: “[…] He would watch television at night with a big clipboard and write longhand, and we would all be sitting there watching television… He wasn't writing a novel or a short story, but he was just inventing descriptions while watching television. He liked to watch TV and write.”