Extremely depressing and negative book is a barebones telling of the career of Toni Tennille, with a lot of blame put on her ex-husband for her own bad choices or failure to stand up for herself. She spends most of the book complaining (usually about Daryl Dragon) but she offered to be the doormat for a husband and industry that used her.
The facts of her entertainment years are here (records, TV show, theater, orchestral concerts) but there is not much to any of the stories that are told and some of it is so simplistic or repetitive it's almost funny. She talks about having trouble driving home in the snow, with nothing else to the story. She complains about her allergies acting up when performing in a theater with old curtains. Toni talks a lot about their "children" (the dogs). She states about a half dozen times that she went home after a performance and took off her makeup--why is that important to state? She says she should have read a contract before signing it. These are all common-sense, plain stories that don't go anywhere because she fails to be able to analyze herself and her failures.
There are also odd sections, such as early in the book when she attempts to defend her well-off family have two poor black servants in the midst of segregation. Tennille also fails to discuss her first name, which I discovered online isn't Toni. Then the last 20 years of her life are covered in just a few pages at the end. It doesn't make for much of a compelling book.
The only life she shows in the book are her constant slams against her musical co-star husband, who sounds like a man that had some serious mental health issues with signs of autism or Asperger's. This is obvious from the start of their odd relationship, including her claims that there was no physical affection, but at no point does she state the obvious that he probably had a mental health issue.
She does admit to her own mental health issues during a tour but seems to be advertising for Prozac since it turned her life around. Yet Toni has no trouble throwing The Captain under the bus at every opportunity, and instead of seeing her own inabilities to be a functioning, communicating adult, she quickly points out his flaws whenever any issues arise. He wants to eat bland health food non-stop, and instead of her having the hamburger she craves she caves into his demands for decades; he refuses to have anything to do with the dogs; while she is away on tour he buys a place for himself in Vegas without asking her first; he wants to spend all day in his separate bedroom and she says nothing to him about it--well, honey, stand up for yourself instead of whimpering secretly to others!
In truth the more she tells his story and stating how negative he is, the more she is condemning herself for failing to do her part in communicating clearly and then using her memoir to spew her own negativity. He's a mess and was from childhood, but she's the one who married thinking she was pretty perfect and could change him. During their decades together Toni was actually an enabler who ultimately became very passive-aggressive and I felt sorrier for him having to put up with her demeaning end to the relationship and destroying him in this book.
BTW, it's unclear what their physical relationship was like. Toni does talk about two other men she had sex with but says nothing about her sexual relationship with her husband. It's kind of implied that they rarely, if ever, even touch each other. Ironic considering a couple of their biggest hits.
Her recollections are also suspect. In one case she talks about her interviewing her husband on her short-lived daytime talk show, where she complains that he babbled incoherently about nothing and barely said anything. I watched the clip online and it's just the opposite--he talked quite a bit, gave some very interesting answers, and she was the one who couldn't shut up to let him get a word in. Maybe her perky non-stop anxious jabbering was the reason The Captain didn't talk more.
She also makes the claims that their one-year ABC variety series was a big "hit," when actually it came in mediocre 53rd place for the season. There are a few other spots where she goes overboard bragging with self-praise, but compared to the thousand biographies I've read, The Captain and Tennille had relatively minor fame. She unfairly compares their duo to superstars Sonny and Cher, who had huge TV ratings and made a truly big long-term impact on pop culture.
The book is worth reading if you wonder what was behind their image, and it's nice that this is one of the rare memoirs that doesn't have stories of drug abuse (she says others around them did it but the two of them never partook), but ultimately it's as vacuous as the pop songs that were performed by the duo.