A play that charts the rise of an unlikely heroine in 1660s England, from her roots in Coal Yard Alley to her success as Britain's most celebrated actress, and her hard-won place in the heart of the king. But at a time when women are second-class citizens, can her charm and spirit protect her from the dangers of the court? And at what cost?
I first came upon Swale via the excellent film 'Summerland' that she both wrote and directed, that (not coincidentally) also starred Gemma Arterton. I was so impressed with her writing, I wanted more, and for the most part, this fun historical romp did not disappoint. Apparently this is a revised edition that the playwright rewrote following the first production, and it still could use a bit of tweaking and some judicious editing. But it's loads of fun, and loved the postmodern nod to Titanic!
As people who follow my reviews probably know, I love history plays, and this one is a very good one. Nell Gwynn (also spelled Gwyn or Gwynne) is one of those really intriguing figures who managed to overcome the normal limitations of a rigidly hierarchical social class system and rise from obscure poverty to wealth, fame, and power. Partly her rise was due to being in the right place at the right time--i.e., around the theatre in the first years women were allowed to perform on the English stage--but the larger part was Nell's wit and intelligence, which captivated fellow actors, audiences, and King Charles II. Although in Swale's play, Nell declares that she doesn't want to be political, as one of Charles' most important mistresses (probably the most important), she had to negotiate a world of court etiquette and intrigue for which her upbringing in Cheapside would have provided little preparation. Simultaneously, she was one of the most beloved actors of the Restoration stage, and with a small number of other women played a key role in establishing women as talented and (semi-)respectable performers. Swale does not give a documentary account of Nell's life and career (as she makes clear in the interview published at the beginning of this version), but she does a really good job of showing the various challenges of Nell's life and how she struggled but ultimately succeeded at managing them. https://youtu.be/i4_t8fKoNxs
Witty! A play on words, on works, literature and history..
*On depiction of women in plays then*
-Nell: No, Mr. Dryden! It's not! We're as knotty and tangly as you are, and yet how do you write us? 'Oh Romeo, Romeo, lend me your dagger so I can kill myself -- for though I'm young and healthy and have everything to live for-- and I only met you a week ago-- my life's not worth living now you've gone.' Really? It's hogswill. Juliet is a noodle. Who wrote that twaddle anyway?
-Dryden: William Shakespeare
Nell: Well, he should learn to write proper plays. [...]
The scene where Dryden describes the plot of Titanic is the best thing to ever come out of postmodernism.
The play moves swiftly, if sometimes a bit clunky in its use of time. It could have made more of the relationships between the women in the play and not so frequently put them against each other. It felt like the whole cast was mad for Nell except the rather cliche, gay Kynaston. But Nell is worth your time, for her bawdy exuberant self.
I am doing a scene from this play as a part of my acting course, playing King Charles II. This play is so much fun to read, the innuendos, Charles’ character in general. Even reading it I can tell the timing of lines is great and very effective. I love Jessica Swale, I was in her play Blue Stockings which is also amazing, she really has a talent for historical feminist plays. I really felt the importance of Nell Gwynn being one of the first women on stage, and there are so many parts that are historically accurate which brings the reader/audience in even more. Their relationship is portrayed beautifully, the flirtation, and how it is clear from the start their feelings are different to what they’ve experienced before. The laxative scene was hilarious. I am so excited to get stuck into this play and the character of Charles, I would rate it 4.5 stars if I could because it is not overly groundbreaking but it’s really incredible. I want to see it on stage so bad.
Favourite quotes
“Finest English sausage”
“I’m the Protestant whore!”
“Don’t let poor Nelly starve”
This entire review has been hidden because of spoilers.
This is an engaging and intelligent play which may be better on the page than on the stage. Who knows? I saw it as I was halfway through reading it and enjoyed the show and enjoyed both halves of my reading -- although my experience of reading it definitely was changed be seeing it.
On stage in Chicago it's not sure exactly what genre of play it is but it's still a pleasure to watch. The Chicago Tribune review linked below describes some of that ambiguity but overall Nell Gwynn deserves -- as a play and as a production -- more than the two stars awarded.
I loved this play. I love strong female leads, historical settings, comedy, plays about plays, and this play has all of that! I have not seen this performed yet, but as I read it I could completely imagine it being played before an audience. Swale has written an effective exploration of society during Restoration England, exploring the roles of men and women, both high and low, and the options and restrictions available to all. Central to the narrative is the engaging character of Nell Gwynn, famous for being mistress to Charles II, and one of the first women to perform in theatre in England. Swale's play covers the period of their meeting up until Charles II's death.
Technically, this shouldn't be on my book challenge for this year as I read this for an exciting 'top secret' upcoming academic project, but I enjoyed it (even if there's one small specific section which annoys me). I saw the play years ago in the Globe and it really did work incredibly well in that space.
I read this as a possible spring show idea. While the writing is witty and laugh out loud funny at times, it is too bawdy for my high schoolers and Montana audience. If I ever get the chance to see it, though, I'd be happy to go!
I loved this play and wish I'd seen it in London with Gemma Arterton. I read that it's been optioned for a movie. I'd rather it came to NY live on stage, but I'll take what I can get. :)
Fun research [my novel Becca DuMaurier / http://becca.neale-sourna.com] and imaging two of my fave Brit actors femme acting this play part: Gugu Mbatha-Raw and Gemma Arterton. Go Nelly!
Charming, funny, delightful. Act one is way too long, and unnecessarily so – entire scenes could easily be cut – but this is a pleasurable piece of theatre. I also think Nell Gwynn is a bit too aimed at theatre people than it should be, but this play is a love letter to Gwynn herself, to the Restoration theatre, and to the love story of Nell and Charles II of England.