I've read a few other books by Lauren Willig (all from the Pink Carnation series) and I found them mildly likeable but often felt like they were trying too hard -- wanting to be smarter, wanting to be a little bit more feminist and adventurous, or a little more romantic than they could ultimately sustain. I would say The Other Daughter is a massive step forward for Ms Willig, especially in crafting characters. And, oddly, though the plot in this novel becomes twice as intricate as any of the Pink Carnation books, it reads as far more elegant and well constructed. The story reaches a Comedy of Errors level of mistaken assumptions, lies, and twists that strain credulity, yet it's entirely satisfying how it plays out. It feels like Willig found the one safe path through a maze where disaster might have pounced at any corner, and it's a pretty impressive feat.
If you're wondering whether this is a romance novel, I would say the answer is no, though you might someday find it on a shelf with historical romances. It does have a happy ending that includes falling in love, but most of the novel is not about the couple. There are a lot of interesting historical details -- some that even made me look up the facts to see if Willig really knew what she was talking about (for example I had no idea rayon existed a hundred years ago; I would have guessed it was invented much more recently). There are also no sex scenes whatsoever, so it is very definitely not that sort of romance novel. More importantly, there are some pleasingly complex and surprising characters who make this feel much more substantial than what you probably think of as a romance novel.
Most of all, there is an undercurrent of darkness through most of this book that doesn't read like a typical romance. The main character, Rachel, discovers that she is illegitimate only when her mother dies in Rachel's 27th year. She thought her father to be a botanist, deceased over two decades earlier. But apparently he's an Earl, alive, and has a family living in comfort and ignorance of her existence (while Rachel and her mother barely had money for food and lodging). Confusion, curiosity, and anger war with each other, and we see that Rachel wants to do something in the pursuit of justice, but isn't sure what exactly she wants to do or is really capable of doing. She creates an alter ego, Vera, to venture into London and insert herself in the Earl's family's social circles, and all the while vacillates about what she really wants to do when she has the opportunity. Only when she meets the Earl and he demonstrates absolutely no interest in her or recognition of the daughter that he abandoned does she dedicate herself to revenge. And then there are a series of reveals and plot twists that show almost everyone in the story to be surprising in some way -- many of them better than they seem, and a few, surprisingly worse.
I found Rachel to be sympathetic and usually intelligent. She finds a partner in schemes in the enigmatic Simon, and the two of them have some very witty, occasionally bitter, and very occasionally sweet conversations. She thinks she knows the limitations of how much she can trust him, yet she is confounded multiple times by the truth about him when additional layers are exposed. Their relationship is fascinating, and I would have liked even more detail about it and more gradual revelations for each of them about what they're capable of feeling and doing. The weakness of the book is in Rachel's repeatedly going through the process of thinking she probably can't really trust Simon because he has his own agenda but deciding that she's going to keep working with him anyway. I feel like we got three or four variations of her beginning to have questions about him, making a halfhearted effort to get answers, not getting answers, and deciding she doesn't need the answers and going on just as she was. A little too much treading water for a book that isn't very long.
On top of everything, while pretending to be Vera and spending time with the "fast" crowd, Rachel gets swept up in a lot of their activities and experiences a genuine compromise of her initial soul and self. This isn't just the same old story where the naive good girl has a handsome and popular Pygmalion to transform her, but then despite having sudden access to a different lifestyle, she retains all of her pure, honorable, angelic ideals and attitudes. Rachel is a smart and sensitive person, but she ends up partying and lying and using people in a combination of escapism and alleged intent to serve her scheme that I find well done because it realistically depicts a person's blurred lines. Of course there's a happy ending where her core values do turn out to be "good" ones... but Rachel is not a Disney Cinderella. She's a much more complex person.
I think for this to be a great novel, there would need to be a little bit more time building the central romantic relationship, and some more significant action taken in the pursuit of revenge. Rachel's excuse for not simply exposing the Earl's actions at the outset seems flimsy, so much so that it reads like an authorial contrivance to force a longer story instead of as a defining truth of Rachel's character. Rachel ultimately turns out to be a likeable, thoughtful person, and I suppose I can accept that she was never capable of bringing Armageddon down if innocent people would have been hurt along with guilty ones. But the book would be a lot more interesting if she at least occasionally spun out a detailed, specific scheme in her own head so that we could see what she was capable of thinking of doing or wanting to do, even if she wasn't ultimately a person who would do something drastic and destructive. That could have made for a much more sophisticated character portrait.
I also wouldn't mind slightly less of a feeling that the author is obviously capitalizing on the recent resurgence in interest in the Jazz Age due to Gatsby, making sure you know about the dresses and the parties and the gossip and the cigarette holders, and all those trappings of the glamour of that period. But as a novel that is consciously tapping into a trend, The Other Daughter has a little extra something that makes it compelling, and that has to do with finding such a clever balance between romantic wish fulfillment and a more nuanced approach to characters' motivations and their multifaceted, periodically conflicting desires. This is a better-than-average weekend/vacation/beach read, and I feel confident that if you're sifting through reviews because you're pretty sure you wanted to read it but just wanted a little more info, The Other Daughter will end up being a book you enjoy.
**
As what may be a sign that I am ascending the ranks of Net Galley reviewers, they allowed me to enjoy a complimentary copy of the probable best seller which is The Other Daughter in return for my honest review. Thanks, guys!