“The U-boat dropped to 120 meters. The explosion seemed to be getting closer. They dived further, the hull creaking and grinding until, with a bump, they stopped at 135 meters – the charts put them at the Cockburn Bank. It was as deep as they could go. Above them, a destroyer was raking over them once more, the ping of the ASDIC still quite audible. The whirr of the propeller, followed by gurgling bubbles as the depth charges fell, then peng-wham! Peng-wham! Peng-wham! Once more U-48 rolled and shook and was tossed off the seabed and thumped back down again…Inside, no one dared speak; they barely dared to breathe…”
- James Holland, The War in the West: Germany Ascendant, 1939-1941
Germany Ascendant is the opening volume of The War in the West series, promising a “new history” of the Second World War, except those parts involving the Soviets. It is written by James Holland, who you might recognize if you – like me – spend an inordinate amount of time watching documentaries about Nazis.
Holland has staked out a claim by being a bit of a contrarian, finding fissures in the conventional wisdom of the war, and holding on for all he’s worth. Germany Ascendant bills itself as a piece of vital disruption, promising to change your views of the war. That it fails to do so is not really Holland’s fault, but the copy editor making such flamboyant claims. Nothing inside these covers drastically altered my perception about anything; still, it’s a good book about World War II, and I don’t turn up my nose at those.
Germany Ascendant is divided into four parts. The first covers the lead-up to war; the second the invasion of the Low Countries and the Fall of France; the third the Battle of Britain and the Battle of the Atlantic; and the final section the developments in North Africa and Greece.
Of the four sections, my favorite was the first. I especially liked Holland’s descriptions of the three principal military machines: Great Britain, France, and Germany. He delivers a detailed look at the structure, weaponry, and even uniforms of each of these nations’ armed forces. I do not consider myself a technophile, but I did appreciate Holland’s attempts to quantify the hardware each army, navy, and air force brought to the table.
It is here that Holland makes many of his strong opinions known. He spends a lot of time asking us to peer beyond Germany’s indisputably cool-looking uniforms to see that they were not the mighty and invincible steamroller of myth. Rather, in many areas, they were substandard, especially in terms of mechanization. When we think of the Wehrmacht, Holland wants us to stop imagining mighty panzers and instead picture horse-drawn artillery. He also discusses some of the many, many terrible decisions made by Adolf Hitler, which included attempting to turn all of Germany’s bombers into dive bombers, and pouring resources into a useless surface navy at the expense of far more efficient U-boats.
In opposition, Holland finds France’s land forces, including tanks, to have been far superior in 1939-40, while Great Britain was cannily playing to her strengths by building up her navy and air force (Holland has several kind things to say about Neville Chamberlain, which is, I admit, a bit surprising). Of course, this begs the question: Why did France capitulate so quickly? It is a question I hoped would receive some thoughtful consideration. Unfortunately, Holland does not provide anything satisfactory beyond the usual defeatist attitudes from the high command on down.
This is a symptom of the unevenness of Germany Ascendant. There are parts that are really good and there are parts that really drag. Holland tends to shy away from describing the big battles, in favor of relating the more-intimate anecdotes of fighter pilots and submariners. He strives to swing from big picture to small picture, from general to private, in order to encompass the whole experience. It’s a tall task, though, and I don’t think he is always successful. Don’t get me wrong: I love the addition of narrative set-pieces. If you’re not going to provide any indication of what the war was like to the men and women who fought it, you shouldn’t bother writing a book in the first place. Still, I think Holland favors the individual trees a bit too highly, to the detriment of seeing the forest as a whole.
Germany Ascendant strives really hard for accessibility, and I appreciated that. There is a cast of characters, a timeline, a glossary, and several appendices on relative military strength. The maps are garbage, but in this day and age, you’re often lucky to get maps at all.
Holland’s writing style is not always the clearest. He is, in fact, very British in his presentation, relying on idioms and slang (people are constantly getting wrong-footed; Churchill is referred to as an “old soak”) and obstinately refusing to employ the Oxford comma, leading to a lot of ungainly sentences.
At this point, I should add that I purchased the version of Germany Ascendant that is sold in Great Britain, so perhaps the American version – which is sold under the title The Rise of Germany – is a bit different. Why did I buy the British version? It’s certainly not for any exchange rate advantage. No, it is because I’ve noticed a disturbing trend in books published by British authors being dramatically pared down before being sold to American readers. For instance, Richard Overy’s history of bombers in World War II lost some 200 pages when it crossed the ocean. I don’t like it when books are edited on the assumption that American readers cannot read anything over 450 pages unless it is Harry Potter or Twilight. I have not made a physical comparison of Germany Ascendant and The Rise of Germany, but based on the product description of The Rise of Germany, it weighs in at 512 pages total, while Germany Ascendant is 594 pages of text, not including the endnotes, index, and appendices.
Germany Ascendant is not the kind of book that makes you swoon. It does not transcend its genre to become great literature, in the way that Rick Atkinson’s Liberation Trilogy does. Yet it is ambitious, entertaining, and gives you a thing or two to ponder, even if it does not quite convince you that everything you thought you knew about World War II is wrong.