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For sixty-five years Parrish worked in widely varied fields - book illustration, magazine illustration, posters and advertisements, paintings and murals - rendering the realm of the imagination with sharp-focus realism. This illuminating book devotes a detailed, lavishly illustrated chapter to each one of these fields. For example, Parrish's most famous book illustrations include selections from Mother Goose in Prose, The Arabian Nights, and The Knave of Hearts. Also included are his famous magazine covers - from Life, Collier's, Harper's Weekly, etc. - as well as magazine illustrations, posters, advertisements and all of the landscapes that Parrish painted for Brown and Bigelow, who reproduced them as calendars every year from 1936 to 1963.
One of the highlights of the book is the chapter on Parrish's technique, examining in depth his materials, favorite methods, and unique ways of painting. In addition, this chapter features a lengthy excerpt from an unpublished manuscript by Maxfield Parrish, Jr., which explains, step-by-step, his father's glazing techniqueand his use of photography in his work.
Yet, for all his fame, in time Maxfield Parrish's work vanished from the sight and memory of all but a few. Only in the last decade has interest in his work revived. Now, with the publication of Coy Ludwig's book - the first comprehensive study of Parrish's life and work - that interest can, at last, be satisfied. Containing sixty-four full color plates and over one-hundred black and white illustrations, this definitive study also includes numerous revealing excerpts from Parrish's unpublished correspondence with his friends, family and clients.
223 pages, Hardcover
First published January 1, 1973