I received a free copy of this book in exchange for an honest review.
'Grudging' tells the story of two cultures in conflict: a collection of Hispanic city-states (ciudad-estatos), something like classical Greece or medieval Italy, and their attackers, a 'Northern' culture of fanatical sun-worshipping warriors. Apart from both is a mysterious group of all-female witches who live deep in the swamps that border the arid realm of the ciudad-estatos.
The story focuses on a young, untried soldier, Ramiro, who is sent on a mission to propose an alliance between the ciudad-estatos and the witches, and an equally young, untried witch named Claire. Claire is just developing her powers of Song, which seems to be a blend of magical hypnosis and telepathic projection. The story also involves Ramiro's family, particularly his father Julian who is alcalde (mayor) of their city, Colina Hermosa, and his mother, Beatriz.
The story moves along at a good pace and the characters are fairly sympathetic. The bond between the soldiers and their caballos de guerra (war horses) provided some touching moments. The interweaving of the two main plot lines--Ramiro's and Claire's quest to win back to the besieged city, and Julian and Beatriz negotiating with and battling the enemy--was well done. I felt that there's more interesting character development to be found in the story line set in Colina Hermosa, along with a couple of unexpected twists. Events in Ramiro and Claire's joint coming-of-age story are a bit more predictable.
All in all, a solid, enjoyable story, though I had some difficulty with the world-building aspect. If that's not something you care about, you can probably skip the rest of the review.
I had some difficulty deciding if 'Grudging' takes place in an alternate Earth timeline, or a different world altogether--and if our own world, is it Spain or Mexico/Central America that the author has in mind? Saguaro cactus and cigar-smoking are mentioned, which seems to point to the Americas. But we aren't shown any substratum of native American culture beneath the Hispanic. Also, it's said that the people of the ciudad-estatos had originally been desert nomads before they decided to settle down. This isn't anything like the history of either Mexico or Spain in our world.
Maybe I should just relax, but thinking about this kept distracting me and taking me out of the story. Why were the people in this culture speaking Spanish at all, I wondered--a language which after all, came from Latin via the Roman Empire, which in this world, as far as I can tell, never existed? And why is their religion very much like Catholic Christianity, which in our world was imposed in the Americas as a result of a conquest and colonization that apparently never happened here?
The antagonistic culture, the Northerners, are portrayed as Viking types worshipping a cruel god who demands human sacrifice. They're fairly two-dimensional and other than providing a necessary element of danger and menace, add little to the story.
Another reviewer implies that the author had the Spanish-Moorish conflicts in mind when developing this story. If that's true, I would have liked it better if the story actually used Moors and Spaniards. There's a rich literature and history about that centuries-long clash of cultures to draw on, from medieval romances like Orlando Furioso to Don Quixote.
The matriarchal culture of the swamp witches seems potentially more interesting than the Northerners, though we really only get a brief glimpse into it. Claire and her mother are the only witches we see. Possibly the author will offer more insights in the sequels as to how the witches established their society and how it's organized.
There were a couple of other things that kept distracting me from the author's otherwise well-constructed story. One was the introduction of characters and expressions that jarred with the medieval-ish setting. For instance, Teresa, who joins the mission to contact the witches, is said to be a specialist in cultural anthropology at the local university. It seems very strange that a concept like 'cultural anthropology' could develop in a fairly isolated, medieval-level society, where only two other 'alien' cultures are known at all (and the ciudad-estatos have no ongoing contact with either one). Teresa gives the impression of having wandered into the story from a different world or
time.
There are points where characters mention anachronistic concepts like 'electricity' or 'the subconscious'. Also, slangy English expressions turn up sometimes, such as 'kiddo' or 'stick up his butt', which don't do much for the ambiance. Maybe more appropriate Spanish equivalents could have been found?
Lastly, the book would have been better for a bit more editing and proofreading. I ran into more misused words and awkward phrasing than I'd expected.
But all that said, the story did hold my interest and it was enjoyable to read. All the main characters--except the bad guys, of course--were likeable, which is a big deal to me. I wish the author good luck with the series going forward.