Narrating the unthinkable was a task to which Frederick Douglass was more than equal. A self-taught polymath, Frederick Douglass was an enslaved man who secured his freedom by outwitting and out-thinking his captors, and by outdoing them in sheer determination and inner strength as well. Once he gained his freedom, Douglass testified to what he had seen and endured, in speeches and writings that helped to awaken the conscience of a nation, and to turn a growing number of hitherto-indifferent whites in the North against slavery. He lived to become a friend and adviser of Abraham Lincoln, and to see the abolition of slavery in the United States via the 13th Amendment to the Constitution in 1865. And all of that was before he held U.S. Government positions like Recorder of Deeds for the District of Columbia, and Consul-General to the Republic of Haiti!
Frederick Douglass lived one of the most distinctive and inspiring lives in all of American history, and over the course of his long life he told his story in three different autobiographies. All three are classics of American literature; but the first of those autobiographies, which he published in 1845, is the one that is most widely read today. Slavery may have been abolished in the United States in 1865, but injustice is still a problem here and in all countries; and as long as such is the case, readers will continue to draw inspiration from this very short book with a rather long title: Narrative of the Life of Frederick Douglass, an American Slave, Written by Himself.
The Written by Himself portion of the title is important, because in 1845 there were a great many white Americans who would have been prone to doubt whether any African American, much less an African American raised in slavery, could write his own story, as Douglass did. It is for that reason that, when Narrative of the Life of an American Slave was written, it was prefaced with introductions by white abolitionists William Lloyd Garrison and Wendell Phillips. It is a scarring indictment of the racism of those times that many readers would have needed testimonials from two white men to believe that a black man had written his own book.
Along with horrifying and painful descriptions of the cruelty and savagery of slavery in the 19th-century American South, Douglass provides a careful setting-forth of how he learned to read and write. His becoming literate might have seemed improbable, given the circumstances of his birth and upbringing. Douglass was born into slavery on a plantation belonging to a Colonel Lloyd who was one of the wealthiest planters in Talbot County on the Eastern Shore of Maryland. Douglass chronicles how chattel slavery meant, among other things, that he barely knew his mother (his father may have been a slaveholder with power over the plantation area where Douglass was born); and he makes clear that one’s status as a child did not exempt one from seeing the cruel and brutal punishments to which enslaved people could be subjected at a slaveholder’s whim.
Yet a decisive inflection point in young Frederick Douglass’s life occurred when he was taken from the Eastern Shore and sent to live with a couple named the Aulds, related to the Lloyds but living in Baltimore. Douglass found that slavery in a city like Baltimore, while it was no less unjust, was generally not as openly cruel and abusive as slavery in a rural plantation area like the Eastern Shore. When “Master Hugh” Auld reacted angrily to his wife’s attempt to teach Douglass some rudiments of reading and writing, Douglass knew at once that learning these skills was vital to his future prospects for any future life beyond bondage. Accordingly, Douglass applied great ingenuity, and utilized his time in the shipyard trades around Baltimore’s Fell’s Point area, to learn how to write:
When a piece of timber [for a ship] was intended for the larboard side, it would be marked thus – “L.” When a piece was for the starboard side, it would be marked thus – “S.” A piece for the larboard side forward would be marked thus – “L.F.” When a piece was for starboard side forward, it would be marked thus – “S.F.” For larboard aft, it would be marked thus – “L.A.” For starboard aft, it would be marked thus – “S.A.” I soon learned the names of these letters, and for what they were intended when placed upon a piece of timber in the ship-yard. I immediately commenced copying them, and in a short time was able to make the four letters named. After that, when I met with any boy who I knew could write, I would tell him I could write as well as he. The next word would be, “I don’t believe you. Let me see you try it.” I would then make the letters which I had been so fortunate as to learn, and ask him to beat that. In this way I got a good many lessons in writing, which it is quite possible I should never have gotten in any other way. During this time, my copy-book was the board fence, brick wall, and pavement; my pen and ink was a lump of chalk. With these, I learned mainly how to write. (p. 50)
Douglass’s Narrative of the Life of an American Slave thus works not only as a denunciation of injustice and a plea for universal human rights, but also as a literacy narrative.
Eventually, young Frederick was sent back to the Eastern Shore, where the slaveholder who “owned” him found him insufficiently deferential. Therefore Douglass was sent to the plantation of one Edward Covey, a “slave-breaker” who deliberately used random cruelty in an attempt to break the spirit of any African American who seemed disposed to try to resist the slave system.
I last returned to Narrative of the Life of an American Slave in the context of a Chesapeake Literature course that I was teaching at George Mason University in Virginia. Perhaps the most famous description of Chesapeake Bay in all of American literature occurs in these passages from Douglass’s Narrative. Looking back to his time at Covey’s “slave-breaker” farm, Douglass recalls how “Our house stood within a few rods of the Chesapeake Bay, whose broad bosom was ever white with sails from every quarter of the habitable globe”, but then adds that “Those beautiful vessels, robed in purest white, were to me so many shrouded ghosts, to terrify and torment me with thoughts of my wretched condition” (p. 67). In the passage that follows, young Frederick apostrophizes the ships on Chesapeake Bay, and reaffirms his determination to be free:
You are loosed from your moorings, and are free; I am fast in my chains, and am a slave! You move merrily before the gentle gale, and I sadly before the bloody whip! You are freedom’s swift-winged angels, that fly round the world; I am confined in bands of iron! O that I were free!...It cannot be that I shall live and die a slave. I will take to the water. This very bay shall yet bear me into freedom. The steamboats steered in a north-east course from North Point. I will do the same; and when I get to the head of the bay, I will turn my canoe adrift, and walk straight through Delaware into Pennsylvania. (pp. 67-68)
One of the most inspiring passages in Narrative of the Life of an American Slave occurs when young Frederick stands up to the “slave-breaker” Covey, fighting back against his cruelty and abuse. Covey, a coward like all bullies, never again tried to beat or abuse young Frederick, and Douglass eloquently recalls how the episode changed his point of view:
This battle with Mr. Covey was the turning-point in my career as a slave. It rekindled the few expiring embers of freedom, and revived within me a sense of my own manhood. It recalled the departed self-confidence, and inspired me again with a determination to be free….I felt as I never felt before. It was a glorious resurrection, from the tomb of slavery, to the heaven of freedom. My long-crushed spirit rose, cowardice departed, bold defiance took its place; and I now resolved that, however long I might remain a slave in form, the day had passed forever when I could be a slave in fact. (p. 73)
Eventually, young Frederick did indeed escape from slavery; and writing seven years later, Mr. Douglass recalls how, “on the third day of September, 1838, I left my chains, and succeeded in reaching New York without the slightest interruption of any kind.” But he adds that “How I did so – what means I adopted – what direction I travelled, and by what mode of conveyance – I must leave unexplained” (p. 100). The year was 1845, after all, and Douglass keeps his method of escape secret because he wants to be sure that other enslaved people could follow the same path to freedom. One can learn the specifics of Douglass’s escape by consulting Douglass’s later, post-Civil War writings, or by reading biographical works like Dickson Preston’s Young Frederick Douglass: The Maryland Years (1980).
This Penguin Books edition of Narrative of the Life of an American Slave also includes a couple of other writings by Douglass. One is his speech “What to the Slave Is the Fourth of July?” This oration, delivered at Rochester in July of 1852, powerfully sets forth the hypocrisy of a nation celebrating liberty while four million of its people are held in bondage. Another welcome addition is Douglass’s novella The Heroic Slave (1853) – a based-on-fact account of when Madison Washington, an enslaved man, led a slave revolt on board the slave ship Creole while it was en route from Virginia to New Orleans in 1841. Under Madison Washington’s leadership, the Creole was sailed to Nassau in the Bahamas – where, under British law, more than 100 enslaved people immediately gained their freedom.
It makes sense that Frederick Douglass would want to tell the story of the most successful slave revolt in U.S. history. Douglass captures well the inherent drama of the story, and I was struck by his description of Madison Washington:
Madison was of manly form. Tall, symmetrical, round, and strong….His eye, lit with emotion, kept guard under a brow as dark and as glossy as the raven’s wing. His whole appearance betokened Herculean strength; yet there was nothing savage or forbidding in his aspect. A child might play in his arms, or dance on his shoulders. A giant’s strength, but not a giant’s heart was in him. His broad mouth and nose spoke only of good nature and kindness….He was just the man you would choose when hardships were to be endured, or danger to be encountered – intelligent and brave. He had the head to conceive, and the hand to execute. (p. 152)
As with Edgar Allan Poe’s delineation of Roderick Usher’s appearance in “The Fall of the House of Usher” (1838), I can’t help thinking that Frederick Douglass’s depiction of Madison Washington in The Heroic Slave is a case of an author (perhaps unconsciously) describing himself as he describes his character.
With a helpful introduction by Ira Dworkin of the American University in Cairo, this edition of Narrative of the Life of an American Slave is an excellent way to get to know one of the most important books ever written by an American.