If you've seen "Justified" this review contains minimal spoilers. If you have not, there are substantially more of them. Either way, here there be spoilers:
Whether you first discovered Raylan Givens through FX's Justified or have known him since Leonard first published "Fire in the Hole," you are no doubt hoping for an all-new adventure from the man who first introduced the world to the US Marshal from Harlan, Kentucky. If you are watcher of "Justified," you will be sorely disappointed.
Raylan
isn't so much a novel as a collection of interconnected short stories that really have very little to do with one another but have nonetheless been cut together to form a longer work. It is a fast and easy read that most people should be able to burn through in one or two sittings. Nevertheless, I almost filed this one under my "didn't finish" pile. It felt too much like watching a rerun, as a good 60-75% of this novel is comprised of things most of its readers will have seen before.
I am highly curious to know if the show took its season 2 and 3 ideas from Leonard when
Raylan
was still a work-in-progress, or whether Leonard started this novel when seasons 2 and 3 had already been written and/or were in production. Because, honestly, if you have seen season 2 and what has aired of season 3 (I am writing this just before the 7th episode makes its debut), there is little new material to be found here.
The novel opens with the kidney theft arc of Season 3, following the shows so closely that huge chunks of the dialogue sync verbatim between the show and the novel. We then backtrack to Carol Conlan and the strip mining fiasco of Season 2, except this time, the wonderful Mags Bennett has been replaced with a Crowe patriarch and distant relative of Dewey. As for Dickie and Coover, Mags's inept good ol' boy sons? They are now Dickie and Coover Crowe, Pervis Crowe's inept gool ol' boy sons.
This second arc does deviate a bit from what we saw in season 2, especially in regards to Miss Conlan and her own story but, again, it is largely a rehash of the show, right down to the exact same dialogue.
The only new material (as of this writing) comes in the final third of the book and pertains largely to a young poker player named Jackie Nevada who crosses paths with Raylan. Though Jackie is herself an interesting character, I found her wholly improbable in relation to Marshal Givens, and I hope sincerely that the show deviates from the novel in terms of their intersecting storyline. She is completely wrong for Raylan, and their relationship made me cringe from the moment it became evident they were moving beyond the Marshal/fugitive association.
Leonard is a writer who knows how to evoke real chemistry in his characters. Anyone who's read or seen
Out of Sight
can attest to that, but there is nothing about Jackie and Raylan that makes me buy them as a couple, even if the relationship ends up being much more brief than hinted at in the novel.
Jackie's arc also involvs a trio of female bank robbers and their "mastermind," a story which has tremendous potential but ends up taking a turn for the beyond farcical. When two of the girls turn up dead, rather than investigate Raylan and Boyd spend three or four of the novel's closing chapters watching Jackie play poker. Poker, it should be noted, is not that interesting to watch. It is even less interesting to read about. Especially when there are criminals who need to be caught and enormous, dangling, unresolved chunks of plot that need attention.
With this book, Leonard has simply lost his way. I have greatly enjoyed his earlier works, which feature full characterizations, snappy dialogue and move the plot along at a breakneck pace. Leonard is not a writer who wastes words. He gets in, gets the job done, and gets out.
Raylan
, however, suffers from a fatal abruptness. Some of the sentences are so short they are barely fragments which leave way too much room for mixed meanings, and it took several rereads of them to even figure out what he was trying to say.
Raylan
is too short, too abrupt, and has a generally jumpy feel to it that derails the narrative every time it builds up steam.
I expected more from Leonard, and his audience deserves better.