‘Terror descended on the streets of Paris. In the attack on the newspaper headquarters, twelve died and eleven were injured; hours later, five more were shot down at a Jewish supermarket.’
No, this is not a quotation from Paulette Mahurin’s novel ‘To Live Out Loud’ which recounts what happened in the French capital when an article was published in ‘L’Aurore’ newspaper accusing the government of a miscarriage of justice involving a Jewish army officer. Those events took place over one hundred years previously, at the end of the 19th century. The events recounted in the first sentence were witnessed live on television in January this year (2015) prompting an upsurge of global solidarity for the victims with a slogan taken from the name of the newspaper (Charlie Hebdo): ‘I am Charlie’.
Author Paulette Mahurin wrote ‘To Live Out Loud’ as a fictionalised account of those historical facts that shook France in the 1890s. The bare, dismal bones of the ‘Dreyfus Affair’ can be recounted in a couple of sentences. In 1898 famous author Emile Zola took up the cause of Alfred Dreyfus, who in 1894 was unjustly convicted of spying, humiliated in a public ceremony and banished to life imprisonment on Devil’s Island. For the next twelve years, by which time Zola would be dead, the controversial judgement was hotly debated, and France was bitterly divided between the ‘Dreyfusards’- mainly anti-clerical, pro-Republican intellectuals, and the ‘anti-Dreyfusards’, supporting the Establishment, the Army and the Catholic church. Underlying this terrible divide was a current of anti-Semitism which resulted in riots, destruction of property, violence and death threats.
Ms Mahurin focuses on the moment when Zola decides to enter the fray, dropping a media bombshell with his front page article and banner headline ‘J’accuse’. And here, in the skilful hands of the author, the bare bones of history are fleshed out to become a living breathing human story in this beautifully written, perfectly paced novel.
Zola is depicted as an ordinary man; a prestigious writer, but no hero, no politician, no orator. He enjoyed a comfortable lifestyle, a solid literary reputation, had a fulfilling family and social life. All this was put at risk when, after considerable inner turmoil, he finally took the decision to stand up and be counted, denouncing the injustice of Dreyfus’ conviction in ringing prose that could not be ignored. The price he paid was heavy. Sham trials, personal suffering, death threats and finally his decision to flee France in order to avoid imprisonment.
Such is the weight of empathy in Ms Mahurin’s account of all this that we are by turns impressed, outraged, and overwhelmed by this story of amazing courage in the face of a judicial and political system which made a mockery of the rule of law. And though Zola is first in the firing line, others too impress by their bravery–his friends and family, the family of Dreyfus, Georges Clemenceau, the editor of ‘l’Aurore’, Colonel Piquart, who produced evidence of Dreyfus’ innocence and in particular the lawyer Labori, who survived an assassination attempt. The research is impeccable; the distillation of the most poignant and telling details into a tense dramatic narrative leaves the reader breathless.
One of the first victims in the Paris attacks of 2015 was journalist Charb. He had long been aware of the risks of publishing a controversial satirical paper. The offices had been firebombed and he was living under police protection. Asked if he wasn’t afraid to continue he replied ‘...it may sound pretentious but I’d rather die on my feet than live on my knees’. In Paulette Mahurin’s novel, the narrator Charles says Zola’s choice was based on the reasoning that ‘one man’s action impacts us all’ and the title is from Zola’s own words ‘If you ask what I came into this life to do, I will tell you: I came to live out loud’.
We read in the introduction that Paulette Mahurin was ‘inspired and deeply moved by those who have endured intolerance and adversity’. Finishing the book, her readers too will be inspired and deeply moved, not only by the story she tells, but by her ability to bring it so dramatically to life at a time when it is still needed. Thank you Paulette–'chapeau'!