As an adult who occasionally reads YA literature, I’m always looking for that “crossover appeal” in a novel that will endear it to its target audience while also holding the interest (at the very least) of more seasoned readers. By adding an aura of familial mystery to “Empty Places”, author Kathy Cannon Wiechman is able to do exactly that.
For a basic plot summary, “Empty Places” is set during the “hard times” of a Depression-era Kentucky mining community. Money is scarce, and most people are paid by scrips (basically credit) from their mining work. The story is told from the perspective of Adabel Cutler, a 13-year old girl whose father is one of those miners…and also a raging alcoholic with a hair-trigger temper. Basically, Adabel and her siblings run the home front and just try to keep out of their father’s way. Right away, we learn that Adabel’s mother left the family quite some time ago…or was it quite as simple as that? Adabel keeps getting conflicting reports about both why and where her mother went, finally deciding to push the issue and find out exactly what transpired.
The hallmark of this novel is its ability to weave a grand mystery into the more day-to-day events that transpire. The story is built on the people and hardships of Depression-era mining, there is no doubting that, and does a solid job of portraying the kind of poverty that these families had to endure. What gives all the proceedings more weight, however, is the ever-present mystery of what exactly happened to Adabel’s mother. That is why, even being well past this book’s intended audience, I kept turning the pages and caring.
“Empty Places” is written in the vernacular of the period and location, so there can be a little bit of a learning curve initially. However, once you get used to the ebb and flow of the language, you’ll just get used to it (it isn’t off-putting). Helping matters (especially for the younger crowd) are the super-short chapters (no more than 3-4 pages). I usually don’t enjoy the short-chapter approach, but in this case I didn’t mind it as much, maybe because it’s not like there is a big jump from chapter to chapter. More times than not, one chapter leads directly into the next one (basically, I think the chapters were done this way to appeal to younger readers and the process doesn’t really affect the overall narrative much).
Overall, this was an enjoyable work of historical fiction that covers enough themes (and contains enough mystery) to appeal to older readers as well.