A selection of Laura's letters to Rose, to school kids, to editors, her agent, and a few family members. Man, I don't think I'd have liked Laura. She was so passive aggressive with Rose--no wonder their relationship was strained. (Not that I think Rose was all that great. I think they were both rather bitchy and smug and naturally did not get along so well.) Manly was pretty passive aggressive, too. They were made for each other, I guess.
Things of note: after Carrie died, a family friend basically threw everything out that had been in the DeSmet house, flinging papers and items out the second story window into a dump truck. She regretted it soon after, but all the history was gone. A few random things were saved--a shawl, some jewelry, some letters.
At one point when describing blizzards and what Ma and Pa would have asked the girls to do or not do, she says, "I suppose you're right about the cattle. But children weren't raised to be helpless cowards in those days." Nice! I did appreciate the details of the blizzards, though, how they came up so quick and would go from sunny to black so fast. And telling Rose that milk didn't freeze, but it might blow away.
The many ways Laura tried to correct Rose's interpretation of events were fascinating. I loved seeing how Laura felt about Mary's blindness and how it aged her, but at the same time, she was still childlike. There is a pretty good balance of that in Silver Lake, and I'm glad Laura won a lot of these editing battles. (Even if she did in that passive aggressive way of, You are wrong wrong wrong and this is why: X Y Z. Well, do what you think is right, of course, you know so much more than me.")
Laura mentioned Helen Boylston in a letter to an aunt, and it was familiar so I looked it up--she wrote Sue Barton books, and was also Rose's travel companion and friend. ("Friend"?)
Laura was suuuuuuuper conservative and really bitter about paying taxes.
I wonder where all of Laura's letters to Rose in the 40s went to? Did Rose destroy them? Why? So interesting.