Steampunk Carnival opens with a prologue about a diary – a very mysterious diary, and, to its owner, a very important diary. But what is written in it? Is the writer male, or female? Why is it so important? We won’t find out until much later on in the story, so be patient, and enjoy the ride.
In the early chapters of Steampunk Carnival, Katya comes across at a bit of a bitch, caring only for money, men with money, her looks, and the carnival. She also has a bit of a reputation for being promiscuous, although she appears not to care what other people think of her. With the exception of her best friend Magdalene, Katya seems to not be liked much at all by her peers, however, in her role at the carnival she truly shines.
Katya’s job is to meet and greet the carnival’s patrons, aiding and directing them – to be a shining star, a beacon in the darkness, and the public face of William Warden’s Great Steampunk Carnival. It also seems that she may have used her feminine wiles to obtain her job and a higher level of pay to her colleagues, which she spends on trinkets and elaborate costumes. She’s also rather shallow, not sparing much thought for the feelings of others.
Now you may be thinking: “Why the feck is this bloody idiot telling me how much of a cold hearted bitch the main character is?” It’s my review, and I’ll write it however I want, so bloody can it, and let me finish.
When the Steampunk Carnival’s owner William Warden starts receiving death threats, Katya and Magdalene decide to conduct some sleuthing of their own, and when a customer’s cry for help results in a most intriguing find, the pieces start to drop into place.
The girls’ investigation leads them to consider everyone working at the carnival, from the security guards to the driver of the carriage that takes them home safely each evening. In her quest for information, Katya learns how others came to work at the carnival, and begins to come to the realisation that not everyone leads such a charmed life as she does, and gradually, it begins to change the way she thinks. In addition to this, she witnesses things that no young woman should have to see, opening her eyes and her heart to the world around her.
I absolutely loved Steampunk Carnival – it’s an utterly charming cozy mystery in a Victorian setting. The Steampunk element comes from the marvellous carnival rides, with their coal-burning engines powering everything from the slow, and ponderous big wheel, to the faster rollercoasters. Modern Steampunk fashion has been blended into the mix, with brass, cogs, and timepieces aplenty.
The character growth is fab, and each person comes in to his or her own during the course of the book (or they’re revealed to be the utter weasel that they really are). The plot flows smoothly, with no jumps or confusing moments, and the dialogue is crisp and relevant to the action.
The only improvement I’d suggest would be a cover which better reflects the intrigue and action contained within the pages.