This is a review I never imagine posting. It actually pains me to write this about someone who had once been one of my favorite authors.
There was a time when David Baldacci was my second favorite author. He slowly dropped from #2 but remained in my top 5. Then he dropped somewhere between 6 and 10.
Now?
Now I sadly can state I’m close to giving up on him completely. His novels have become formulaic. Characters interchangeable. It almost feels like he uses the same template—and then just inserts whichever character. (Am I the only one who feels there no difference between King and Sean Maxwell and Will Robie?)
I will say that, for some reason, I never got into ‘The Camel Club’ series. That was okay, though because I loved John Puller as well as King and Maxwell and Robie and Reel. His standalones were…good. But even those always felt like it could have been one in a series.
Lately, the only novels of his I’ve enjoyed are the John Puller books. “The Forgotten,” which was the first Baldacci book I ever read, as well as ‘Zero Day’ and ‘The Escape’ were great novels.
However, the last several non-Puller books I came across were really struggles to get through.
First Family (K & M) was a big disappointment. The president’s family was so unbelievable the book was almost laughable. But I suffered through it cause…well, it’s Baldacci.
I read ‘Split Second,’ the first K & M book. I finished it mostly due to the fact it was interesting to see how K&M started out. The story, the plot and the writing was a bit of a struggle. But I read it cause…well, it’s Baldacci.
“The Innocent” was the first Will Robie novel. I found it awful, especially Robie’s sidekick who was 13 going on 35. It was not believable and read like a comic book…but I struggled through it because…well, it’s Baldacci.
This evening I started reading ‘The Guilty.’ I was very excited to delve into his brand new novel. Well, I cant believe I’m writing this about a Baldacci novel but for the first time in my life, I simply could NOT finish it. Just an awful terrible book.
The book started out great. The first 25 pages had me pulled in. Then—it turned to cr*p.
I wont reveal a spoiler but I will say Will goes down to the sticks on Mississippi to investigate a murder. Now, I understand authors need to write dialogue to reflect the way people speak. The book needs to ‘ring true.’ But this was too much, too over the top. I’ve never been a fan of or have enjoyed southern writers such as Faulkner or Tennessee Williams. And that’s what this book became.
After only 60 pages I gave up.
Mayb’ it’s me, y’all but this here done book? Nosirree, it jus’ didn’ do nuthin’ fors me and I’ze jus’ foun’ it too har’ to read. I reckon I hadta read ev’ry sentence a coupla times to understan’ what they was talkin’ ‘bout there.
See what I did there? That’s how this book read. I even flipped ahead to page 125, 150, 200 just to see if Robie would ever be conversing with people who don’t have thick southern accents.
But even as I flipped forwards, I done seen more and mores words done there cut off and that’s when, by God, I reckon’ it was time fors me to given up on this here book.
I’ve come to the sad realization that if you’ve read one Baldacci book, you’ve read them all.
Why do so many characters have ‘daddy issues’, be it Michelle Maxwell, John Puller and now Will Robie?
Why does every protagonist have deep-seeded self-doubt and always ALWAYS have mixed emotions about what they do?
Will Robie comes from a small town in the swamps of Mississippi. Michelle Maxwell comes from a small town in Tennessee.
Will Robie has issues with his father. Michelle Maxwell has issues with her father. John Puller has issues with father.
Be it King or now Robie, they work for the government but always want to get out. They spend the novel believing this will be their last case. And sure enough, at the end, they agree to come back for one more.
Why does every male lead (Maxwell, Robie, Oliver Stone) always appear as the principled straight man while all around him are sneaky.
His books, sadly, have become so clichéd and so predictable and the writing almost so simplistic, they are preposterous.
Sure enough, in one scene in ‘The Guilty’ Robie, distraught and mulling over getting out (as all Baldacci characters always do), is walking through the streets of Washington DC in the rain. Just him and his thoughts. Alone. All alone. Then, wouldn’t you know it but who comes out of the bushes all quiet and sneaky as if in a Hollywood spoof, but Robie’s boss—the msysterious shadow “Blue Man.” In a clichéd conversation, Robie asks, “How did you know I’d be here?” to which Blue Man replies, something like “I know the way you think.’
With that, Blue Man hands Robie the stereotypical manila folder, then retreats stealthily into the dense shrubbery seemingly swallowed by the darkness of Washington.
Sheeesh!
Just an awful book. This year Mr. Baldacci wrote 3 novels. 3 novels in 11 months. I really wish he’d writer slower but better. His books have become boringly predictable, his characters are all carbon copies of one another and his storylines have become mundane and uninteresting.