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Symphony of Ages #8
The Hollow Queen
Acclaimed author Elizabeth Haydon returns with a heartbreaking tale of love and valor in The Hollow Queen, the eighth installment of her USA Today bestselling Symphony of Ages series that began with Rhapsody.
Beset on all sides by the forces of the merchant emperor Talquist, the Cymrian Alliance finds itself in desperate straits. Rhapsody herself has joined the battle, wielding the Daystar Clarion, leaving her True Name in hiding with her infant son. Ashe tries to enlist the aid of the Sea Mages. Within their Citadel of Scholarship lies the White Ivory tower, a spire that could hold the key to unraveling the full extent of Talquist's machinations. Achmed journeys to the reportedly unassailable palace of Jierna Tal, to kill emperor Talquist—all the while knowing that even if he succeeds, it may not be enough to stop the momentum of the war.
As they struggle to untangle the web of Talquist's treachery, the leaders of the Cymrian alliance are met with obstacles at every turn. Rhapsody soon realizes that the end of this war will come at an unimaginable price: the lives of those she holds dearest.
Beset on all sides by the forces of the merchant emperor Talquist, the Cymrian Alliance finds itself in desperate straits. Rhapsody herself has joined the battle, wielding the Daystar Clarion, leaving her True Name in hiding with her infant son. Ashe tries to enlist the aid of the Sea Mages. Within their Citadel of Scholarship lies the White Ivory tower, a spire that could hold the key to unraveling the full extent of Talquist's machinations. Achmed journeys to the reportedly unassailable palace of Jierna Tal, to kill emperor Talquist—all the while knowing that even if he succeeds, it may not be enough to stop the momentum of the war.
As they struggle to untangle the web of Talquist's treachery, the leaders of the Cymrian alliance are met with obstacles at every turn. Rhapsody soon realizes that the end of this war will come at an unimaginable price: the lives of those she holds dearest.
468 pages, Mass Market Paperback
First published June 30, 2015
39 people are currently reading
1957 people want to read
About the author
Elizabeth Haydon
50 books1,026 followersElizabeth Haydon (* 1965 in Michigan) is a fantasy author, whose 1999 debut, Rhapsody: Child of Blood, garnered comparisons with Goodkind, Jordan, and even Tolkien. She has written two fantasy series set within the same universe, The fantasy/romance/whodunit fusion called The Symphony of Ages and the young adult series The Lost Journals of Ven Polypheme.
An herbalist, harpist, and madrigal singer, Elizabeth Haydon also enjoys anthropology and folklore. She lives on the East Coast of the United States.
For more information, please see http://en.wikipedia.org/wiki/Elizabet...
An herbalist, harpist, and madrigal singer, Elizabeth Haydon also enjoys anthropology and folklore. She lives on the East Coast of the United States.
For more information, please see http://en.wikipedia.org/wiki/Elizabet...
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Displaying 1 - 30 of 53 reviews
August 25, 2015
The eighth installment (final chapter of the War of the Known World trilogy) to Elizabeth Haydon’s Symphony of Ages series is, by my own opinionated bias, was wonderful and bittersweet.
Now, this is my favorite fantasy series (right up there with Tolkien’s Lord of the Rings) and I have made, in my spare time growing-up, a number of guides for the fan series forum: The Cauldron. So, I hope when you read my review you will consider what I have to say lightly and keep in mind that I have some knowledge/research dedicated to these books, where else others might have only read through the series once, having not dedicated as much time as I have. In other words, I think I know (in my opinion) what I’m talking about.
[Cons]
As a number of previous reviews have noted the below, and discussed them, I’d like to correct/give my own view on them.
1. Merchant Emperor/The Hollow Queen originally one book?
False, Elizabeth Haydon herself stated:
“No, I have always planned for this arc of the story to be nine volumes--a first trilogy [Rhapsody/Prophecy/Destiny], two bridge books [Requiem for the Sun/Elegy for a Lost Star], then the second, later trilogy [War of the Known World] and a capper book, [Dirge/The Weaver's Lament]…”
- The Cauldron Interview (2014 - 2015)
2. Too much rehashing!
In a review for T.M.E, someone remarked that there seemed to not be enough review of past events (and with not re-reading the series again before picking-up the newest installment) they were left wanting. This is, in no way, the author's fault. However, there was a LOT of this in T.H.Q and I do agree that it was too much at times. While it’s nice to be reminded of a minuscule detail from many novels back. However, to be reminded again and again, of whom these characters are, their relationships to each other, past events, it gets old/boring real fast and makes one wonder if Haydon was trying to create filler, or even get herself on track? I’m not sure, but then again I didn’t mind for I was happy to have a new book released on time.
3. Not enough battles: Telling, no showing?
This! Yes, I absolutely agree! I was very much looking forward to this installment, in anticipation of the massive warfare, action sequences, especially with Rhapsody/Anborn/Grunthor involved! But there weren’t much, if any, details into the warfare and it made the book disappointing.
From book one there has been mentioned an epic war that would eventually arrive and wreck the continent, and when it finally came time, not much was really mentioned of it. Once again, this makes me wonder if Haydon tried to write too fast and get the book out as fast as she could, in order to not keep her fans waiting much longer. If this was, indeed, the case I wish she took a little bit more time to polish it before releasing it. It also makes me wonder how much control her publisher had, and with such a long delay between The Assassin King and The Merchant Emperor, if he/she wanted to get this series done/published?
4. Rhapsody’s Hollowness. I did like this new Rhapsody, but there were times when I questioned her “lack-of-emotion” a bit. Some scenes she showed worry, nervousness. Wasn’t she supposed to utterly be without any emotion whatsoever? This left me confused, but more so when she showed more concern for Anborn than she did for Ashe. I guess this can be explained by much of Rhapsody’s memory being taken from her (held by her son, Meridion) and it stemmed down to how she was when she first emerged from the root and before she fell-in love with Ashe. She did meet Anborn before she met Ashe, but she didn’t love him before she loved Ashe which, once again, doesn’t explain why she was more upset over the loss of Anborn than she was at seeing Ashe again. Perhaps, the essence that made Rhapsody who she was before she gave-up her identity of Amelia Rhapsody Turner (very loving, adopting numerous children, her love for Ashe/Meridion and her friends), was just that, reverting her back to the time when she lived on the streets in Easton, Serendair, as a prostitute?
Even then, however, she was caring, saving a young child from rape and taking her place to save her innocence.
5. Anborn in the canyon?
Yes, what was up with that? I was very much perplexed by his actions, until I considered this. Anborn, from what I could gauge, was tired of being a military leader and for him to stand-down below, he chose to die his own way and have a Namer (Rhapsody) witness his demise. Thus, he died a simple man in what he believed was the best way to go, dying for those he loved and ending a very long, long life and finally being at peace to live with his wife in the afterlife. Maybe if there was a little bit more build-up leading to him being down there, would had been nice and more believable/favorable.
With that being said, I was always under the belief that he wasn’t too fond of his belated wife and hardly knew her, but this last volume clearly noted that he really did care for her and wanted to be with her again.
Once again, I’m left confused and wish things could have panned out a little bit differently for Anborn.
6. Dranth’s death.
Too quick, I was under the impression that he was this awesome assassin, rivaling (somewhat) to Esten/Achmed himself. But he is killed rather easily. Meh?
7. Achmed vs. Talquist!
I wish there was more to it! It was too awesome and ended far too quickly! Brought a bit of nostalgia (harkening back to the book Rhapsody; Child of Blood, when Achmed was still his assassin self) and only makes me wish that Elizabeth would publish a novel on Achmed’s days as Ysk/The Brother and how he met Grunthor. I’m sure there are many that wish for this as well.
8. Grunthor “kinda” turning into his own version of the Sleeping Child? Scary, I was afraid to turn the page, in fear of what I might read next!
Not okay!
9. The Lightcatcher?
Wasn’t this supposed to be an epic war devise? After reading so much about it, I expected to see it used more in the war, and all we really got was it hiding Ylorc (used in a very similar way to how Gwylliam the Visionary deployed it), and not seeing it used as a weapon. Now, Achmed himself (I believed) stated that it was far too dangerous to use it as fire-power against the enemy, but c’mon now, not even a little bit?
10. The "anti-rape devise?"
She (Elizabeth Haydon) went into great length on it, described it beautifully... and yet, never really got to see it in action.
Yes, disturbing as that may sound, I was somewhat expecting to read about a Sorbold soldier trying to rape one of the woman warrior's deployed in Sepulvatar, and his downstairs being sadly mutilated. Eh, why go into such detail and yet nothing come from it? Hmm...
[Pros]
1. Grunthor!
Loved the new songs! Loved his epic fight, teaming-up with Rath and taking down Faron/Hrafa! Never can get enough of Grunthor! And learning more of his past, and his talks between himself and Rath made for a lovely read.
More Grunthor = A great installment!
2. Ashe's adventures in the sea.
I actually found myself liking Ashe for once, for he wasn't being an over-protective, lovely-dovely obsessed dragon! He was pretty epic in how he handled seeking help from his allies, intimidating and the like. Why can't he be like this all the time?
3. Glossary?
Thank you! This was a nice touch, and makes me wonder if Haydon added it in, in answer for fans who keep asking for guides on the series. Wonderful to flip back and read-up on characters.
4. Analise/Melly?
As secondary characters, and how brief their appearance was in this book, I still enjoyed it. And the fact that Analise had given her soul over to Rhapsody, and couldn't possibly be partial-possessed by a F'dor (whatever F'dor possessed Michael) was an interesting touch.
5. Elynsynos?
The fact that she went down to be at the grave-site of Merithyn was pretty sad. But when she arose to aid Ashe in destroying the fleets of Sorbold/Talquist, was pretty epic. Far better was when she quote the "Rampage of the Wyrm," how she finally came to peace with the stupid story and wanted to make it true. Only thing is I wonder what became of her? Did she just dive back down and returned to his gravesite? Or did she return to her cave? I hope Haydon answers this with the final installment.
6. Witheragh?
Dragons = Awesomeness. Enough said.
7. Rhapsody?
Besides the confusing "hollowness" of her state of being, when she was fighting in battle and commanding troops, she was inspiring and very likeable. Now, granted I was never bothered by her old-state of having a positive view of anyone she ever met (or her obliviousness to her own beauty), I enjoyed the cool, military-might she employed. And with one review noting the "Post Traumatic Stress Syndrome" it makes me wonder how hollow she was, and in reality how she tried to deal with the potential loss of losing the ones she loved?
Or, perhaps Haydon was using the "hollowness" as a fantasized means of showing PTSD?
8. Fhermus!
A wonderful secondary character, I heartily enjoyed reading about his struggles to follow Talquist commands, his honor to server the Sorbold empire and how he played a key-role in his emperor's end! Even though he took "some" of the glory from our favorite assassin, I wasn't entirely surprised that he played some role in his death. And the fact that Achmed invited him back to Ylorc was great in itself. I applaud you Haydon, you created a secondary character I truly cared about.
9. Constantine?
Honestly, I didn't mind the re-has so much for the scene of him taking down the two Sorbold soldiers was pretty cool. I mean, would you expect a wizened old-priest to beat the hrekin out of two prime-men? No! And especially in the fashion he did it in! With the nice touches of his past arena days woven into the mix, it brought it around full-circle, only making it more epic and awe-like.
10. Nain joining the fight?
Thank you! I was actually quite surprised, but now that I look back, I'm surprised I didn't see it as a possibility sooner.
11. Meridion?
That baby is my hero! First he gives Rhapsody her memory back, than he returns Grunthor to normal. I'm hoping we get to see him in action, as a teenager, or an adult in Dirge/The Weaver's Lament!
12. Achmed.
His journey to kill Talquist, great. Him actually killing Talquist, even better. Him being over-protective of Grunthor, touching. Being difficult with allowing Rhapsody to enter Ylorc? Heart-wrenching! What did you NOT tell her, dude?! Can't wait to read Dirge now, for I'm left in anticipation of what he didn't voice!
Did he not tell her that he loved her, wants to be with her?
It seems clear that this could be it, and what of his "one of several special someones" that he cared deeply for in Quieth Keep, known only for the name Weinatha? Supposedly we will learn more about her in the final installment, Dirge/The Weaver's Lament:
"You will know all about her if/when you read the last book, DIRGE, which is finished and in copyediting..."
- The Cauldron Interview (2014 - 2015)
That, in itself, is a plus, another reason why I can't wait for Dirge to be released!
13. The ending of the War of the Known World trilogy?
A little bittersweet. Kinda-sad, for it brought to focus Achmed's struggle in dealing with his un-met affections for Rhapsody, and having to see her come to Ylorc with her family. I hope Haydon will grant him his desires in Dirge/The Weaver's Lament, if not I will be greatly disappointed!
The ending also questioned if Dirge/The Weaver's Lament was still being released, until I considered the fact that the final book will take place over a thousand-years ahead of time. Will this lead into Ashe, finally, going to commune with the elements? Allowing Achmed his chance to be with Rhapsody?
Haydon, I look forward to Dirge even more than before! Do take your time, and make it an epic final!
And for anyone looking to read "The Hollow Queen," I found T.A.K to be lacking more than T.H.Q, and would highly recommend it to anyone looking for a fun read! I plan on re-reading it again very soon.
Now, this is my favorite fantasy series (right up there with Tolkien’s Lord of the Rings) and I have made, in my spare time growing-up, a number of guides for the fan series forum: The Cauldron. So, I hope when you read my review you will consider what I have to say lightly and keep in mind that I have some knowledge/research dedicated to these books, where else others might have only read through the series once, having not dedicated as much time as I have. In other words, I think I know (in my opinion) what I’m talking about.
[Cons]
As a number of previous reviews have noted the below, and discussed them, I’d like to correct/give my own view on them.
1. Merchant Emperor/The Hollow Queen originally one book?
False, Elizabeth Haydon herself stated:
“No, I have always planned for this arc of the story to be nine volumes--a first trilogy [Rhapsody/Prophecy/Destiny], two bridge books [Requiem for the Sun/Elegy for a Lost Star], then the second, later trilogy [War of the Known World] and a capper book, [Dirge/The Weaver's Lament]…”
- The Cauldron Interview (2014 - 2015)
2. Too much rehashing!
In a review for T.M.E, someone remarked that there seemed to not be enough review of past events (and with not re-reading the series again before picking-up the newest installment) they were left wanting. This is, in no way, the author's fault. However, there was a LOT of this in T.H.Q and I do agree that it was too much at times. While it’s nice to be reminded of a minuscule detail from many novels back. However, to be reminded again and again, of whom these characters are, their relationships to each other, past events, it gets old/boring real fast and makes one wonder if Haydon was trying to create filler, or even get herself on track? I’m not sure, but then again I didn’t mind for I was happy to have a new book released on time.
3. Not enough battles: Telling, no showing?
This! Yes, I absolutely agree! I was very much looking forward to this installment, in anticipation of the massive warfare, action sequences, especially with Rhapsody/Anborn/Grunthor involved! But there weren’t much, if any, details into the warfare and it made the book disappointing.
From book one there has been mentioned an epic war that would eventually arrive and wreck the continent, and when it finally came time, not much was really mentioned of it. Once again, this makes me wonder if Haydon tried to write too fast and get the book out as fast as she could, in order to not keep her fans waiting much longer. If this was, indeed, the case I wish she took a little bit more time to polish it before releasing it. It also makes me wonder how much control her publisher had, and with such a long delay between The Assassin King and The Merchant Emperor, if he/she wanted to get this series done/published?
4. Rhapsody’s Hollowness. I did like this new Rhapsody, but there were times when I questioned her “lack-of-emotion” a bit. Some scenes she showed worry, nervousness. Wasn’t she supposed to utterly be without any emotion whatsoever? This left me confused, but more so when she showed more concern for Anborn than she did for Ashe. I guess this can be explained by much of Rhapsody’s memory being taken from her (held by her son, Meridion) and it stemmed down to how she was when she first emerged from the root and before she fell-in love with Ashe. She did meet Anborn before she met Ashe, but she didn’t love him before she loved Ashe which, once again, doesn’t explain why she was more upset over the loss of Anborn than she was at seeing Ashe again. Perhaps, the essence that made Rhapsody who she was before she gave-up her identity of Amelia Rhapsody Turner (very loving, adopting numerous children, her love for Ashe/Meridion and her friends), was just that, reverting her back to the time when she lived on the streets in Easton, Serendair, as a prostitute?
Even then, however, she was caring, saving a young child from rape and taking her place to save her innocence.
5. Anborn in the canyon?
Yes, what was up with that? I was very much perplexed by his actions, until I considered this. Anborn, from what I could gauge, was tired of being a military leader and for him to stand-down below, he chose to die his own way and have a Namer (Rhapsody) witness his demise. Thus, he died a simple man in what he believed was the best way to go, dying for those he loved and ending a very long, long life and finally being at peace to live with his wife in the afterlife. Maybe if there was a little bit more build-up leading to him being down there, would had been nice and more believable/favorable.
With that being said, I was always under the belief that he wasn’t too fond of his belated wife and hardly knew her, but this last volume clearly noted that he really did care for her and wanted to be with her again.
Once again, I’m left confused and wish things could have panned out a little bit differently for Anborn.
6. Dranth’s death.
Too quick, I was under the impression that he was this awesome assassin, rivaling (somewhat) to Esten/Achmed himself. But he is killed rather easily. Meh?
7. Achmed vs. Talquist!
I wish there was more to it! It was too awesome and ended far too quickly! Brought a bit of nostalgia (harkening back to the book Rhapsody; Child of Blood, when Achmed was still his assassin self) and only makes me wish that Elizabeth would publish a novel on Achmed’s days as Ysk/The Brother and how he met Grunthor. I’m sure there are many that wish for this as well.
8. Grunthor “kinda” turning into his own version of the Sleeping Child? Scary, I was afraid to turn the page, in fear of what I might read next!
Not okay!
9. The Lightcatcher?
Wasn’t this supposed to be an epic war devise? After reading so much about it, I expected to see it used more in the war, and all we really got was it hiding Ylorc (used in a very similar way to how Gwylliam the Visionary deployed it), and not seeing it used as a weapon. Now, Achmed himself (I believed) stated that it was far too dangerous to use it as fire-power against the enemy, but c’mon now, not even a little bit?
10. The "anti-rape devise?"
She (Elizabeth Haydon) went into great length on it, described it beautifully... and yet, never really got to see it in action.
Yes, disturbing as that may sound, I was somewhat expecting to read about a Sorbold soldier trying to rape one of the woman warrior's deployed in Sepulvatar, and his downstairs being sadly mutilated. Eh, why go into such detail and yet nothing come from it? Hmm...
[Pros]
1. Grunthor!
Loved the new songs! Loved his epic fight, teaming-up with Rath and taking down Faron/Hrafa! Never can get enough of Grunthor! And learning more of his past, and his talks between himself and Rath made for a lovely read.
More Grunthor = A great installment!
2. Ashe's adventures in the sea.
I actually found myself liking Ashe for once, for he wasn't being an over-protective, lovely-dovely obsessed dragon! He was pretty epic in how he handled seeking help from his allies, intimidating and the like. Why can't he be like this all the time?
3. Glossary?
Thank you! This was a nice touch, and makes me wonder if Haydon added it in, in answer for fans who keep asking for guides on the series. Wonderful to flip back and read-up on characters.
4. Analise/Melly?
As secondary characters, and how brief their appearance was in this book, I still enjoyed it. And the fact that Analise had given her soul over to Rhapsody, and couldn't possibly be partial-possessed by a F'dor (whatever F'dor possessed Michael) was an interesting touch.
5. Elynsynos?
The fact that she went down to be at the grave-site of Merithyn was pretty sad. But when she arose to aid Ashe in destroying the fleets of Sorbold/Talquist, was pretty epic. Far better was when she quote the "Rampage of the Wyrm," how she finally came to peace with the stupid story and wanted to make it true. Only thing is I wonder what became of her? Did she just dive back down and returned to his gravesite? Or did she return to her cave? I hope Haydon answers this with the final installment.
6. Witheragh?
Dragons = Awesomeness. Enough said.
7. Rhapsody?
Besides the confusing "hollowness" of her state of being, when she was fighting in battle and commanding troops, she was inspiring and very likeable. Now, granted I was never bothered by her old-state of having a positive view of anyone she ever met (or her obliviousness to her own beauty), I enjoyed the cool, military-might she employed. And with one review noting the "Post Traumatic Stress Syndrome" it makes me wonder how hollow she was, and in reality how she tried to deal with the potential loss of losing the ones she loved?
Or, perhaps Haydon was using the "hollowness" as a fantasized means of showing PTSD?
8. Fhermus!
A wonderful secondary character, I heartily enjoyed reading about his struggles to follow Talquist commands, his honor to server the Sorbold empire and how he played a key-role in his emperor's end! Even though he took "some" of the glory from our favorite assassin, I wasn't entirely surprised that he played some role in his death. And the fact that Achmed invited him back to Ylorc was great in itself. I applaud you Haydon, you created a secondary character I truly cared about.
9. Constantine?
Honestly, I didn't mind the re-has so much for the scene of him taking down the two Sorbold soldiers was pretty cool. I mean, would you expect a wizened old-priest to beat the hrekin out of two prime-men? No! And especially in the fashion he did it in! With the nice touches of his past arena days woven into the mix, it brought it around full-circle, only making it more epic and awe-like.
10. Nain joining the fight?
Thank you! I was actually quite surprised, but now that I look back, I'm surprised I didn't see it as a possibility sooner.
11. Meridion?
That baby is my hero! First he gives Rhapsody her memory back, than he returns Grunthor to normal. I'm hoping we get to see him in action, as a teenager, or an adult in Dirge/The Weaver's Lament!
12. Achmed.
His journey to kill Talquist, great. Him actually killing Talquist, even better. Him being over-protective of Grunthor, touching. Being difficult with allowing Rhapsody to enter Ylorc? Heart-wrenching! What did you NOT tell her, dude?! Can't wait to read Dirge now, for I'm left in anticipation of what he didn't voice!
Did he not tell her that he loved her, wants to be with her?
It seems clear that this could be it, and what of his "one of several special someones" that he cared deeply for in Quieth Keep, known only for the name Weinatha? Supposedly we will learn more about her in the final installment, Dirge/The Weaver's Lament:
"You will know all about her if/when you read the last book, DIRGE, which is finished and in copyediting..."
- The Cauldron Interview (2014 - 2015)
That, in itself, is a plus, another reason why I can't wait for Dirge to be released!
13. The ending of the War of the Known World trilogy?
A little bittersweet. Kinda-sad, for it brought to focus Achmed's struggle in dealing with his un-met affections for Rhapsody, and having to see her come to Ylorc with her family. I hope Haydon will grant him his desires in Dirge/The Weaver's Lament, if not I will be greatly disappointed!
The ending also questioned if Dirge/The Weaver's Lament was still being released, until I considered the fact that the final book will take place over a thousand-years ahead of time. Will this lead into Ashe, finally, going to commune with the elements? Allowing Achmed his chance to be with Rhapsody?
Haydon, I look forward to Dirge even more than before! Do take your time, and make it an epic final!
And for anyone looking to read "The Hollow Queen," I found T.A.K to be lacking more than T.H.Q, and would highly recommend it to anyone looking for a fun read! I plan on re-reading it again very soon.
September 12, 2016
Any problem I have with actual data from the book is probably my fault - I am *heavily* skimming. The dialogue is too awkward, and characters in general are a bit too one-note for me to want to look for anything meaningful.
It's an infuriating mix of too much detail in conversations and actions, followed by lots of glossing over, as somebody gets where they should. A bunch of scenes very poorly connected.
Ashe's temper is what gets me. He comes in and makes ridiculous demands, then gets incredibly angry if anybody thinks about doing the same to him, even his wife - in the same scene! He and Rhapsody are both going around and talking to people saying "oh, of course you've been deceived" and then get pissed off when nobody believes them immediately. And oh, all of the consent issues.
Rhapsody and Ashe can't decide how severity works. We have tens of thousands dying in each (SUPER-SHORT) battle, but yes, let's take time to care about wartime atrocities. It'll totally be that easy to keep all of the men from raping/pillaging. Just because I said so. Yep.
Achmed had some cool action scenes. At least I've got that.
It's an infuriating mix of too much detail in conversations and actions, followed by lots of glossing over, as somebody gets where they should. A bunch of scenes very poorly connected.
Ashe's temper is what gets me. He comes in and makes ridiculous demands, then gets incredibly angry if anybody thinks about doing the same to him, even his wife - in the same scene! He and Rhapsody are both going around and talking to people saying "oh, of course you've been deceived" and then get pissed off when nobody believes them immediately. And oh, all of the consent issues.
Rhapsody and Ashe can't decide how severity works. We have tens of thousands dying in each (SUPER-SHORT) battle, but yes, let's take time to care about wartime atrocities. It'll totally be that easy to keep all of the men from raping/pillaging. Just because I said so. Yep.
Achmed had some cool action scenes. At least I've got that.
June 26, 2016
One of my favourite series, especially given the similarities between my wife and the main character, this book, like many, was both good and bad.
The battle scenes, combined with the scenes involving some of my favourite characters (Rhapsody, Grunther, Anborn, and Achmed) were as always amazing and a joy to read. Where I think the book fell short was in the "wrapping up" of the story. The conclusion on how the war came to end was too quick and without much description, as Haydon seems to have sped through the resolutions without much thought. Meanwhile she kept the beginning of the book a little too bland and boring for me.
Overall, the series is still a great one, and, despite my thoughts on this book, I see it as essential to enjoying the entire series to date. I'm still looking forward to the conclusion.
The battle scenes, combined with the scenes involving some of my favourite characters (Rhapsody, Grunther, Anborn, and Achmed) were as always amazing and a joy to read. Where I think the book fell short was in the "wrapping up" of the story. The conclusion on how the war came to end was too quick and without much description, as Haydon seems to have sped through the resolutions without much thought. Meanwhile she kept the beginning of the book a little too bland and boring for me.
Overall, the series is still a great one, and, despite my thoughts on this book, I see it as essential to enjoying the entire series to date. I'm still looking forward to the conclusion.
February 12, 2019
Let me preface this by saying I loved the original trilogy. I enjoyed, but did not love, the next two books after that. But the last two books lack the heart the original, or even the gap books, had with them. Rhapsody is unrecognizable, on purpose, and it's awful, because she is the heart of the story. The stories that were originally about The Three are now about every "nuance" of war, while being just as dry as reading history text about a war. It's not fun. It's not entertaining. It's just another dry epic fantasy novel that wants to tell a deeper story and in the long run makes everything feel like it had very little meaning. Will I still read the last book in the series? Well, yeah, I didn't get this far to give up now. Am I anticipating huge disappointment? That's an emphatic yes.
June 2, 2017
Rating: 4.5 stars
The Hollow Queen is the eighth book in The Symphony of Ages series by Elizabeth Haydon. Now this is more like it! All the set up from the previous book pays off. The story sets off at a fast pace and doesn't let up until the very end. Haydon has given herself an ambition task and was definitely up for the challenge.
Talquist's ambitions and plans reach across the entire continent and beyond. The Cymrian Alliance finds itself surrounded on all sides by the forces of Sorbold. Rhapsody has joined the battle, wielding Daystar Clarion, leaving part of herself in hiding with her infant son deep within the mountains. Desperate for help Ashe tries to enlist the Sea Mages and the people of Manose, completely unaware that Talquist's navy has set up a barrier effectively blocking the continent from the rest of the world. Gruhtor prepares the Firbolg of Ylorc to withstand a coming siege. Achmed takes up the quest to try and cut off the head of the snake knowing full well that even if he's successful it may not stop the momentum of the war. There are obstacles at every turn. Are the free peoples willing to pay the price to end this war?
In a nutshell, this is all about the War for the Known World. There are plots within plots, politics, betrayals, tons of action, dragons, heroics and even a smidgen of romance. Haydon handles it all well, deftly weaving many story lines together told from at least ten points of view. Unlike the last book, the story does not sit still. At times it seems to even rush ahead, short cutting from the start to ends of battles. We are constantly jumping from location to location in an effort to keep up with all of what's going on. I found it to be quite the page turner.
The Three are given a lot more page time too, for which I was mostly thankful. Achmed's story had me on the edge of my seat! He still remains my favorite character. The character change for Rhapsody that started in the last book continues in this book and I liked how it was handled right up until the end. Then there was a lot of dialog I found groan worthy which thankfully was a fairly short section. Grunthor gets to have his heroic moment as he holds the line back in Ylorc. I continue to find Ashe and his dragon side annoying. There are still some "memory" scenes, but they are used a lot more sparing and flowed with the story better.
All major story threads and many of the loose ends are neatly tied up by the end of the book and are mostly satisfying for this long time fan. The series could easily have ended here but there is one more book to go.
The Hollow Queen is the eighth book in The Symphony of Ages series by Elizabeth Haydon. Now this is more like it! All the set up from the previous book pays off. The story sets off at a fast pace and doesn't let up until the very end. Haydon has given herself an ambition task and was definitely up for the challenge.
Talquist's ambitions and plans reach across the entire continent and beyond. The Cymrian Alliance finds itself surrounded on all sides by the forces of Sorbold. Rhapsody has joined the battle, wielding Daystar Clarion, leaving part of herself in hiding with her infant son deep within the mountains. Desperate for help Ashe tries to enlist the Sea Mages and the people of Manose, completely unaware that Talquist's navy has set up a barrier effectively blocking the continent from the rest of the world. Gruhtor prepares the Firbolg of Ylorc to withstand a coming siege. Achmed takes up the quest to try and cut off the head of the snake knowing full well that even if he's successful it may not stop the momentum of the war. There are obstacles at every turn. Are the free peoples willing to pay the price to end this war?
In a nutshell, this is all about the War for the Known World. There are plots within plots, politics, betrayals, tons of action, dragons, heroics and even a smidgen of romance. Haydon handles it all well, deftly weaving many story lines together told from at least ten points of view. Unlike the last book, the story does not sit still. At times it seems to even rush ahead, short cutting from the start to ends of battles. We are constantly jumping from location to location in an effort to keep up with all of what's going on. I found it to be quite the page turner.
The Three are given a lot more page time too, for which I was mostly thankful. Achmed's story had me on the edge of my seat! He still remains my favorite character. The character change for Rhapsody that started in the last book continues in this book and I liked how it was handled right up until the end. Then there was a lot of dialog I found groan worthy which thankfully was a fairly short section. Grunthor gets to have his heroic moment as he holds the line back in Ylorc. I continue to find Ashe and his dragon side annoying. There are still some "memory" scenes, but they are used a lot more sparing and flowed with the story better.
All major story threads and many of the loose ends are neatly tied up by the end of the book and are mostly satisfying for this long time fan. The series could easily have ended here but there is one more book to go.
March 21, 2021
I hate to complain too much, but compared to the other books this one felt very rushed and inferior. The ending was good, but the writing in the middle section felt quite lazy. Major things happened with virtually no explanation at all (Anborn). And a lot of sections that should have been really interesting and exciting felt completely anticlimactic (Talquist/Achmed, Grunther/Titan, etc.) I washed honestly disappointed in a lot of the sections. And there was so much repetition from old editions books. Entire segments/conversations repeated exactly. Ugh.
And I'm sorry, I just have to say it, I cannot stand Ashe. I've never liked his character and I had to cheer when Rhapsody said that the part of her that found his insane jealousy endearing must still be in the mountains of the Nain. Though I didn't like how her character was written in this book, either.
I'm just disappointed and maybe a bit tired of the series. It had its goodness moments, but I found this one to be the weakest in the series by far. Hoping the last book is decent.
And I'm sorry, I just have to say it, I cannot stand Ashe. I've never liked his character and I had to cheer when Rhapsody said that the part of her that found his insane jealousy endearing must still be in the mountains of the Nain. Though I didn't like how her character was written in this book, either.
I'm just disappointed and maybe a bit tired of the series. It had its goodness moments, but I found this one to be the weakest in the series by far. Hoping the last book is decent.
This entire review has been hidden because of spoilers.
October 30, 2021
I started reading the symphony of ages over a decade ago, and loved the books back then. I don't know if the more recent books changed since then or if I just grew older, but I very much struggled to find the hollow queen an enjoyable read. Characters seem to teleport around the world and many events are glossed over in the space of a sentence or two. Situations are resolved in a very cheesy manner and whenever emotions are the subject of the narrative, they are overdone to the extent of causing the reader to roll their eyes.
If you've only recently been reading all of the symphony of ages books, feel free to continue with this one as all the characters you know and love are present and there is a skeleton of an interesting plot here. If you are looking for the same enjoyment a younger you found in these books, perhaps first consider whether your reading interests have changed since then.
If you've only recently been reading all of the symphony of ages books, feel free to continue with this one as all the characters you know and love are present and there is a skeleton of an interesting plot here. If you are looking for the same enjoyment a younger you found in these books, perhaps first consider whether your reading interests have changed since then.
July 5, 2020
A pretty flat ending to the 5 books that have been building up to this in my mind. Given Haydon’s proclivity for detail and really dragging things out unnecessarily, some key moments were over far too quickly.
It also seems she is not confident in writing battle scenes as despite the whole book revolving around the largest war this word has ever seen, we only get a couple of battles described and again neither of these were done in particular detail. Most battles were spoken about or detailed in retrospect but when its some of your favourite secondary characters in the battle, I personally would have loved a bit more detail and much less repetition of the same memories that get repeated every book.
It also seems she is not confident in writing battle scenes as despite the whole book revolving around the largest war this word has ever seen, we only get a couple of battles described and again neither of these were done in particular detail. Most battles were spoken about or detailed in retrospect but when its some of your favourite secondary characters in the battle, I personally would have loved a bit more detail and much less repetition of the same memories that get repeated every book.
July 4, 2015
Not like her other books
I found it hard to stay interested in this book. Her other beginning books for I couldn't put them down, I'm he story line ran smooth. These last two books jumped all over the place, you could keep track of the characters or story. It got to the point I was jumping pages just to find pages with characters I knew. It also seemed to hurry an ending that don't fit with the earlier storyline hints of more to come. Maybe another book set will be out but I was really let down.
I found it hard to stay interested in this book. Her other beginning books for I couldn't put them down, I'm he story line ran smooth. These last two books jumped all over the place, you could keep track of the characters or story. It got to the point I was jumping pages just to find pages with characters I knew. It also seemed to hurry an ending that don't fit with the earlier storyline hints of more to come. Maybe another book set will be out but I was really let down.
June 8, 2016
Having read this series for the past 8 years, I think it's time to be a little judgemental.
WHY SO SHORT?!
It's not enough. Don't do this to me!
Like many of the books in the series, you breeze through it very quickly. But this one seemed to leave a lot to want.
For the most part its all about looking into the past, and eventually gets to the big picture and progresses with the story.
Thank you for the story, but oi really want more :)
WHY SO SHORT?!
It's not enough. Don't do this to me!
Like many of the books in the series, you breeze through it very quickly. But this one seemed to leave a lot to want.
For the most part its all about looking into the past, and eventually gets to the big picture and progresses with the story.
Thank you for the story, but oi really want more :)
May 5, 2015
Great book, but I have trouble remembering everything... and I do mean everything. I find that I have to get the cliff notes version between books, it's a great series though and if you start now you don't have to wait years between the books.
Will be in the July RT issue
Will be in the July RT issue
December 17, 2015
I was very disappointed in the Hollow Queen. I LOVED the first books in the series but felt as though the last was an over worked effort to tie up all the loose ends and find a happy ever after. Sorry Ms Haydon.
August 28, 2020
I liked this book a lot more than the previous one, The Merchant Emperor, because action happens really fast and we got to learn new things about some interesting characters. Fair warning though, like Rhapsody's personality, this book is a bit rougher and more crude.
The Great War of the Known World is well underway and our characters are all split up on different fronts. Rhapsody has left her full name and the lighter part of herself that knows love with her son hidden in the Nain kingdom, underground. Ashe is trying not to go crazy and going under the sea, to visit his uncle Edwyn Griffith on the Isle of the Sea Mages. I really enjoyed this opportunity to get to see the oft-mentioned sea mages as well as more time with Ashe in the element of water.
Achmed gets back to his own assassin roots, while maintaining his professed dislike of Rhapsody's familial path. I enjoyed seeing his personality develop more nuance. Grunthor continues to endear himself as a gentle giant, but continually focused on military perfection. He and Rath, the full Dhracian, have a good rapport.
Of course, much of the book is taken up with people dealing with Rhapsody in a harder warrior form. Not only is her hair super short but she doesn't make jokes and is unable to heal herself. Which is a problem because she's in battle, a lot. There are some really interesting twists in the war as well as more disturbing trickeries from the Sorbold. Talquist continues to be an annoying coward and we have to spend a lot of time with a pair of assassins that'a really boring and pointless. And yes, Hrafa and Faron get a resolution after some Odd Couple moments. But, that's how plots go--you need some parts to distract you from the finale.
We get some further revelations about Rhapsody's tragic past with Michael, as well as how evil takes many forms and more about her history with Analise. Melisande is less present, but her brother Gwydion get some moments to shine, with Anborn looking on. Speaking of Anborn, we see him in his true element and it's wonderful. Even Faedryth has good things to say about him!
Also Constantin is a badass in this book--both magically religious and the gladiator we remember. Take note of some small, but significant revelations about his power, some Lirin/human history and the trees of Tyrian.
The story's ending was a little strange since I know there's another book. Looking forward to the final conclusion and what the twice-meeting of Rhapsody and Ashe is all about.
The Great War of the Known World is well underway and our characters are all split up on different fronts. Rhapsody has left her full name and the lighter part of herself that knows love with her son hidden in the Nain kingdom, underground. Ashe is trying not to go crazy and going under the sea, to visit his uncle Edwyn Griffith on the Isle of the Sea Mages. I really enjoyed this opportunity to get to see the oft-mentioned sea mages as well as more time with Ashe in the element of water.
Achmed gets back to his own assassin roots, while maintaining his professed dislike of Rhapsody's familial path. I enjoyed seeing his personality develop more nuance. Grunthor continues to endear himself as a gentle giant, but continually focused on military perfection. He and Rath, the full Dhracian, have a good rapport.
Of course, much of the book is taken up with people dealing with Rhapsody in a harder warrior form. Not only is her hair super short but she doesn't make jokes and is unable to heal herself. Which is a problem because she's in battle, a lot. There are some really interesting twists in the war as well as more disturbing trickeries from the Sorbold. Talquist continues to be an annoying coward and we have to spend a lot of time with a pair of assassins that'a really boring and pointless. And yes, Hrafa and Faron get a resolution after some Odd Couple moments. But, that's how plots go--you need some parts to distract you from the finale.
We get some further revelations about Rhapsody's tragic past with Michael, as well as how evil takes many forms and more about her history with Analise. Melisande is less present, but her brother Gwydion get some moments to shine, with Anborn looking on. Speaking of Anborn, we see him in his true element and it's wonderful. Even Faedryth has good things to say about him!
Also Constantin is a badass in this book--both magically religious and the gladiator we remember. Take note of some small, but significant revelations about his power, some Lirin/human history and the trees of Tyrian.
The story's ending was a little strange since I know there's another book. Looking forward to the final conclusion and what the twice-meeting of Rhapsody and Ashe is all about.
February 18, 2025
This one proved to be the most challenging book to get through in the entire saga. While the writing was decent, many of the elements that make this series so captivating were noticeably absent.
The first part of the book dragged on, making it difficult to stay engaged. The pacing felt sluggish, with long stretches of explanation and contemplation that didn't seem to advance the plot or develop the characters' plights in meaningful ways. These lackluster moments killed the momentum of, what promised to be, a war-packed action story.
The assassination, which should have been a pivotal moment in the entire series, felt anti-climactic. The build-up to this event has been rather lengthy, but the actual execution lacked tension and was executed in a way that felt flat and unbelievable. It felt like a missed opportunity to create a truly memorable and impactful scene for Achmed.
Even the conclusion of the war left much to be desired. Despite the numerous sacrifices made by the characters, it seemed like no one truly learned any lessons or gained anything meaningful from their experiences. The resolution felt too neat and tidy, without the emotional depth and complexity that usually marks Hayden's storytelling style.
Although most loose ends were tied up, the happily-ever-after felt forced. It wasn't the kind of realistic ending where not everything turns out perfectly, but rather a rushed attempt to wrap everything up. I ended up questioning whether all the plot points had actually been resolved. The relationships between characters, which is the foundation of the story in all her previous books, felt underdeveloped and lacking in the genuine connection we've come to expect from the Three.
Overall, "The Hollow Queen" fell short of the high standards set by the previous books in the series. While it did provide closure, it lacked the depth and excitement that we have come to expect from this saga. The story did not leave a lasting impact. As an avid reader who has followed the series from the beginning, this installment felt like a disappointing conclusion to an otherwise earth-rattling adventure. I can't, in good conscious, rate it higher than 3 stars simply for the fact that, for a story I have loved my entire life, I am already forgetting the ending.
The first part of the book dragged on, making it difficult to stay engaged. The pacing felt sluggish, with long stretches of explanation and contemplation that didn't seem to advance the plot or develop the characters' plights in meaningful ways. These lackluster moments killed the momentum of, what promised to be, a war-packed action story.
The assassination, which should have been a pivotal moment in the entire series, felt anti-climactic. The build-up to this event has been rather lengthy, but the actual execution lacked tension and was executed in a way that felt flat and unbelievable. It felt like a missed opportunity to create a truly memorable and impactful scene for Achmed.
Even the conclusion of the war left much to be desired. Despite the numerous sacrifices made by the characters, it seemed like no one truly learned any lessons or gained anything meaningful from their experiences. The resolution felt too neat and tidy, without the emotional depth and complexity that usually marks Hayden's storytelling style.
Although most loose ends were tied up, the happily-ever-after felt forced. It wasn't the kind of realistic ending where not everything turns out perfectly, but rather a rushed attempt to wrap everything up. I ended up questioning whether all the plot points had actually been resolved. The relationships between characters, which is the foundation of the story in all her previous books, felt underdeveloped and lacking in the genuine connection we've come to expect from the Three.
Overall, "The Hollow Queen" fell short of the high standards set by the previous books in the series. While it did provide closure, it lacked the depth and excitement that we have come to expect from this saga. The story did not leave a lasting impact. As an avid reader who has followed the series from the beginning, this installment felt like a disappointing conclusion to an otherwise earth-rattling adventure. I can't, in good conscious, rate it higher than 3 stars simply for the fact that, for a story I have loved my entire life, I am already forgetting the ending.
November 8, 2025
Hard to avoid the thought that Haydon was insufficient to the task of enacting her ideas. She has great ideas. She simply cannot carry them off.
This one did actually begin quite well; her new editor improved quite a lot upon her style. But the long, banal speeches by all the characters of her books were also present here and I would go so far as to say that’s probably defect number one.
She should have pulled someone in to help her substantially with battle scenes. I got the feeling she wanted badly to be able to write rousing combat against all odds but in spite of being constantly told how utterly outnumbered and -flanked the Cymrian Alliance was…it wasn’t really, was it? They routed Sorbold every time. I could sense at the edges, too, that she had modeled much of this after Return of the King, but without the almost Biblical strength of Tolkien’s writing and his general avoidance of maudlin tripe, that, too, failed.
I can only underline what I keep saying: her initial ideas were incredible but she lacked the talent or feedback to execute them well. If you look at the series on Goodreads, you’ll note that the readership AND ratings of the novels declines linearly with each successive novel. Additionally, these novels may have worked better in the YA market if they weren’t so explicit, although I am told that the YA market asks a lot of its writers these days quality-wise (yet one need only to look at the Grishaverse novels and cringe) and that YA novels have come a long way since the days of Mormon housewives whose steamy romances result in marriage and THEN sex.
This one did actually begin quite well; her new editor improved quite a lot upon her style. But the long, banal speeches by all the characters of her books were also present here and I would go so far as to say that’s probably defect number one.
She should have pulled someone in to help her substantially with battle scenes. I got the feeling she wanted badly to be able to write rousing combat against all odds but in spite of being constantly told how utterly outnumbered and -flanked the Cymrian Alliance was…it wasn’t really, was it? They routed Sorbold every time. I could sense at the edges, too, that she had modeled much of this after Return of the King, but without the almost Biblical strength of Tolkien’s writing and his general avoidance of maudlin tripe, that, too, failed.
I can only underline what I keep saying: her initial ideas were incredible but she lacked the talent or feedback to execute them well. If you look at the series on Goodreads, you’ll note that the readership AND ratings of the novels declines linearly with each successive novel. Additionally, these novels may have worked better in the YA market if they weren’t so explicit, although I am told that the YA market asks a lot of its writers these days quality-wise (yet one need only to look at the Grishaverse novels and cringe) and that YA novels have come a long way since the days of Mormon housewives whose steamy romances result in marriage and THEN sex.
August 4, 2019
Chapter 52 is the best in this book, hands down.
What I Enjoyed: I've wanted to find out what happened to Rhapsody, Ashe, Achmed, and everyone else for ages, so this story at least ties up some loose ends. Haydon knows how to set a scene, I'll give her that. I read the first page out loud to my roommate, it was so good - I even made up a tune to the song, shhh. No judgements!
The Downside: Disjointed scenes and places between battles and conversations made this hard to read straight through. It took me two weeks and eventually I started skimming 2/3 through. I was disappointed that Ashe and Rhapsody were supporting characters until towards the end of this final installment. The random war crimes and one out of place sex scene were not doing this book any favors either.
Overall Rating: 2 stars - In the end, The Hollow Queen was aptly named...a hollow read.
What I Enjoyed: I've wanted to find out what happened to Rhapsody, Ashe, Achmed, and everyone else for ages, so this story at least ties up some loose ends. Haydon knows how to set a scene, I'll give her that. I read the first page out loud to my roommate, it was so good - I even made up a tune to the song, shhh. No judgements!
The Downside: Disjointed scenes and places between battles and conversations made this hard to read straight through. It took me two weeks and eventually I started skimming 2/3 through. I was disappointed that Ashe and Rhapsody were supporting characters until towards the end of this final installment. The random war crimes and one out of place sex scene were not doing this book any favors either.
Overall Rating: 2 stars - In the end, The Hollow Queen was aptly named...a hollow read.
November 16, 2019
Very slightly predictable in a few places. I also feel like one of my favorite characters did not get a worthy death, even though I understand the logic behind it. Hmpf.
I wonder how the author wrote these; if she had a grand outline for all 9 books, or if she just started with the original trilogy and then realized "this is good stuff, I can do WAY more!" It's interesting to see how different things are wound together throughout the entire 9 book set. I didn't expect book 8 to have the conclusion it had. Book 9 is right around the corner, and I will have SERIOUS "post book series depression" no matter how it ends!
I wish it hadn't been so long between reading the sets, I have forgotten so many little details.
I wonder how the author wrote these; if she had a grand outline for all 9 books, or if she just started with the original trilogy and then realized "this is good stuff, I can do WAY more!" It's interesting to see how different things are wound together throughout the entire 9 book set. I didn't expect book 8 to have the conclusion it had. Book 9 is right around the corner, and I will have SERIOUS "post book series depression" no matter how it ends!
I wish it hadn't been so long between reading the sets, I have forgotten so many little details.
March 14, 2020
A massive war is current being raged.
Rhapsody has sacrificed a part of herself into order to lead and considering how warm hearted she is, it makes sense and she was needed to be the ultimate warrior.
Achmed is being an awesome assassin, he does archieve his goals and is driven by the past and a hope for the future.
Grunthor is defending, the earthchild and the world. There is a reason he is the rock upon which friendships are founded and enduring.
Ashe is gathering the forces of the sea and does come good at the end.
Like any war there are losses and gains. You will need to read and find out.
Rhapsody has sacrificed a part of herself into order to lead and considering how warm hearted she is, it makes sense and she was needed to be the ultimate warrior.
Achmed is being an awesome assassin, he does archieve his goals and is driven by the past and a hope for the future.
Grunthor is defending, the earthchild and the world. There is a reason he is the rock upon which friendships are founded and enduring.
Ashe is gathering the forces of the sea and does come good at the end.
Like any war there are losses and gains. You will need to read and find out.
January 14, 2021
Fast-paced, point of view jumping, and covering months of time in the world, Hollow Queen does a good job wrapping up the war. Devoured this one in a few days, and enjoyed it.
Much exposition is given at many points, sometimes causing a little dragging-feeling. The fast pacing leaves it feeling a bit rushed, and sometimes the time skipping is a little disorienting when combined with the sheer number of character points of view Haydon utilizes to tell the story. The conclusions to some character arcs felt...not surprising, but somehow not quite as satisfying as hoped.
Much exposition is given at many points, sometimes causing a little dragging-feeling. The fast pacing leaves it feeling a bit rushed, and sometimes the time skipping is a little disorienting when combined with the sheer number of character points of view Haydon utilizes to tell the story. The conclusions to some character arcs felt...not surprising, but somehow not quite as satisfying as hoped.
January 9, 2018
Thrilling
This is the first book I've read in this series in six years, and it was such a welcome home to continue reading about some of my favorite characters. I enjoyed the story, the plot was well-established and many fold, the characters were well-rounded, and as usual the book ended with me wanting more, but not a cliffhanger, which I truly appreciate. I recommend Elizabeth Haydon to all of my friends who like a good fantasy read.
This is the first book I've read in this series in six years, and it was such a welcome home to continue reading about some of my favorite characters. I enjoyed the story, the plot was well-established and many fold, the characters were well-rounded, and as usual the book ended with me wanting more, but not a cliffhanger, which I truly appreciate. I recommend Elizabeth Haydon to all of my friends who like a good fantasy read.
May 14, 2017
Too many victories wrapped up in retrospect, although the previous 7 had more than enough gore-drenched battle scenes. She seemed to be inching along, teasingly, to a happy ending, and then...there we were. All is well - "for a little over a thousand years." Is that where we'll go next? Meridion's time-tampering hasn't been fully explored yet, so I've got that to look for, eventually.
August 19, 2017
I love this series! Yes, there may have been a few issues I had, but minor; they didn't take away from the story. I laughed, wept, and hooted with victory when justice was served. Not all ends were all tide up but I still have hope that they will be in the next book. ... such should be hitting my doorstep anytime! 😄sqweee!
March 24, 2018
Another triumph. Couldn't put it down.
A continuation of the great saga that compels the story forward. The characters are quintisensially themselves. The fighting is exciting without dragging into detail. The only criticism might be that good seems to triumph too easily and a bit too completely. Can't wait to see what happens with Meridian.
A continuation of the great saga that compels the story forward. The characters are quintisensially themselves. The fighting is exciting without dragging into detail. The only criticism might be that good seems to triumph too easily and a bit too completely. Can't wait to see what happens with Meridian.
January 25, 2021
I was concerned with the potential direction of the book and it's ramifications for the characters we know so well. Overall I was pleased with the direction and staying true to the characters. There were a few instances I felt the writing or narration fell flat (I don't need to be reminded that Ash is part dragon every time he appears on the page.
This entire review has been hidden because of spoilers.
February 11, 2017
I'm pleased with the way the story turned out. however, the double problematic ending seemed unusual. I'm use to a straight forward, they lived happily after but it's clear that it needed to be drawn out. definitely an impressionable read
May 15, 2019
4.5 Stars (a high 4.5) My favorite book within the series and an exactly end to the Great War arc. I flew through this book, I just couldn’t put it down during certain portions. With only one more book to go, I hope that the saga ends on a good note. Time will tell.
November 30, 2019
I was told so many bad things about the final book, that this is where I stopped. It has a passable end point for the series and I don’t want to tarnish the memory of the rest of the books by reading the last one.
June 9, 2024
Elizabeth Haydon is one of my favorites and has been for many years. The Hollow Queen while heart breaking is no exception. The melancholy is strong with this one, and while it might feel somewhat anti climatic, the book doesn't disappoint.
October 7, 2020
The continuation of Haydon's series. I missed several, but found this relatively easy to follow nevertheless.
July 29, 2021
Still good!
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