“ The universe started with a sound like a duck call, then a whistle, then an enormous wind-break.”
This was my first Robert Rankin book, and I thoroughly enjoyed the surreal ride. Unable to pass up an author recommended by Sir Terry Pratchett (and interminably by my Goodreads Recommendations feed), I picked out the one that sounded the most epic to me. Post-nuclear Apocalypse. Armageddon. Aliens making reality TV out of human evolution.
Although the premise is fairly similar to Terry Pratchett and Neil Gaiman’s Good Omens, which I found missed the mark for me when I read it in 2016, I personally preferred Rankin’s Armageddon: The Musical. I think the way it embraced its own naffness circumvented the problem of material dating, which affects all comedy writing. I enjoyed the literal depiction of the alien Phnaargs as green-skinned men, like the lowest budget extras in a 1980s episode of Staer Trek. “ The erect biped represents the universal architype when it comes to the ‘intelligent’ being. This has long been known to science-fiction aficionados and UFO contactees.” There was no attempt to make the visual epic or stylish, just a great commitment to mocking the era.
Much of the book focuses on the squalid post-nuclear suburbia, a literal soap opera of the mundane lives of the survivors of the end of civilisation. “ When Rex had asked to be shown exactly where they were on the map, Uncle Tony had shaken his head, and said that he didn’t know. Then he had wept.” It’s a benighted world, where poverty and beaurocracy march on much as they do today. “Although the water was bit iffy, and lamb looked like it would be off the menu for some time, the TV was back on within the week, which can’t be bad by any reckoning.” Rankin cleverly subverts a lot of the 1980s-1990s middle class fear about the social implications of watching too much television by having literal food rations apportioned in accordance with how much television you watch and major religious figures preaching game shows instead of sermons.
And who are these surviving religions? The Bhuddists, led by the Dhalai Lama. All fundamentalists, finally under the sway of L. Ron Hubbard. And … Wait for it …
The Jesuits!
Having attended Jesuit school for far too long as a teenager, this joke genuinely brought tears to my eyes. There aren’t enough literary jokes about Jesuits.
Meanwhile, those green low-budget Phnaargs are meeting in soulless boardroom clashes to try and reverse the decrease in rating for hit reality TV show The Eathers. “‘Must I remind you that this series has an original script?’” (even if the was scheduled to end in the year 999 A.D.) Why are they so much more advanced than us if they look human? “On Phnaargos, the cathode ray-tube grew wild.” And every twig, flower, and clump off moss on Earth is a Phnaargian recording device. They epitomise everything ruthless and cut-throat about big media. “ Someone on fire jumped from a third floor window ‘Zoom in on the corpse. Hold and cut.’” “‘But they are our people, that is murder.’ ‘No, Morgowr, that is showbiz.’” But their public just aren’t that interested in watching bunker-bound humanity watching television (clearly the Phnaargs haven’t got Googlebox). Their great plan? Bring back popular character Elvis Presley with an infuriating time-travelling sprout.
Even their attempt to bring Elvis forwards from 1958 looks like a terrible special effect. “‘Perhaps when you actually go back in time things aren’t the way they should be. Possibly when the present becomes the past it sort of decays.’” No wonder the human race isn’t up to much in the year 2050. “’ If only the morons had done what was required of them throughout their history they would all be living in Utopia now.’” As if a TV-addicted capitalist species knows anything about Utopia.
The book is full of irreverent humour. There is total disregard for the forth wall. “‘Oh,’ said Deathblade Eric, ‘It’s us. I thought we were dead.’” Characters talk about escaping their own subplots to become major characters and vanishing from the plot. There are lots of splatterpunk deaths. There is a nuclear warhead called a “ Sneekie Reekie” It asks the characters too feel sorry for it when it’s found to be a bud. “ Death was always a squalid affair, but Rex, like all men, had laboured under the misconception that his would have some dignity about it.” The style is compelling, there’s something almost grimdark about its contempt for its own poignancy.
The one aspect that I wasn’t comfortable about in this novel, and the reason that I had to deduct a star, was the consistent objectification of women. “The floor was littered with Coca Cola cans, empty Bourbon bottles, Kentucky Fried Chicken boxes, and several Chinese women in various states of undress.” See what I mean? I know that misogyny was rife in the 1980s power-media, but this relegation of women to furniture was never subverted or challenged. Almost all of the characters are male, and those few female characters are shrewish and only really appreciated for their bodies. If Rankin can modernise his writing more in his other works, I think he could be a new favourite author to rival Tom Holt.
“‘God thrives on flattery, worship, and applause. He created man in his own image. So he’s only human after all. He created another planet, Phnaargos, and a race, the Phnaargs, whose job it was to stage-manage the whole show.’”