This is the first anthology devoted exclusively to the subject of colour in film and its history, production and technology. Set out in thematic sections, the book addresses key issues in the field Including case studies too, this is the perfect introductory guide to a key element in film form and theory. A must for any student starting a film studies course.
Angela Dalle Vacche is Professor of Cinema Studies at the Georgia Institute of Technology in Atlanta. She has written extensively on the representation of history in film; on Italian women and early cinema; on intermediality and color. She is the author or editor of such works as Film, Art, New Media: Museum without Walls? (2012) and Diva: Defiance and Passion in Early Cinema (2008), and is currently developing a book on African cinema.