First published in France under the title, Bizarbres mais vrais! (in 2013), for the 2016 English language edition, titled Strange Trees: And the Stories Behind Them (which has been translated by Yolanda Stern Broad), I do have to say that considering the "punny" title of Bernadette Pourquié's original French version, I am a trifle disappointed that the English language edition does not present itself with a similarly interesting and word-gamy, witty heading.
Now the sixteen depicted so-called strange trees (from every continent except for Europe and of course Antarctica) and their individual stories are generally and for all intents and purposes both interestingly, evocatively recounted and also do much promote important messages of and for environmental conservation but without thankfully being too overt and heavy-handed with regard to this. That being said, I personally find Bernadette Pourquié's conversational, first person narrative rather annoying and even kind of presumptuous (I guess I would rather be told about the trees than to have the trees themselves narrate their own stories, but perhaps for the target audience, for the picture book crowd, a personal first person narrative might better keep children's interest and attention, especially considering the rather massive amounts of text, of information that are presented for each of the featured trees).
And while the general set-up and presentation of Strange Trees: And the Stories Behind Them is successful and more than adequate, as someone with now less than stellar eyesight, I would definitely prefer the font size of the text, of the printed words to be a bit larger and the lettering a trifle bolder (not a huge and problematic issue by any means, but I do have to wear reading glasses for easy perusal of Strange Trees: And the Stories Behind Them, and if I were actually reading this book aloud to a child or a group of children, the small and in my opinion rather cramped textual display would have me worried about possibly accidentally missing or skipping important information and details). But even more of a personal and academic annoyance is that there are no supplemental scientific, biologic details included and sadly, also no bibliographies and suggestions for further reading (which would greatly augment and improve the teaching and learning potentials and value of Strange Trees: And the Stories Behind Them). And really, why are there NO trees from Europe included? While I realise that many European trees are pretty standard and not I guess strange or bizarre enough to be considered (at least according to the author’s philosophy), I beg to differ, as in my humble opinion, there are indeed also numerous examples of trees native to Europe that could be considered rather different and interesting, and thus worthy of inclusion (such as European Larch trees, for example, which while coniferous, in fact do actually lose their foliage in the winter similar to deciduous trees).
Cécile Gambini's accompanying full page illustrations are bright, evocative and descriptive, and while they would not generally be personal favourites by themselves (and as works of art), they work very well in conjunction with and to Bernadette's Pourquié's text (and of course by extension Yolanda Stern Broad's translation), both successfully mirroring the printed words and even at times providing appreciated additional details. However, and my general appreciation of the illustrations and how they work with, how they compliment the text quite notwithstanding, I have to personally comment that I find it somewhat insulting to French trees that Cécile Gambini seems to believe (from the information contained on the side flaps of the dust jacket) that the trees where she lives are beautiful but supposedly simply and utterly ordinary (as to and for me that gives a negative or at least can give a potentially negative attitude towards French trees as plants, as entities, as though the only worthwhile trees are the so-labelled extraordinary ones featured and found within the pages of Strange Trees: And the Stories Behind Them).