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315 pages, Hardcover
First published April 5, 2016
Go east of the Rockies and disperse, or go to Japan--that was the choice Canada had given them. No Japanese Canadians would ever be allowed to return to the west coast. In the spring of 1945, even before the war was over, officials arrived in the internment camps with forms to sign and gave everyone three weeks to choose between going “back” to Japan or scattering to unknown parts across Canada. (p. 11)Reading this, we know that the author has done her homework. There’s the girls’ homeroom teacher Kondo Sensei, who moonlights as a translator of English letters received by women from the Americans who have (mostly) used them and then abandoned them; there are two Japanese Americans: “Matt” Matsumoto, who works at the Allied Translator and Interpreter Service, translating letters sent by ordinary Japanese to General MacArthur; and Nancy Nogami of the typing pool. And there’s Fumi’s elder sister Sumiko, who has disappeared into the world of paid companionship, possibly even become a panpan, a GI whore. When Fumi decides to have Aya help her write a letter to General MacArthur, asking him to find her sister, we know that eventually all these characters will meet.
The box was very light, almost weightless. It struck Aya that the soul was a compact thing indeed. (p. 179)
Nancy looked Japanese but she didn’t act like one. She had a loose way of moving her arms and legs, and she laughed with her mouth wide open so you could see her teeth and sometimes even her tongue. She didn’t have a loud voice, but somehow it felt loud. (pp. 229-30)And Kutsukake is alert to the grotesqueness of the Life magazine ad for “B-29 burger”:
They say you can’t get anything better, not even in the States. There’s nothing more American than a B-29 and a Coke! (p. 298)From time to time, the novel has its longueurs: there’s a scene in which Matt and Nancy visit Ueno Zoo that one feels is there just because the author has read Frederick S. Litten’s “Starving the Elephants: The Slaughter of Animals in Wartime Tokyo’s Ueno Zoo” (see: http://apjjf.org/-Frederick-S.-Litten...) and was appalled. But the author also leaves some things unsaid: Matt’s struggle with his sexuality is only hinted at, as is the real nature of Sumiko’s work.