Gorged on this book while on holiday - a perfect, mischievous distraction. I lover her barbed wit and her insights on people. Not surprised that she is great mates with Tracey Emin, they would make great ( though slightly intimidating mates) She comments on her craft, how she has to don nicotine patches nowadays, and how she dreads the interview ' sitting an exam with not enough time' itself and much prefers the research and writing. We hear about her early career and how she accidentally fell into her job - first writing for Penthouse in her 20s. She alos mentions her childhood hood in Twickenham ( yawn) which is fairly covered in 'An Education' ( which I want to read) She gives accounts of some key interviews - Marianne Faithful, Jimmy Savile ( who she challenged) and the kinds of questions she asks film stars to glean juicy gossip ' ie who did you have dinner with most nights on location ? When she draws a blank, she puts it in the article to mark a spot for other interviewers to dig. She also looks around the subject, ie noticing that Lionel Shriver doesn’t put on the heading ( wearing a coat and gloves indoors) ( woman after my own heart) despite suffering from Raynauld's disease. She also feels moods are catching, and if she comes out of an interview depressed she will listen to the tape and try and find the moment where her mood changed - She covers Artists, film Stars, Michael Winner, Pop Stars ( Shane McGowan & his missus, Victoria, Sports Stars (Nadal) Writers,
On Tracey Emin's dad. ' She obviously picks this fight every time she sees him, she won't ever let things be. That is why her childhood pain is always so fresh and available to her art. If a wound shows any signs of healing, she'll pick the scab until it starts bleeding again. This is an incredible strength in her art - the way she can call up old emotions, feel old pains - but it must be quite a drawback in her life. '