Lanny Quarles (solipsis) has created/written/produced/configured Nihon Zettels; he was kind enough to send me a copy to read. The review is my own idea.
I think for anyone interested in the literature of this (not _that_) century, this book is essential. I'm fascinated by the palimpsest or palimcestual organization / organicism of the whole - but I'm also fascinated on its deep reading of medieval and pre-medieval Japan and gaijin phenomenology - both in relation to the eternal. For it's eternity, I think, that's at stake here. There are various languages within it as well as languagings, and what I consider to be stele-texts, matched in format by the book - texts which begin and end and open up kabbalah-worlds and words in the midst of others.
There are positionings of male and female, demiurge and Noh, classifica- tions and lists, broken syntactics, shattered and reassembled mythologies. The text is astute, almost schizzed at times, but its open worlds are the poetics of infinity; Bachelard would have loved it.
I worry constantly that works of this quality - and I'd include other work here - Joel Weishaus' or mez' absolutely brilliant web/write\rite/lit for example - will be lost, ignored, bypassed in terms of critical or even canonic acceptance. The world - and the world of distribution - are both becoming increasingly porous - it's easier than ever to find these works and absorb them, offline and online, self-published and universally published.
Get this book!
Here was my
Titled after Arno Schmidt's magnum opus _Zettels Traum_ (Notes Dream), Lanny Quarles' Nihon Zettels Traum is a samizdat email-list series carried out on Wryting-L transfered to paper. Including all and some repeats of the original series of emails written after the author had returned from Japan. The author sought to re-immerse himself in the wonder and strangeness of his first visit to japan via the internet. Interspersed with bits of sampled literatures both of web and non-web origin, the author freely improvised and remixed to create a perplexing and "informatic free jazz" interpretation of his journey to and back from the land of Nihon.
Midwestern State University University of Texas at Arlington Heald College, AAS Electronics, 1998 Autodidact
PUBLICATIONS
Voices, student poetry and literature magazine, 1987, “The Motorcycles of Old Tangier”
Toenail Gazook, 1990’s, one of a kind hand-made books sold through Factsheet 5 magazine, and at Reading Frenzy, and traded for other artist’s books through mail.
Pink, Gus Van Sant, Doubleday, 1997, my writing is the script written by one of the characters in Gus Van Sant’s first novel.
“Sargasso and Spandex”, “Youngblood’s Court de Walg”, Eyes Monthly, Issue I, September, 2006
“The Specificity of Dreams..”, Wegway No 4, Fall 2002
“Masque of the Read Death(po)..”, images and writing, XTANT4, anabasis.xtant 2004
Austrian magazine Perspektive's feature avantgarde / under / net / conditions: “____Bliss Language”, translated into German, perspektive 43 + 44, 2002 “form miming meaning”, published under the name Solipsis, perspektive 42, 2001-2002
“redbon”, “volgarestornelli”, Whitewall of Sound Number 35, Northwest Concrete & Visual Poetry, CD, edited by Nico Vassilakis
“’Zakki-Cho’ in Tree.” Lost and Found Times, No. 50, May 2003
“PEACETALKSATURNALIA (made to rest in the petalcalco)”, Poems for Peace, structum press, 2003
“Tangled Networks and Wrong Numbers”, Cyanobacteria International, Espoo, Finland, 1994
“Tzadik to Golem, Come in Golem!”, “The Black Pineapple SS”, Abraham Lincoln #1
“The Radiation of the Golden Armor of the Werewolf Knights (The Curse of Waldemar of Oregon)”, Shampoo, A Poetry Magazine, Issue 27, http://www.shampoopoetry.com/ShampooT...
Several poems spotlighted on Leevi Lehto's Get a Google Poem
Various Issues of Florian Cramer’s Unstable Digest as performed on the NETTIME e-mailing list. “My Eye Is a Twisted Skinless Dolphin Lyre”, The Hamiltonstone Review http://www.hamiltonstone.org/hsr9poet...