"The Easter Egg" is an unusual story because for once "Saki" seems to be in deadly earnest and narrates for us a straightforward and tragic tale with not the least trace of irony.
British writer Hector Hugh Munro under pen name Saki published his witty and sometimes bitter short stories in collections, such as The Chronicles of Clovis (1911).
His sometimes macabre satirized Edwardian society and culture. People consider him a master and often compare him to William Sydney Porter and Dorothy Rothschild Parker. His tales feature delicately drawn characters and finely judged narratives. "The Open Window," perhaps his most famous, closes with the line, "Romance at short notice was her specialty," which thus entered the lexicon. Newspapers first and then several volumes published him as the custom of the time.
"'The Easter Egg' is an unusual story because for once "Saki" seems to be in deadly earnest and narrates for us a straightforward and tragic tale with not the least trace of irony."
Now everyone knows GR is almost beyond parody when it comes to the incredibly stupid pronouncements it makes but this description of Saki's 'The Easter Egg' has to hold some sort of record for inaccuracy. It may not quite reach the standard that literary critic Mary McCarthy used when she said "every word [playwright Lillian Hellman] writes is a lie, including 'and' and 'the'" but it comes close. Saki is not in earnest, the tale is not straightforward, it is as tragic as Tobermory, Gabriel Ernest or Sredni Vashtar (which is to say that someone dies but you never really get round to missing them) and is about as suffused with irony as any Saki story. I don't want to go into particulars because Saki's stories are brief but it is the brevity of genius. Knowing exactly what to put in, but more importantly, what to leave out, was an art at which he excelled. He could pack more characters, adventure and local colour in four pages then most authors can manage in as many hundreds.
That the story upsets and disturbs a number of GR reviewers is an unalloyed pleasure particularly if it spoils the shoddy commercialism and revolting sentimentality of the Easter season. Saki's Easter Egg is a knife eviscerating holiday pieties a century after it was written. How wonderful.
An Easter egg, a cherubic little tike, and a prince all converge in this very short tale. There is redemption for a son, while his mother of "good fighting stock" surprises no one. (1911) Audible edition narrated by Nadia May. An Easter tale that is neither happy nor humorous, but a tale of redemption and bravery.
I have never been a fan of saki/munro. Some stories amuse me, but just barely, and I think his style smacks of condescension and arrogance (even if dated). I see plenty of five star reviews, including one with a brazen spoiler, so the reader should probably ignore my review. I found the story horrid. On or about Easter, my Alexa informed me that I could listen to an audible version for free. The audible was worse than the story. I stopped it after two long minutes. I managed to finish reading the (three page!) story here>
Devilishly clever tale about a terrorist act about to be committed by an unsuspecting child. Given a basket of Easter eggs to give to a prince it becomes apparent at the last moment that a bomb has been placed in it. A man who has been a coward all his life must make a decision to act. Simple yet very thought provoking story!