My tryst with Beaumont, if the experience of reading this book is taken as an indicator, is going to end badly.
Although the introduction by Roger Anker was succinct, informative, and sympathetically underscored the importance of Charles Beaumont, the stories didn’t make me that comfortable.
It didn’t help that the book opened with a yarn where the story got completely lost in the hillbilly voice of rustics (“Adam’s Off Ox”). It was followed by some crowd-pleasing tales (“A Long Way from Capri”, “The Rival”), some bitter & forced humour (“With the Family”, “The Junemoon Spoon”), some stories so deep that they couldn’t pull themselves up (“Moon in Gemini”, “The Indian Piper”, “Mr. Underhill”, “The Pool”, “The End Product”), and some knock-outs that tried to make the trip worthwhile (“Lachrymosa”, “Time and Again”, “A Friend of the Family”, “Resurrection Island”, “Fallen Star”, “The Philosophy of Murder”, and “The Blind Lady”).
It’s for those knock-outs, and the introduction, that I am giving the book three stars. But believe me, next time I going for a Fredric Brown. THAT guy never misfires. Well, almost never. You know.
Upto you now.