There is so much about this book to unpack. By the end of this I had about 10 pages of bullet points of every sentence/detail/happening/etc. that worked to chip away at my ability to feel very positively about this book. So let's just get the basics out of the way: the editing job was a bit shoddy (I found multiple grammar issues), the writing was juvenile in a narrative 3rd person, it read more like someone explaining in detail the synopsis of an anime rather than a fleshed out story, and it was dripping in lots of plot devices and details that caused holes in the story or just seemed stupid or unrealistic. I almost felt like I was reading a fanfic written by a 13 year old weeb who really likes reverse harem manga.
(Also, just to note, in this book the "reverse harem" is not what's it come to mean in Western lit--in manga a reverse harem just applies to a girl surrounded by hot boys who usually all start with interest, but always with only 1 or 2 clear love interests and with the heroine always ending up with 1 boy and the other boys either parting ways with the heroine or just becoming her friends/brother figures. I can't actually think of any reverse harem manga that featured a true threesome wherein the girl and 2 guys are in a consenting romantic relationship all at once).
Now, I get it. I do. I get what the author was going for.
I used to be a disgusting weeb in my distant, dark past and I've read an ungodly amount of manga and watched an ungodly amount of anime, so I know what the author was going for--in fact, the best way to describe this book is every trope you've ever seen in a romance manga/anime (love triangle, rich families, animal sidekick, reverse harem, protective brothers, angry possessive love interest, weepy brooding love interest, girls who are awful villiains attempting murder and slander out of petty jealousy and spite, a drop-dead lovely heroine who everyone thinks is perfect in every way, etc.) vomited out onto paper in the form of written words, almost doing a play-by-play rundown of the events of a cheesy, dramatic manga.
But it's important to remember why this sort of story works in an anime or manga--firstly, those methods of story telling are visual and rely very heavily on drawn works. This means that stories have to be created a little differently to suit a medium that tells all of the story except for dialog and narration through visuals. Overly dramatic shows of emotion or action are more visually entertaining than ones that are more realistic--not that anime/manga don't have very excellent stories that can easily hop over to pages, but THIS kind of story, where the heroine gets into Blushing Romantic Scenes with boys by tripping and has passionate, sudden kissing scenes, works far better in a visual work.
It also is very important to remember that this sort of fluffy, blushy, overly-dramatic shoujo manga/anime--the source of most of the tropes and plot devices the author uses--are specifically targeted at girls and teens and always feature young characters in junior high or high school. In this book, the author bumps up the characters to ages between 20-28, which makes all the shoujo-manga antics incredibly childish and unrealistic. It works better in a manga or anime because the visuals create a cute atmosphere or revel in the dramatic nature of the plot devices with villains that go "oh-ho-ho!" with evil laughter--they work a different tone with lots of comedy and clever visuals or they really wholly embrace their identity and go all out to craft wild, dramatic plots. This book is more like a bad soap opera or telenovela throwing in certain elements just for added drama or angst or something, but without the benefit of insane acting or so-bad-it's-good writing to make it fun to watch anyway. It's more that it's just convenient for this to happen or that to happen or because it made a nice scene in that one anime that one time.
So immediately upon opening this book we run into the first thing that made me roll my eyes-- the mom's thoughts include random japanese inserted into other fluent english. Bilingual people don't ever just randomly change out words in a sentence, especially if the word has a proper translation. No Japanese person just says "okasama" or "sayonara" when "mother" and "good-bye" are literally the translations of these words. This kind of nonsense is added in specifically for monolingual readers looking for an exotic feel to their reading without any commitment or effort.
And it just gets worse--like the mom who abandons Sakura leaves her a diamond necklace in the basket instead of like, idk, arranging for her daughter to be adopted so she's not abused in an orphanage? Also like why didn't the evil headmistress at the orphanage steal this pink diamond that's worth so much but instead gives it to Sakura and tells her that her mom gave it to her? Like the abuse in this story is so randomly thrown in without rhyme or reason that it's just so shallow and uninspired and I can't even bring myself to care. Sakura is called a devil's daughter and hated just because she's the MC and half Japanese so she automatically has the most basic of bullies tossed her way so she can have A Tragic Backstory. Tara, her mortal enemy who is outrageously mean and awful in the most typical Basic Bitch way, just kind of hates her always and stereotypical blames Sakura for every bad thing ever. Her motivations for dislike aren't really fleshed out--Tara is literally only there to cause dramatic problems for Sakura. There's a total of 4 women in this book that don't hate Sakura--everyone else does everything they can to destroy, kill, slander, etc. Sakura just because we need Sakura to have tragedy and conflict in her life. Tara says Sakura worships the devil and tried to kill Alaina and that she plotted to burn down the orphanage and turned the gas on in the kitchen so that when the headmistress went to go smoke in the kitchen she'd blow up and die and like people strangely believe Tara or like go along with it even though she stone cold just accuses Sakura of horrible shit with no evidence even though Tara literally says she hates Sakura and wants her dead all the fucking time. It's just... ugh.
Then when the 7 boys get introduced we're told they totally forgot about Sakura their adopted sister who 2/7 totally fell in love with as children and like they somehow just repressed these memories for reasons so later they could have dramatic dream and memory reveals to motivate them to go omg i love her?? And like... it takes these grown ass men most of the book to realize that the reason they don't want Sakura to be their sister is because they're all interested in fucking her. Like you are all 20+ how to not kind of realize "oh wow, I don't want to be family because I'm attracted to her, I'd like to date her/love her/marry her/fuck her"???? What even.
And Sakura. Oh Sakura. She's not like, the WORST heroine she's actually kind of basic, but her situation isn't improved by the author's clear adoration of manga tropes as like top-notch storytelling. We get all the cliches. Sakura is 10000% perfect--which of course means that the author won't fucking stop mentioning every other page how Sakura has the most perfect tits ever in the whole history of tits they're perfectly shaped and colored and perked and sized and god help us because he must have lovely spent 6/7 days of creation on Sakura's perfect tits because the author literally reminds us 19 times about Sakuras tits--but she like doesn't really defend herself well and keeps saying "I'm a strong woman!" even though people only leave her be for a minute after a man--either her father or one of the 7 brothers--slaps Tara or Aleina and tells them to leave her be but like... they don't do anything more? They're all like "I know you hate Sakura and have been doing her wrong but plz leave after the wedding/if it happens again you'll have only half your inheritance" but they don't take worthwhile action like have the girls escorted off the property or get a PPO for Sakura or like any course of action that would keep two grown women from constantly attempting to assault, kill, and harass another person. Also like, Sakura OF COURSE gets a little dog sidekick character to act as another random additive and plot device and what not.
The love interests are stereotypical. We have the golden-haired one who is an amazing talented person but he's scowly and aggressively gripped with desire and he wants to be protective and possessive and then we have the dark, broody one who is all weepy and damaged and has always loved the heroine but has to stay away for reasons but then breaks all his rules to try to secure her for himself. They're supposed by their other brothers who fall into "supportive older brother trope" and "cute younger boy trope" and "flirty trope" and "kinda wild filler trope" and "other filler boy trope." And again, somehow all these guys totally forgot about Sakura and then suddenly are totally dumbly lustful interested in her and they keep going back and forth on the "she's our adopted sister but not it's incest but not" nonsense like okay we get it she's gonna end legal ties with the family and one of you will fuck her silly and marry her and it's not incest because no blood and wqioedfgjposjf whatever. Like the book utilizes the "dreams and memories resurfacing" plot device to show why Sebastien and Darcy were immediately attracted to her and then how they came to go from attracted to protective to in love and explains that the pain of her almost dying or of betraying her trust caused them to totally repress her memory and the author definitely failed to realize that the "remembering things about long lost love" plot really only works with like childhood friends who get separated and then meet many years later after 0 contact. The idea that boys would totally forget their adoptive sister and that at no point over the course of the 13 years where they're technically family would they not cross paths like... the parents love and talk about their kids so like why would they never talk about Sakura or like have all their kids come visit with each other until a cousin's wedding at the family home? Like... the author tried to make this trope happen but it just doesn't work in the context of the book.
I also want to note that all the kissing is dubious consent, forced kind of stuff and that the guys have said things to the idea of "Sakura is the real trophy I want" and "she was practically begging for a man to ravish her" and "I needed to get away because I couldn't control myself and I didn't want to hurt her" like those are all major red flags because 1) Sakura is a person not a prize??? 2) no woman is "begging" to be ravished with her looks like goddamn can we get off the "perfect tits" angle 3) literally everyone can control themselves from not sexually assaulting someone like it's literally so easy to just... not... force... yourself... on... someone... that I don't know why this is in romances like there's nothing sexy about the idea that if you don't leave you're gonna rip off a woman's clothes and rape her. That's not a good judge of desire or like a testament of their respect/love for this woman. A good indication would be being able to just not act on your arousal and not even consider that you might hurt the person you love because you're horny.
To be honest I'm incredibly confused as to what the target demographic for this book is. It has all the childish, cheesy nonsense of a manga aimed at girls and young teens but has characters in their 20s and constantly makes lots of sexual references and as stated before won't shut up about Sakura's tits. It's like the author wanted all these childish ideas to happen just with adults but the writing and storytelling are so much more akin to a super young, inexperienced writer that the reality of the book's story doesn't mesh with the attempts at a story in all its many, many tropes and cliches and devices pulled straight from the pages of lots of low-bar shoujo media.
If I sat down and wrote a list of all the tropes and cliches it'd be so fucking long. At least 100. Abused girl, ultra pretty girl, super talented girl, feisty girl, girl everyone wants to fuck, girl who can't decide who she likes, girl who is a virgin not ready for dating but definitely is in love with at least 2 boys, miraculous adoption, wealthy parents, talented adopted brothers, mindlessly mean girls, best friends who are tokens of characters, dog side kick, repressed memories, long ago love, a need to hunt down a lost mom, a love triangle, broody love interest, possessive love interest, the one brother is secretly heroine's painting patron always buying and admiring her art, 104803 coincidental connections between heroine and love interests, misunderstandings that cause romance drama, a responsible older brother character, a cute loving little brother character, a flirty character, lots of shirtless moments, lots of moments of carrying this girl, lots of moments of seeing the girl in revealing clothes, clumsiness means she always falls into a boy and the situation gets mildly sexual, girl blushes and gasps every time the boys do something and look hot, girl is so hated by awful jealous girls that literally there are characters created just to hate her, girl is nearly killed several times, girl misunderstands situations and thinks she can't be loved, girl decides she hurts the people she loves so she runs away, girl is better than other girls because she doesn't want to fuck the boys everyone wants to fuck, boy is even hotter for the girl because she refuses him and doesn't like him, girl is hard working and sweet and amazing and can do no evil, the story is constantly being compared to like Snow White but also has super strong Cinderella vibes.... like it just never ends. I could keep going but You Get It. Or least I hope you do.
I am oddly, morbidly, masochistically interested in where this train wreck of a series goes from here but I'm definitely not paying the ~$8 USD to find out. My verdict? This is just not all that great of a book. There's a lot of problems with the actual plot and writing that make it hard to enjoy, even mindlessly. It takes all the worst parts of anime/manga and does them no favors by framing them in the wrong types of situations with the wrong kinds of characters in the wrong media format. My only positive to say is that the book was well formatted in its ebook edition. It looks very nicely done. Otherwise, I'd recommend watching or reading any number of manga and anime that take the ideas of this book and make them out to be fun, enjoyable things even with the shortcomings inherent of the plot devices and cliches.