The Art of Counterpoint: Part Three of Le Istitutioni harmoniche, 1558

by Gioseffo Zarlino

“Translated by Professors Marco and Palisca in an exemplary manner, [Part III concerns] the materials and methods of composition . . . for voices. . . . [The] eighty chapters [are] arranged in a logical progression of intricacy, beginning with the materials of counterpoint, intervals, rules of consonance and dissonance, and proceeding finally . . . to a discussion of chromaticisim and its faults.” ― Journal of the American Musicological Society Zarlino’s Le Istitutioni harmoniche , published in 1558, is one of the most influential music treatises of all time. To his contemporaries it revealed the secrets of composition he had learned from Adrian Willaert, who brought to Italy the polyphonic art of the Netherlands. To the modern scholar Zarlino’s treatise illumines the compositional technique of the golden age of vocal polyphony. The essence of this art is contained in Part III, “The Art of Counterpoint,” which is here translated into English for the first time.

Genres: Music

320 pages, Paperback

First published November 1, 1976

Reviews

[Mirjam · Rating 4 out of 5]

This is an exceptional book on music theory. Although the part on intervals is a bit too long, the other parts are very clear, consistent and practically oriented.
This is a translation of an 1558 Italian treatise on music theory; the Italian version seems to be too hard to read even to modern Italians, but the English translation is accessible and I did not spot any errors.