The story starts with Elena of Lamont, the chief’s daughter and secret village healer, being attacked by a clan member who wants to manipulate the chief-ship of the clan from her and her father. She manages to escape and runs into Symon MacLachlan, chief of a neighbouring clan and well-known by his reputation as The Devil Of Kilmartin (so-called because everyone thinks he’s mad and possessed by the devil). He protects her and takes her back to his village with a plan of persuading her to stay with him and heal his madness.
The start of the book left me a little unsure of how I would feel about the story overall. A lot of this was due to the supernatural themes of healing powers and possession running through the beginning of the story, I didn’t completely buy into it at first. This was also added to by the introduction of a prophecy, provided by a seemingly mad old woman who lived on the outskirts of the village. Reading The Legacy books first had left me with certain expectations, which in hindsight, I am sure were unfair of me to carry over to a completely different story. However, I knew that I had appreciated Wittig’s writing before so I pushed my uncertainty to one side and carried on reading.
The story continues with doubt on both parts and a lot of clan drama from the MacLachlans, including Symon’s seemingly power-hungry brother Ranald attempting to manipulate power from his brother, and Elena’s attacker Dougal waging war on the MacLachlan clan for harbouring “his” woman. The clan itself is given a lot of character, in its suspicion of Symon and his abilities to lead their clan safely, with certain characters coming to the forefront more than others, including a charming appearance by a little girl named Fia. Fia tugged on my heartstrings throughout the book, with her innocent approach to everything and her vulnerability as the plot plays out. She was an unexpected addition to the story and a very pleasant surprise.
The build up of the story is slow and steady, with a lot of focus being placed on the relationship between Elena and Symon and how it changes over time. However, the climax of the story is worth the patience asked for from the reader, as a twist in the plot leads to all strands of the story coming together in a very unexpected way. By the middle to end of the story, I had completely forgotten about my supernatural qualms and had found myself completely lost in the story regardless of it’s real-life plausibility. There is a lot of doubt that plays out between the protagonists, but there is also respect and caring to take into consideration, and we as the reader are permitted to experience those emotions as much as the characters seem to.
The supernatural qualities given to each of the main protagonists actually served to give the characters an extra dimension, something that was not necessarily achieved to the same level in Wittig’s Legacy novels. Elena initially comes across as vulnerable and meek, with a small ounce of strength and defiance within her, but as the story progresses the reader learns to appreciate the courage that has been required of her in her life to this point. The end of the novel leaves the reader with an Elena that is strong, clever and content. Symon is initially portrayed as a distant, tormented, dangerous soul, but as he spends more time with Elena and the reason for his reputation becomes clearer, we see a soft, gentle, courageous man whose only concern is the happiness of his clan. In short, Wittig has been extremely clever in her writing style, in that she has written the story in such a way as to allow the reader to take the same journeys with the characters of her protagonists as the protagonists themselves take within the story.
When I first started reading The Devil Of Kilmartin, I was worried that I wouldn’t enjoy it as much as I had enjoyed the Legacy books, but it turns out I had no need to worry. The tone of the book, and the depth of the characters was perfectly pitched and I couldn’t put the book down from start to finish. It was the kind of book I’d be ready to read again and again and again.