Jury Arisugawa lacks the complexity, mystery, and depth of character she possessed in the anime when she first blazes forth from the manga’s pages. Nor is her conflict with Utena as layered and highly charged with chemistry. Jury’s infatuation with Touga, her hot temper, and strictness weren’t as interesting as the rigid self-discipline and dignity with which she protected herself. Her conflict with Utena in this is more of a romantic rivalry and jealousy akin to what Kozue shows in this volume. Kozue isn’t nearly as duplicitous, secretive, and cunning as she was in the anime. Much of the mystery is gone, leaving her with raw, unchecked jealousy she often expresses. Or perhaps I should say all of the complexity, mystery, duplicity, and depth evolved in Jury and Kozue later since the manga existed before the anime. Touga carries the burden of beauty, mystery, and duplicity while pursuing Utena and his goals. Poor boy. I’m not sure how sarcastic I’m being. Just how deep is Touga in with World’s End? Utena is only just beginning to learn how deep Anthy is involved. Is she orchestrating the fate of those involved with the duels along with World’s End? Is Anthy a victim or a villain? Just why does the Rose Bride do what she does? Why is she bound to the dueling game? Are her goals changing due to her contact with Utena? It was great watching Wakaba explode when Anthy said she belonged to Utena. The key’s to Anthy’s heart is still her brother, something she hints at. Utena and Miki did look adorable together in the various ways they were drawn. It was cute seeing Miki crush on Utena, who may be a little gentler with him than Anthy was in her passive aggressive sweetness and relentless devotion to the rules of the Rose Seal. Nanami is nothing but a pretty picture with no appearance beyond that, leaving Chu-Chu with much more to do and more mischief to get into. Just think curry. Some of the mishaps which Utena and Anthy got into gave them insight into each other’s hearts even though they have much to learn. The artwork was stunning. Saionji manages to be both lovely and ridiculous. Jury leaps from the page in full splendor, radiating beauty and poise even if her character doesn’t quite embody them as much as in the anime. (Excellent job in fleshing her out in the other medium, Saito-sensei and Be-Papas.) Miki and Kozue are quite adorable while Utena rules every page with her beauty, force of character, and charming naiveté. Anthy, on the other hand, makes it quite a challenge to spot any glimmer of emotion behind her glasses and ever-present smile. Every once in a while it shows or does it? She’s perhaps one of the most interesting femme fatales in manga or anime with her low-key approach and cunning. Sometimes I wonder if her enemies have her more accurately pegged than Utena ever did. Utena’s innocence and her concern for Anthy as a person may be the key to Anthy discovering that she is, indeed a person. This is one of the most compelling themes in the series which continues to play out. Utena, however, is bound by her own code as a prince, her desire to be a prince, and a desire to see her prince again. These desires can be used to manipulate her, something Touga, World’s End, and perhaps Anthy herself are learning to take advantage of. I’m rediscovering all of these things as I read, delighted to rediscover them. This series holds a special place in my heart. It once showed me how magical, mind-bending, and gender-bending storytelling can be. It reminds me to keep to pushing at the edge of possibility.