I would like to thank NetGalley, Brash Books, and Robin Burcell for a copy of The Last Good Place in exchange for my unbiased, honest review.
This is my first reading of this author, who has worked as a police officer, hostage negotiator, and as an FBI-trained forensic artist. In this book, she carries on the series started by the late Carolyn Weston, upon which the 1970s American television series The Streets of San Francisco was based.
The Last Good Place is set in 21st Century San Francisco. It features an unlikely duo consisting of the experienced, street-wise Sgt. Al Krug and his young new detective partner, Casey Kellog, whom Krug gruffly, albeit affectionately refers to as “College Boy.” The department is in the throes of a tough serial murder case dubbed by the press as “the Landmark Strangler” when another victim is found at the Presidio. The plot focuses on both cases, but Krug and Kellog are assigned the Presidio case.
The victim turns out to be a woman named Trudy Salvatori, who just happened to be a volunteer staffer for a prominent politician’s re-election campaign. Does that matter? I knew from the beginning who was behind her murder and why. Then for the rest of the book, Ms. Burcell did everything in her power to confuse me and make me doubt the truth. Everyone whom Kellog and Krug interviewed was lying. Lies, lies, and more lies. Why? Everyone had something to hide, but not everyone was guilty of murder or conspiracy, of course. The second half of the book got much more interesting as the cops pieced together one set of crimes and struggled with another.
I didn’t love the author’s style, and throughout the first half of the story, I was feeling rather unexcited about the plot and the characters. Even though it is a police procedural, I would like to see more character development and also more detail. There was not enough depth to the investigators, the suspects drew neither my sympathy nor my contempt, and Casey’s dalliances with the young women he encountered during his workday were, at times, unbelievable. As the book went on, he did grow to be more likable, perhaps even more credible. Overall, he seemed to me to be a little too good to be true.
As for the plot, I think that Ms. Burcell rescued this novel with the second half. There were a couple of things that I had to go back and check from the beginning, however, when I got confused; I’m not sure that those things actually happened the way she wrote them. However, she did have some shrewd clues that could be easy to overlook. I did not expect the final showdown, so I applaud her for that piece of drama, even though, again, the situation seemed rather unrealistic – perhaps like a TV script – which some people love.
If you love lies, half-truths, romantic teases, twists and turns, and age-old stereotypes about cops and doughnuts, The Last Good Place will keep you hanging onto your seat as if you’re on a high-speed chase up and down the famed hilly streets of San Francisco.
Overall, I give The Last Good Place 3.5 stars.