The first translation into English of the complete correspondence of the remarkable twelfth-century Benedictine abbess Hildegard of Bingen (1098-1179), this study consists of nearly four hundred letters, in four projected volumes. Addressed to some of the most notable people of the day, as well as to some of humble status, the correspondence reveals the saint in ways her more famous works leave as determined reformer, as castigating seer, as theoretical musician, as patient adviser, as exorcist. Sometimes diffident and restrained, sometimes thunderously imperious, her letters are indispensable to understanding fully this luminary of medieval philosophy, poetry, and music. In addition, they provide a fascinating glimpse at life in tumultuous twelfth-century Germany, beset with schism and political unrest. This first volume includes ninety letters to the highest ranking prelates in Hildegard's world--popes, archbishops, and bishops. Three following volumes will be divided according to the rank of the addressees.
People revered Saint Hildegard von Bingen, German nun, composer, and a visionary, during her own lifetime; she set her poems to music and also wrote works on medicine and natural history.
People also knew this philosopher, Christian mystic, Benedictine abbess, and polymath as Sibyl of the Rhine. Her fellows elected her as a magistra in 1136; she founded the monasteries of Rupertsberg in 1150 and Eibingen in 1165. The Ordo Virtutum exemplifies early liturgical drama.
Her theological and botanical texts, letters, liturgical songs, and arguably the oldest morality play, well survive; she meanwhile supervised brilliant miniature Illuminations.