I stopped reading around 80 % of the book. I couldn't endure it any longer. I must admit I got the first two books because I'm a sucker for Steampunk and those beautiful covers really got me. I only didn't collect the third book because I've learned not to be too optimistic about YA novels.
I really appreciated the dance both protagonists danced around each other in the first book. But as soon as I understood two thirds of the book would be them apart trying to save each other, I started skimming through it. It's not that the cast of supporting characters isn't endearing. It's more that they don't help the plot. They serve more to expand the story into a trilogy.
And spoilers start here, so beware...
I spotted at least three comments over the MCs not being fit enough to run arond that made me cringe. Those teenagers are doing almost nothing else but running for their life and they're still alive. Stop telling me they're not good runners or that Uldrich should stay in his lab. Adrenaline can only help you so much.
As nice as it is that Uldrich doesn't have a chiseled face gifted from the angels, Eyelet is far too pretty and rape-enducing to compensate for it. It didn't happen once but twice, that the temporary villains were set on raping her. Has everyone turned into a sex-maniac over the course of the first book? Where was the memo?
Also, the last book ended with our MC both killing people to survive and clearly not feeling too sorry about doing it. They were the bad guys after all. Now, morals are back and they hesitate to kill people once more. Like that intoxicated freakshow manager who only think about having fun after strangling a armless man to near death. Eyelet go as far as trying to tell the mother of Flossie her daughter could still be alive. Although she's Turned. Zombified mist or the likes. She's only half-turned, but well...
This brings me to something that's really lacking in this serie as of yet. A good explanation over how this Commonwealth works politically. It's the industrial revolution. Mechanized everything can serve to help in your everyday life. We have the rich living in the city, while the poors live in Gear, and the criminals get thrown on the outskirts of the world, to die from the toxic Vapors or Turn into something not quite human, but that seem to retain a mind and memories. The Commonwealth has a Ruler. His infant son died under the care of Eyelet's mother, which was the reason why she was executed in the first book. Now, it's only because she used to talk to crows and was a Valkyrie (a witch). Who care about that infant son? Maybe he was made up by a figment of my imagination. The Ruler died from cancer apparently and it seems that anybody at the head of the Academy can replace him. Professor Smrt (Smart or not? who knows) replaced him, only to die and immediately be replaced by Professor Penelope. How does that work exactly? How can you inherit political and military power as though you were playing a game of toss the ball?
Knowledge is power, so science is power, so professors have powers... Apparently, Penelope and Smrt were poisoning the water and skies, blocking out the sun to make everyone sick and purge their Commonwealth from the weak. There is no more details than this. Why would we need any more? It makes the villains pretty flat and interchangeable. I don't fear them. I fear the aphazard bullets and Eyelet's epilepsy more.
So flat villains, new characters introduced because of the gadgets they can bring into the story, or a potential love triangle or potential love interest for side characters or... You see where this is going. There is lots of stuff happening all over the place for the second book to stall long enough.
Am I too hard on this plot? Things start out simple enough. Urdlich is sentenced to death and imprisonned. Eyelet wants to save him. On the way there, she spot the mechanized elephant she'd liked as a child and has to check things out for herself. She gets captured, sent to the asylum where her new nemisis' twin sister will make her life a nightmare. Uldrich get saved at the cost of a little boy's life. It appears he is the rightful heir to the throne. My god, there's a throne and a royal family. That's what the Ruler and that feverish baby were. Okay, let's scrap this information for now and have it pop back later. Surely it will help have things falling together in the long run. Eyelet needs to be rescued. Elephant driver and jealous Uldrich to the rescue with Ernest Crazy Legs. Potential amnesia for those who try to run from the Asylum because of drugs, liquid doors and stuff. Eyelet briefly forget her love, like three times, than remember him from a kiss. YAY! There's YA in yay after all.
Meanwhile, we have the evil rejected daughter of two of our three main villains plotting against Eyelet and planning to have Uldrich cure her from her half ghoulish Turned state. Penelope has lost all her importance as a villain, so has her twin sister. Alright, main villain for the last part? *sighs*
The team takes a breather outside of the big evil city. Teenage hormones flare. Eyelet is coughing a lot. Radiation induced cancer on the horizon? Means they should go back to the Core of radiation and look for the key to everyone's future, which is now in our favorite half-ghoul possession.
Yikes!
The search reveals a beautiful underground half underwater mine where the ground sounds really comfortable. Hormones are given free reins in the name of love. Don't get me wrong here. The pairing's evolution is THE one of the main reasons why I kept reading thus far. And in their cheesy way, those two are really sweet. But it felt much more as though Eyelet was rushing through things beause of her looming death while Uldrich just rolled with it. I don't blame him. That boy didn't get any love for most of his life. I guess my main problem is how romanticized this one scene was compared to every time Eyelet was disgusted by the men intending to rape her or ogle her.
One last detail now, the tag line "How much do you trust me?" gets overrated quite fast. I understand the meaning of it, how deep and important those word are. But I was already fed up of them by the half of the first book. And it never seems to stop.
So the endline after this monstrous rant, -I'm sorry for it-, this serie held promises. But the villains are too flat, the main characters rushing without thinking enough, the explanation for the mysteries thrown in our face and the romance somewhat believable and unbelievable at the same time. I couldn't believe how quickly Eyelet started throwing herself in his arms out of fear. I wanted to find it sweet, but it made her look less solid. It might only be me, but I came out of this book with a lot of unanswered questions and disappointment
I did like the living cycle. I liked most of Uldrich's creations, although Eyelet's intelligence didn't shine enough to my taste. Whenever she hesitated to point out something working wrongly, I wondered if she disdained Uldrich or doubted herself because of the way her world worked. Man/woman equality was far from reach, but we still have a lot of women in powerfull positions on the side of the villains...
Also magic. I don't think the magic was necessary here. I like the crows at first. But I prefer when magic follow a bit more rules.